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Supports: MJPEG
MJPEG (Motion JPEG) stores video as a string of independently compressed JPEG frames with no inter-frame compression, which makes the source bulky — every frame is a full still image. WMV (Windows Media Video) uses inter-frame compression, so re-encoding a bulky MJPEG capture to WMV typically produces a much smaller file at similar visible quality. Convert when you want to shrink surveillance, webcam, or capture-card footage for a Windows-only or Windows Media Player workflow. If you instead want a small file that plays on phones, browsers, and modern editors, MJPEG to MP4 gives you the more efficient, universally playable H.264 file.
| Property | MJPEG (source) | WMV (output) |
|---|---|---|
| Compression | Per-frame JPEG, intra-frame only | Inter-frame (uses redundancy between frames) |
| Real-world efficiency | Limited, roughly 1:20 | Higher — inter-frame coding reaches ~1:50 |
| Typical file size | Large — every frame is a full JPEG | Much smaller at similar quality |
| Container | Raw elementary stream, often wrapped in AVI/MOV | ASF (Advanced Systems Format) |
| Default video codec here | n/a (source) | WMV 2 (Windows Media Video 8, FourCC WMV2) |
| Audio in the bare codec | None — raw MJPEG carries no audio | WMA v2 — but silent if the source has no audio |
| Native playback | Limited (VLC, a few players) | Windows Media Player and Windows tooling; thin elsewhere |
| Frame independence | Yes — every frame stands alone | No — most frames depend on neighbors |
| Best for | Capture, evidence review, frame-accurate access | Legacy Windows Media / WMP-era workflows |
The defining tradeoff: WMV trades MJPEG's frame independence for inter-frame compression, which is why the file shrinks. It does not regain quality — re-compressing already-lossy JPEG frames is a lossy-to-lossy step.
.wmv for an older Windows Media Player, Windows Movie Maker, or a Windows-only application that only ingests Windows Media files..wmv clips natively and you want a drop-in file..mjpeg or .mjpg file onto the page, or click "+ Add Files". Batch upload is supported, so a folder of camera or capture dumps can go through in one pass..wmv file. Open the Video Codec menu to switch to WMV 1 (Windows Media Video 7) if an older Windows target requires it..wmv file. No sign-up, no watermark.Usually yes, and that is the main reason to do it. MJPEG compresses each frame independently as a full JPEG with no inter-frame savings, so its real-world efficiency is only around 1:20 and files are large. WMV uses inter-frame compression — it stores what changed between frames — and reaches ratios closer to 1:50, so a bulky MJPEG surveillance or capture-card clip typically shrinks substantially at similar visible quality. The exact ratio depends on motion: a near-static camera angle compresses far harder than busy footage.
No — and that is an honest limit, not a tool flaw. MJPEG to WMV is a lossy-to-lossy re-encode: the already-lossy JPEG frames are decoded and re-compressed to a Windows Media Video codec, so no detail the source already discarded can be recovered. A standard-definition capture stays standard-definition; choosing a larger resolution preset enlarges the frame but invents no new detail. Keep "Keep original" resolution and a high preset to avoid adding a visible second generation of loss.
Because a raw .mjpeg stream is only video — a sequence of JPEG frames with no audio track — so there is nothing to carry into the WMV, and the output comes out picture-only. This is normal for IP-camera, webcam, and machine-vision captures, which record MJPEG video separately from any audio. When a source does contain an audio track, the WMV carries WMA v2 (Windows Media Audio) by default, the standard pairing inside an ASF/.wmv file. If your audio lives in a separate file, it has to be muxed in as a distinct step.
The video defaults to WMV 2, the FourCC for Windows Media Video 8, inside an ASF (Advanced Systems Format) container — the standard makeup of a .wmv file. Under the Video Codec menu you can switch to WMV 1 (Windows Media Video 7) for an older target. Both are distinct from WMV 9, which Microsoft submitted to SMPTE and which was standardized in March 2006 as SMPTE 421M, better known as VC-1.
For almost any modern use, choose MP4. WMV is a Windows Media format whose playback support is thin outside Windows, and its default WMV 2 codec is older and less efficient than the H.264 inside an MP4 — so an MP4 is usually both more compatible and smaller at the same quality. Convert to WMV only when a specific Windows-Media workflow needs it: an old Windows Media Player or Windows Movie Maker project, a Windows-only application, or a legacy PowerPoint that embeds .wmv clips natively. Otherwise use MJPEG to MP4.
Use File Compression. The Quality Preset ("Very High" down to lower presets) trades size against quality directly; for a hard ceiling, set a Target file size percentage, a Specific file size, or a bitrate, and the encoder targets it. In our testing, a 30-second 720p MJPEG capture re-encoded to WMV 2 at the "Very High" preset came out several times smaller than the source while opening cleanly in both Windows Media Player and VLC. Lower the preset or bitrate for an even smaller file at the cost of some detail.
Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after the conversion — no sign-up, no watermark, never shared or made public.