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Supports: MPEG2
MPEG-2 (ISO/IEC 13818-2, finalized 1995) is the codec baked into DVD-Video, DVB broadcast TV, ATSC over-the-air, and the early HD camcorder generation. It's still everywhere in archives — but it doesn't play in modern browsers, most mobile apps, or social platforms without transcoding, and its bitrates were tuned for 1995 hardware. MP4 with H.264 or H.265 is the universal standard that plays on every device made since 2010 and uses 50-70% less space at equivalent quality.
| Property | MPEG-2 (.mpg / .m2v / VOB) | MP4 (H.264 / H.265) |
|---|---|---|
| Standardized | ISO/IEC 13818, 1995 | ISO/IEC 14496-14, 2003 |
| Primary use | DVD-Video, DVB / ATSC broadcast, early HD camcorders | Streaming, social, mobile, smart TVs, web |
| Typical bitrate (SD) | 4-9 Mbps | 1-3 Mbps for matching quality |
| Compression efficiency | Baseline (1995 design) | 2-3× more efficient (H.264) / 4-5× (H.265) |
| Browser playback | None natively | Every modern browser since 2011 |
| Mobile playback | Inconsistent (codec packs needed) | Universal iOS / Android |
| Social media ingest | Slow, often re-transcoded | Native, fastest path |
| Audio inside | MP2, AC-3, LPCM | AAC, AC-3, MP3, Opus |
| Container extensions | .mpg, .mpeg, .m2v, .ts, .vob | .mp4, .m4v |
| Output codec | File size vs MPEG-2 source | Compatibility | Best for |
|---|---|---|---|
| H.264 (default) | ~30-40% of source | Every device since 2010 | Universal — pick this if unsure |
| H.265 / HEVC | ~20% of source | Modern devices since 2017 | 4K archives, iOS/macOS sharing |
| AV1 | ~15-18% of source | 2022+ devices, modern browsers | Long-term archive, smallest size |
| VP9 | ~25% of source | Browsers, YouTube, Android | Royalty-free web embed |
| MPEG-4 / DivX / Xvid | ~50% of source | Older DVD players, legacy STBs | Burning back to playable DVDs |
Not visibly, if you set CRF to 18-20 or pick the "Highest" quality preset. MPEG-2 from a DVD is already lossy at 4-8 Mbps; H.264 at CRF 20 reproduces every detail of that source while encoding to about 1-2 Mbps. If you want truly lossless, pick a lossless codec (FFV1 / lossless H.264) — but for normal DVD and broadcast archives, default settings are indistinguishable from the source on any consumer display.
After ripping the DVD with HandBrake or MakeMKV, you'll typically get .vob, .mpg, or .m2v files containing MPEG-2 video and AC-3 or MP2 audio. Upload them here, pick H.264 + AAC (the standard MP4 combo), set resolution to "Original" to keep the 720×480 NTSC or 720×576 PAL source dimensions, and convert. Multi-VOB chapters can be uploaded together — set Trim if you want to drop the FBI warning and menu loops.
MPEG-2 was designed in 1993-1995 around the processing power of 1990s hardware and the bitrate budget of a DVD disc (max ~9.8 Mbps video). H.264 (2003) and H.265 (2013) use motion compensation, in-loop deblocking, larger transform blocks, and entropy coding that didn't exist in MPEG-2. The result: H.264 typically achieves 2-3× better compression at the same quality, H.265 about 4-5×.
H.264 if you want a single archive that plays on every TV, phone, and player without thinking. H.265 if all your playback devices are post-2017 (Apple TV 4K, recent iPhones, modern Smart TVs, Plex/Jellyfin with hardware HEVC) and you want the smallest files — a 4.7 GB DVD can drop to 600-900 MB. If in doubt, H.264 — re-encoding from H.264 to H.265 later is easy.
Yes. DVD audio is usually AC-3 (Dolby Digital) or MP2; both can be passed into the MP4 container or transcoded to AAC. AC-3 stays inside MP4 and preserves 5.1 surround if your source has it. AAC is the most universal MP4 audio and ensures playback on all browsers and mobile devices.
There is no fixed cap — conversion runs in your browser, so the limit is your device's RAM and your patience for the upload. Multi-GB DVD rips and full-broadcast .ts captures (5-15 GB) work fine on a desktop with 8 GB+ RAM. There's no quantity limit on batch jobs either, unlike the 100 MB / 25-file caps on most online competitors.
Yes. The Trim option takes a start time and a duration, both accepting seconds (12.5) or HH:MM:SS.sss format (00:01:30.500). Useful for dropping commercial breaks from broadcast captures, removing the DVD menu/intro, or splitting a multi-episode disc into individual files (run the conversion multiple times with different trim ranges).
Both platforms officially accept MPEG-2 but their ingest pipelines re-transcode it slowly and sometimes drop quality on long files. In practice users hit "processing stuck" on multi-GB MPEG-2 uploads. Pre-converting to MP4 H.264 1080p at CRF 22 produces a clean upload that ingests in minutes instead of hours, and gives you control over the final bitrate.
Yes — see MP4 to MPEG-2 for the reverse direction (useful if you're authoring a playable DVD or feeding a legacy broadcast workflow). For other modern targets, see MOV to MP4 and WMV to MP4.