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Supports: MOS
A .mos file is the unprocessed RAW capture from a Leaf Aptus medium-format digital back — a very large sensor-level negative meant for editing in Capture One, not for playback. MKV (Matroska) is a modern, open, royalty-free video container. Turning a MOS into an MKV renders the RAW, then holds it as one motionless frame for a duration you set, with no audio. If you only want to see the picture, this is the wrong target — render it to an image instead. When you genuinely need the still inside a video file, the two wrappers worth comparing are MKV and AVI: pick MKV for a current editor or media-server timeline, AVI only when an old Windows tool demands that exact container.
| Property | MKV (Matroska) | AVI (Audio Video Interleave) |
|---|---|---|
| Announced | Dec 6, 2002 | 1992 |
| Origin | Open, royalty-free standard | Microsoft (Video for Windows) |
| Standardized as | RFC 9559 (Oct 2024) | Microsoft RIFF spec |
| Codec written here | H.264 (this converter's MKV default) | MPEG-4 Part 2 |
| Modern codec support | H.264, HEVC, VP9, AV1 | Older codecs; no native HEVC |
| Tracks per file | Unlimited video / audio / subtitle | One video + one audio |
| Subtitles & chapters | Yes (built in) | No |
| Audio from a MOS source | None (still image) | None (still image) |
| Plays without extra software | VLC, MPC-HC, modern smart TVs | Nearly any device since the 1990s |
| Best for | Editors, Plex/Jellyfin, archival | Legacy Windows playback/editing |
.avi slate and nothing else..mos file onto the page or click "+ Add Files" to browse. You can queue several Aptus or Aptus-II captures at once, though each medium-format RAW can run tens to over a hundred megabytes.For almost everyone today, yes. MKV is an open, royalty-free container announced in 2002 — and formally published as RFC 9559 in October 2024 — that carries modern codecs and multiple tracks; AVI is a 1992 Microsoft container limited to one video and one audio stream. Since a MOS produces a single still slate either way, the deciding factor is the destination: MKV suits current editors, Plex/Jellyfin, and smart TVs, while AVI only wins when an old Windows tool or piece of hardware specifically requires that container. If it does, use MOS to AVI.
H.264 by default. MKV is a container, not a codec, so it must carry an encoded video stream inside it; for MKV output this converter defaults to H.264, which plays in VLC, modern browsers, and virtually every recent media player. You can switch it under "Show All Options" via the "Video Codec" dropdown, which lists other MKV-compatible choices such as HEVC, VP9, and AV1. Because the source is a still photo, no audio stream is added and the "Audio Codec" option does not appear.
No. From a single MOS, the conversion renders your photo and displays it as one motionless frame for the duration you set — there is no panning, zoom, or animation, and the output carries no audio track. If you upload several photos and choose "Merge images," they play back to back, but each frame is still a static image shown for its set duration, with no transitions between them.
Not at video dimensions. A Leaf Aptus back captures far more pixels than a standard video frame — well beyond 1080p or even 4K — so fitting the photo into the output resolution downscales it heavily, and most of that medium-format detail is discarded in the video. The frame also inherits H.264's 8-bit color rather than the back's high-bit-depth sensor data. If retaining the resolution matters, render the MOS to a full-size image with MOS to JPG and keep the .mos as your master; an MKV slate is for playback timelines, not for preserving pixel count.
Yes. A MOS stores high-bit-depth linear sensor data, which is why you can recover highlights and shift white balance long after the shot. To put the photo into a video, the converter renders it first — demosaicing the sensor data and baking in white balance, exposure, and tone. Once that rendered frame is inside the MKV, the latitude is gone, exactly as it would be in a JPEG. Keep your original .mos as your editable master in Capture One. Note that MOS comes in uncompressed and compressed variants, and support for the compressed form varies by RAW processor; if a file fails to decode, exporting a TIFF from Capture One first and converting that is the reliable fallback.
Often not. MOS is the RAW format of Leaf Aptus medium-format backs — Leaf is now a Phase One subsidiary, and its later Credo backs moved to the IIQ format instead — and most people holding a .mos simply want a viewable picture. If that is you, render it to an image with MOS to JPG and keep the .mos as your master; it is far smaller and opens everywhere. Convert to a video wrapper like MKV only when a timeline or media server genuinely needs a video file — a studio slate or a hold frame, for example. For a clip that plays on the widest range of phones and players, MOS to MP4 is the safer video target than either MKV or AVI.
In our testing, a single full-resolution Leaf MOS held for 5 seconds at the "Very High" preset produced a small MKV, since a motionless H.264 frame compresses heavily regardless of the source's pixel count. Your file is uploaded over an encrypted connection, rendered and packaged into MKV on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. The main practical limit is upload size and time, since medium-format MOS files often run from tens to over a hundred megabytes each, not your device.