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Supports: MOS
MOS is the proprietary RAW format used by Leaf digital camera backs — the Aptus, Aptus-II, and Credo series, including Mamiya Leaf bodies. A single Aptus-II 80 frame is a 165 MB uncompressed RAW packing 80 megapixels of medium-format sensor data, which is glorious for print but useless for any device that wants a video stream. AVCHD wraps H.264/AVC video and Dolby AC-3 (or linear PCM) audio inside an MPEG-2 transport stream — the same recording format Sony and Panasonic introduced in 2006 for HD camcorders, and the format Blu-ray players read natively from disc, SD card, or USB.
For a more universal, web-friendly slideshow consider MOS to MP4; to deliver still images in a standard photo format use MOS to JPG or MOS to TIFF. The same engine produces the AVCHD-family siblings MOS to MTS and MOS to M2TS — MTS is the camcorder-side extension, M2TS is the Blu-ray-side extension; the bitstream is identical.
| Property | MOS (Leaf RAW) | AVCHD |
|---|---|---|
| Type | Still image (RAW sensor data) | Video container (.mts / .m2ts) |
| Origin | Leaf / Mamiya Leaf digital backs | Sony + Panasonic, 2006 |
| Codec | Sensor-native; sometimes IIQ-style compressed | H.264/AVC video, AC-3 or linear PCM audio |
| Container | Proprietary | MPEG-2 transport stream |
| Bit depth | 16-bit per channel (CCD) | 8-bit Y'CbCr 4:2:0 (AVCHD 1.0) |
| Resolution | 22, 28, 33, 40, 56, 80 megapixels | 1920x1080, 1440x1080, 1280x720 |
| Bitrate | n/a (sensor RAW) | Up to 24 Mbit/s (SD/disc), 28 Mbit/s progressive (AVCHD 2.0) |
| Typical file size | 30-165 MB per frame | 1-3 GB for a 5-min 1080p clip |
| Software | Capture One, Leaf Capture, Lightroom (uncompressed only), RawTherapee | VLC, QuickTime, Blu-ray players, all NLEs |
| Output preset | Pixels | Use case | Bitrate target |
|---|---|---|---|
| 1080p | 1920x1080 | TV slideshows, AVCHD discs, hybrid camcorder timelines | 18-24 Mbit/s |
| 720p | 1280x720 | Smaller files, fast preview discs, older hardware | 8-12 Mbit/s |
| 1440x1080 | 1440x1080 anamorphic | Spec-compliant AVCHD 1.0 fallback | 12-18 Mbit/s |
| Original | Native MOS pixel grid | Not recommended — AVCHD will refuse most decoders above 1920x1080 | n/a |
Leaf digital backs — the Aptus and Aptus-II line (5, 6, 7, 8, 10, 12, 17, 22, 28, 33, 40, 56, 75, 80) and the Credo series — write .mos. These mounted on Mamiya 645AFD, Contax 645, Hasselblad H, AFi, and HY6 medium-format bodies. A separate, unrelated .mos exists in MIDI/score-editing software (Mosaic) and on Canon camcorders as part of the AVCHD folder structure — neither is what this converter handles.
Yes. The Merge Strategy dropdown gives both. "Merge images" emits one .mts containing every uploaded photo at the selected duration; "Video per image" emits N .mts files. Merge is what you want for a slideshow; per-image is useful when each photo needs its own asset for an editing timeline.
1920x1080 (1080p). The AVCHD specification was designed around 1920x1080 and 1440x1080, with 1280x720 as the lower tier. Picking "Keep original" on an 80 MP Leaf file yields a non-spec stream that most Blu-ray players and camcorders will refuse — the AVCHD bitstream constraints assume one of the standard resolutions.
Because the destination — TV, camcorder, Blu-ray deck — cannot display more than 1920x1080 over its HDMI/component output. Down-rezzing from 80 MP to 2 MP (1080p) actually produces a sharper visible result than upscaling a smaller source, since the 80 MP frame oversamples every output pixel roughly 40x. Detail loss only matters if your delivery target is print or 4K+.
No. RAW is by definition unprocessed sensor data; AVCHD is 8-bit Y'CbCr 4:2:0 video. The 16-bit-per-channel CCD data, 12 f-stop dynamic range, and demosaicing-stage flexibility all bake down into 8-bit color when the frame is rendered to video. Edit and grade in Capture One first, export final JPEG/TIFF, and let the converter encode the finished pixels.
No. Adobe Camera Raw historically refused IIQ-style compressed Leaf MOS files (a long-standing community complaint), but xconvert decodes the file directly to render frames into the AVCHD stream. If your file opens in Capture One, Leaf Capture, RawTherapee, or Affinity Photo, this converter will handle it.
AVCHD is the specification — H.264 video plus AC-3 audio in an MPEG-2 transport stream, with constraints around bitrate and resolution. .mts is the file extension your camcorder writes; .m2ts is the same bitstream after Blu-ray authoring or Windows import. xconvert can output either extension; pick the one your downstream tool expects.
Most likely yes, but it depends on the TV. Sony, Panasonic, Samsung, and LG smart TVs from roughly 2010 onward read .mts/.m2ts from USB. If a TV refuses, MOS to MP4 (H.264 in MP4) is the most universally compatible alternative — same video codec, friendlier container.
No audio is added by default. AVCHD requires an audio track for some strict decoders, so the converter writes a silent AC-3 stream when needed to keep the file spec-compliant. If you want music behind the slideshow, add it later in any NLE (DaVinci Resolve, Premiere, iMovie) — they all open .mts directly.