Initializing... drag & drop files here
Supports: MPG, MPEG
MPG (the MPEG program stream container, .mpg / .mpeg) was the dominant video format from the mid-1990s through the DVD era. It packages MPEG-1 or MPEG-2 video with an audio track that is almost always MPEG-1 Audio Layer II (MP2) — a 1991-vintage codec that predates MP3 — or, on DVD-Video, AC-3 (Dolby Digital). AAC (Advanced Audio Coding, MPEG-4 Part 3, standardized 1997) is the modern successor: roughly twice as efficient as MP2 at equivalent quality and natively supported across iPhone, iPad, Android, Apple Music, YouTube, PlayStation, and the Nintendo Switch lineage.
| Property | MP2 (typical MPG audio) | AAC (output) |
|---|---|---|
| Standardized | ISO/IEC 11172-3, 1993 | ISO/IEC 13818-7 (1997) / 14496-3 (1999) |
| Family | MPEG-1 Audio Layer II | MPEG-2 / MPEG-4 Advanced Audio Coding |
| Compression efficiency | Baseline | ~2× MP2 at equal perceived quality |
| Hi-fi stereo bitrate | ~256 kbps for transparency | ~128 kbps for transparency |
| Supported sample rates | 16 / 22.05 / 24 / 32 / 44.1 / 48 kHz | 8 kHz to 96 kHz |
| Apple device native | No | Yes (iPhone, iPad, Mac, Apple Music) |
| Android native | Limited | Yes (since Android 2.3) |
| Common habitat | DVD-Video (PAL), DVB, DAB, HDV camcorders | iTunes, YouTube, Apple Music, PlayStation, Switch |
| Setting | Approx file size (10-min audio) | Use case | Audible vs source |
|---|---|---|---|
| 64 kbps stereo | ~4.7 MB | Speech, audiobooks (HE-AAC territory) | Noticeable artifacting on music |
| 96 kbps stereo | ~7 MB | Casual listening, satisfactory stereo | Mostly transparent for most listeners |
| 128 kbps stereo | ~9.4 MB | General music, podcasts | Hi-fi transparency for typical material |
| 192 kbps stereo | ~14 MB | Quality music distribution | Effectively transparent |
| 256 kbps stereo | ~18.7 MB | iTunes Store / Apple Music match | Indistinguishable from source for most |
| Variable Bitrate | Varies | Best quality-per-byte | Same target quality, smaller files |
MP2 (MPEG-1 Audio Layer II) was finalized in 1993 — before MP3 was widely deployed — and became the default audio codec for the MPEG program stream that .mpg files use. MP2 also became standard for PAL DVD-Video, DVB digital television broadcasts, DAB radio, and HDV camcorders, so most .mpg files captured from those sources carry MP2. DVD-Video discs additionally use AC-3 (Dolby Digital). XConvert detects whichever codec is inside and re-encodes to AAC.
For music: 192 kbps AAC is hi-fi transparent for most listeners; 256 kbps matches what Apple Music and the iTunes Store sell; 128 kbps is the typical "transparent enough" floor. For speech (lectures, sermons, podcast guests, broadcast dialogue): 96 kbps stereo or 64 kbps mono is plenty — the human voice has a narrow frequency range that AAC compresses very efficiently.
Yes. AAC is Apple's native audio codec — iTunes / Apple Music, the iTunes Store, every iPhone since the original, every iPad, and every Mac with iTunes / Music app handle it without conversion. Drop the .aac (or its .m4a sibling) into the Music app, AirDrop it across, or attach it in Mail. There's no transcoding step at the device.
VOB is the file extension DVDs use, but underneath it is an MPEG-2 program stream — the same container family as .mpg. Rename your .vob to .mpg (or upload as-is, depending on your tool) and the converter will read it. DVD audio is usually AC-3 stereo or 5.1; this converter decodes the AC-3 and downmixes to AAC stereo or mono per your channel choice. For multi-track DVD rips, the primary audio track is extracted by default.
Substantially smaller, because AAC keeps only the audio. A 30-minute MPG with 480p video is often 200-400 MB. Extracting AAC at 128 kbps yields about 28 MB — typically a 90% reduction. The exact ratio depends on the original video bitrate and your AAC bitrate choice.
Match the source when known — DVD-Video and broadcast MP2 audio is almost always 48 kHz, while audio CDs and music masters are 44.1 kHz. Setting the output to "Original" preserves whatever the source uses and avoids the small quality cost of resampling. Pick 44.1 kHz only if your destination workflow (e.g., a CD-burning tool) explicitly requires it.
Yes. Set a start time and a duration in the Trim section — both accept seconds (e.g., 75.5) or HH:MM:SS.sss (00:01:15.500). Only the audio inside that window is decoded and re-encoded to AAC, which is faster and produces a much smaller file than processing the whole video. Useful for pulling a single song out of a concert recording or one quote from a long lecture.
.aac is a raw AAC audio bitstream (ADTS framing). .m4a is AAC packaged inside an MP4 container, which adds metadata fields (artist, title, album art) and chapter support. iTunes, Apple Music, and most media players prefer .m4a. This page outputs .aac; if you need an .m4a wrapper for iTunes metadata, use MPG to M4A instead.
Files are processed in your browser session, not uploaded to a server, so there is no per-file size cap imposed by the upload pipeline — practical limits depend on your device's RAM. There are no watermarks, no sign-up, and no email required. For related conversions see MPG to MP3 (universal MP3 output), MPG to WAV (uncompressed PCM), or Audio Cutter for trimming an existing AAC file.