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Supports: MPG, MPEG
This walk-through is for anyone holding an .mpg (or .mpeg) video who needs the soundtrack on its own as an .aifc (AIFF-C) file — usually to feed a legacy Apple tool, sampler, or DAW that specifically wants the .aifc form. Two things are worth understanding before you start: this conversion keeps the audio and discards the video, and because the audio inside an MPG is almost always lossy, the AIFC will be larger than the source audio without sounding any better. The sections below explain why, then get you a clean AIFC.
.mpg or .mpeg onto the page, or click "+ Add Files" to browse. Queue several clips and they convert in a single batch with the same settings.An .mpg file is an MPEG-1 (or sometimes MPEG-2) program stream — the format standardized as ISO/IEC 11172 in 1993 and used by Video CD, DVD rips, and old TV captures. It multiplexes a video stream with an audio stream. This converter reads the audio stream, decodes it to raw samples, and wraps those samples in an AIFF-C file as uncompressed PCM, 16-bit, big-endian (compression type NONE). The picture is not in the output at all — if you wanted to keep the video, this is the wrong tool.
The audio inside an MPG is almost always MP2 (MPEG-1 Audio Layer II) — the lossy sub-band codec that ships as the standard soundtrack of Video CD and PAL DVD-Video, typically encoded somewhere between 192 and 256 kbps for near-CD quality. Because MP2 is lossy, it permanently dropped some detail when the MPG was first encoded:
The conversion never makes the audio worse than it already was — it just can't make lossy audio better, and the format name shouldn't fool you (see the AIFC FAQ below).
| Property | MPG (source) | AIFC (output here) |
|---|---|---|
| Container | MPEG-1/-2 program stream, ISO/IEC 11172 (1993) | AIFF-C (form type AIFC), Apple, July 1991 |
| Holds | Video + audio multiplexed | Audio only — video discarded |
| Typical audio codec | MP2 (MPEG-1 Audio Layer II), lossy | Uncompressed PCM, 16-bit big-endian (NONE) |
| Typical bitrate | ~192-256 kbps (MP2) | ~1411 kbps equivalent (16-bit/44.1 kHz stereo PCM) |
| Compression | Lossy on the audio track | None — raw samples written in full |
| File size | Small audio track inside a larger movie | Larger audio file (PCM is uncompressed) |
| Native playback | VLC, MPC, DVD-era players | macOS, Logic Pro, QuickTime; FFmpeg-based tools elsewhere |
| Best for | Storing/playing the whole movie | Legacy Apple tools and samplers needing .aifc |
The AIFF-C wrapper carries a compression-type tag that names how the audio inside is encoded. It can hold several legacy codecs, but this converter always writes uncompressed PCM (tag NONE):
| Compression tag | What it is | Written here? |
|---|---|---|
NONE (big-endian) / sowt (little-endian) |
Uncompressed PCM | Yes — NONE, 16-bit |
MAC3 / MAC6 |
Legacy MACE 3:1 / 6:1 speech compression | No |
ulaw / alaw |
G.711 telephony companding | No |
ima4, fl32, fl64 |
IMA ADPCM, 32-/64-bit float | No |
So an .aifc from this page is byte-for-byte the same audio a .aif/WAV would carry — the format simply records that it is uncompressed rather than assuming it.
C describes a capability of the AIFF-C wrapper, not your file. This converter writes uncompressed PCM into it, so the output is larger, not smaller.This tool needs a real, playable MPG with a decodable audio stream — it can't read a corrupted file, and it never recovers fidelity that the lossy MP2 codec discarded earlier. It also can't keep the video; the output is audio only. If AIFC isn't actually what you need, two targets are usually better: most people who want a small, universally playable audio file should use MPG to MP3, and anyone editing or mastering on a non-Apple system will find MPG to WAV — the standard uncompressed PCM editor format — more widely supported than AIFC. Reach for AIFC specifically when a piece of Apple software demands the .aifc form.
No. This is an audio-extraction tool: it reads the audio stream out of the MPG, writes it to an AIFC file, and discards the video entirely. The output has no picture. If you want to keep the video and only change the container or codec, you need a video-to-video conversion, not this one.
No. An MPG's soundtrack is almost always MP2 (MPEG-1 Audio Layer II), a lossy codec that permanently dropped some detail when the file was first encoded. Decoding that MP2 to uncompressed PCM and wrapping it in AIFC stores the samples your player already produces — it can't reconstruct what was removed. The AIFC sounds the same as the MPG's audio, just in a larger, uncompressed container.
Because the AIFC here is uncompressed. MP2 inside an MPG typically runs 192-256 kbps; the AIFC writes every sample out in full at 16-bit, which is equivalent to roughly 1411 kbps for CD-quality stereo. CD-quality stereo PCM runs about 10 MB per minute, so a compact compressed soundtrack commonly expands several-fold. The added bytes are uncompressed data, not extra fidelity.
Not as written here. AIFF-C is a container that can carry compressed audio — legacy codecs like MACE, A-law, or μ-law — but it equally holds uncompressed PCM, and that is what this converter writes (compression type NONE, 16-bit big-endian). The "C" describes a capability of the wrapper, not the contents of your file. In our testing, a one-minute MPG with a 224 kbps MP2 track produced an AIFC of roughly 10 MB — far larger than the source audio, exactly because it is uncompressed.
Pick AIFC only when a specific tool demands the .aifc form — for example a pre-Logic-era Apple authoring app or an older sampler that imported AIFF-C natively and rejects other containers. For editing or mastering on most systems, the uncompressed MPG to WAV is the more standard and widely supported target; for a small, universally playable file, MPG to MP3 is the better choice. AIFC is the niche pick, not the default.
The AIFC is written as 16-bit PCM (compression type NONE), and the sample rate follows your source when you leave Audio Sample Rate on "Original" — MP2 soundtracks in a Video CD-style MPG are usually 44.1 kHz or 48 kHz, and that rate carries straight through. Choose a fixed rate only if a target sampler or authoring app requires one; resampling adds no fidelity the source never had.
Mostly yes — Microsoft lists .aifc among Windows Media Player's supported file types, and the PCM AIFC this tool writes plays there natively (WMP 12, Windows 7 and later), though browsers generally don't play AIFF-C. VLC opens it on any OS, and it is native on macOS, in QuickTime, and in most DAWs. If you specifically need a file that every Windows tool opens without fuss, the uncompressed MPG to WAV is the safer target; reach for AIFC only when a piece of Apple software demands the .aifc form.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.