Initializing... drag & drop files here
Supports: MP4, M4V
This walkthrough is for anyone who wants to pull the audio out of an MP4 video and save it as FLAC — a lossless, open audio format. One thing to understand up front: an MP4's audio track is almost always lossy AAC, so converting it to FLAC will not restore quality. It stops any further loss and gives you a wrapper that re-edits without degrading, but it cannot recover detail the original AAC encoder already discarded.
.mp4 and .m4v (Apple's MP4 variant) are accepted, and you can queue several at once to convert with the same settings. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours.This converter reads standard MP4/M4V files. It can't open DRM-protected video (purchased films from iTunes, Netflix downloads, and similar are encrypted and will fail), and it can't repair a truncated or corrupted recording. If your goal is simply a smaller, universally-playable audio file rather than a lossless one, FLAC is the wrong target — use MP4 to MP3 instead. And if you only need to shrink the video while keeping it as video, the video compressor is the better tool.
No. The audio inside an MP4 is almost always AAC, a lossy codec that permanently discards data to save space. FLAC is lossless, but lossless only means it preserves whatever you give it — it cannot rebuild detail AAC already removed. Converting to FLAC prevents further loss on re-edits and gives you an open, archival container, but the ceiling is set by the original AAC encode, not by FLAC.
Because the two formats compress differently. AAC in an MP4 might run 128-256 kbps, while FLAC stores the full decoded waveform losslessly and typically lands far higher. In our testing, a 3-minute MP4 with a 192 kbps AAC track (about 4.3 MB of audio) produced roughly a 22 MB FLAC. The audio is identical; FLAC just refuses to throw anything away.
Choose FLAC only if you specifically need a lossless, royalty-free container — for archiving, further editing, or feeding mastering software without generational loss. If your goal is a small file for phones, cars, or sharing, MP3 or AAC at 192-320 kbps is the practical choice and a fraction of the size with no audible penalty for most listeners.
It mirrors the source. Per the FLAC specification (RFC 9639, December 2024), the format supports 4-32 bits per sample, sample rates from 1 Hz up to 1,048,575 Hz, and 1-8 channels. Video audio is usually 44.1 kHz or 48 kHz, 16-bit, stereo — leave Audio Sample Rate on "Original" so the output matches and nothing is needlessly resampled.
No. The Compression level slider (1-12) only changes how hard the encoder works to make the file smaller — every level yields bit-identical audio because FLAC is lossless. Higher numbers take longer and produce a marginally smaller file; lower numbers finish faster. It is purely a size-versus-time trade, never a quality trade.
FLAC is genuinely free. The Xiph.Org Foundation describes it as non-proprietary, unencumbered by patents, with an open-source reference implementation, and it is now formally standardized as IETF RFC 9639. That's a key reason it's favored for long-term archiving over patent-touched lossless formats.