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Supports: MOS
MOS is the raw photo format from Leaf, Mamiya, and Aptus medium-format digital backs — a single high-resolution still, not a video. This converter renders that still and holds it on screen for a duration you choose, writing the result as an Apple QuickTime MOV. The output is one motionless frame with no audio and no motion: a still-image clip you can drop onto a timeline, loop, or hand to an editor that prefers MOV. This page walks through the duration setting that decides how long the frame stays up, and what to do when a plain still photo would serve you better.
.mos file onto the page or click "+ Add Files" to browse. You can queue several backs at once and they convert with the same settings.The Duration control is the one setting that changes the result, because everything else is a single fixed frame. Pick the length to match where the clip is going:
Because the MOV carries no audio track, the duration is the entire timeline. If you later need the frame to last longer than 10 seconds, set it to a comfortable length here, then extend or loop it in your editor. The default MOV video codec is H.264, which plays in QuickTime Player, Final Cut Pro, iMovie, and every major editor without an extra decoder.
If you only want the photograph and never needed a video, skip MOV entirely and use MOS to JPG for a flat still you can share or print. If your target editor or web player prefers the more universal MPEG-4 container over QuickTime, MOS to MP4 produces the same still-frame clip in an .mp4 wrapper. And if you have stills in other formats to turn into clips, the general Image to MOV converter accepts JPG, PNG, HEIC, TIFF, and more. This tool cannot recover motion that was never recorded — a single RAW photo will always produce a motionless clip.
Yes, it is a valid MOV that any player will open, but it shows one motionless frame for the duration you set. A MOS is a single still photo, so there is no camera motion or change between frames to display — the "video" is a held image.
A MOS RAW file is a photograph and carries no audio, so the MOV is written without an audio track. If you need sound, add music or a voiceover on the timeline in iMovie, Final Cut Pro, or any editor after converting.
The Duration dropdown under Image Duration ranges from a fraction of a second up to 10 seconds per frame. In our testing, a single Aptus-II MOS set to 5 seconds per frame produced a 5-second H.264 MOV. For anything longer than 10 seconds, set a duration here and extend or loop the clip in your editor.
No. It applies a standard render of the embedded full-resolution image rather than your custom raw profile, exposure, or white-balance adjustments. For precise raw development, process the MOS in Capture One or Lightroom first, export a rendered TIFF or JPG, then convert that file.
The default is H.264 inside a QuickTime MOV container. That combination plays natively in QuickTime Player, Final Cut Pro, iMovie, Adobe Premiere, and Chrome, Firefox, Edge, and Safari, with no extra decoder. MOV was Apple's container that later became the basis for the MP4 standard, so the two are closely related.
No. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.