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Supports: MPG, MPEG
This tool pulls the audio track out of an MPEG (.mpg / .mpeg) program stream and re-encodes it to AC-3 (Dolby Digital) — the video is discarded, so what you get is an audio-only .ac3 file. AC-3 exists for hardware compatibility: DVD authoring, Blu-ray, ATSC broadcast, and home-theatre receivers that expect a Dolby Digital bitstream. If you just want a small, everyday audio file for a phone or browser, convert to MP3 or AAC instead — both are smaller at the same quality.
.mpg or .mpeg file onto the page, or click "+ Add Files" to browse. You can queue several files and convert them with the same settings..ac3 file. No sign-up, no watermark.| Property | AC-3 (Dolby Digital) | AAC | MP3 |
|---|---|---|---|
| Compression | Lossy | Lossy | Lossy |
| Max channels | 5.1 surround | up to 48 (usually stereo/5.1) | 2 (stereo) |
| Max bitrate | 640 kbit/s | ~512 kbit/s+ | 320 kbit/s |
| Sample rates | 32 / 44.1 / 48 kHz | 8 kHz–96 kHz | 8 kHz–48 kHz |
| Typical use | DVD / Blu-ray / broadcast | streaming, Apple devices, video | music, podcasts, web |
| Hardware decoders | nearly all AV receivers | most modern devices | universal |
| Quality at low bitrate | good | better | weaker |
AC-3 wins on receiver and DVD-authoring compatibility; AAC gives better quality per bit and is the better pick for streaming and mobile. Source: Dolby Digital specification.
No. The converter keeps the source channel layout — if your MPEG's audio is 2-channel stereo, the AC-3 output stays stereo. True 5.1 needs the original six discrete channels in the source file; an online converter cannot invent surround information that was never recorded. Only set a 5.1 layout if you know the MPEG already carries a 5.1 track.
No. MPEG program streams typically carry MP2 audio, which is already lossy, and AC-3 is also lossy, so this is a lossy-to-lossy re-encode — you can't regain detail that was lost in the original encode. AC-3 is the right target when you need Dolby Digital compatibility, not when you want better fidelity. To avoid a second quality loss, choose a generous bitrate (384 kbps or higher).
For stereo, 192 kbps is transparent for most material. For 5.1 surround, DVD-Video commonly uses 448 kbps and the AC-3 standard tops out at 640 kbit/s. In our testing, a stereo MPEG re-encoded to AC-3 at 192 kbps produced a file roughly the size of a 192 kbps MP3, while 448 kbps roughly doubled it — so pick the lowest bitrate that meets your target device's requirement.
AV receivers, DVD and Blu-ray players, and most TV / set-top hardware decode Dolby Digital natively, and media players like VLC and MPC-HC play .ac3 directly. Some general-purpose phone and browser players do not handle a raw .ac3 stream, which is why MP3 or AAC is the better choice for casual listening on those devices.
Yes. Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours. There is no sign-up, no watermark, and your files are never shared or made public.