Initializing... drag & drop files here
Supports: MTS
MTS is the AVCHD camcorder file your Sony or Panasonic recorded — H.264 video wrapped in an MPEG-2 transport stream. EPS (Encapsulated PostScript) is a print-interchange format that layout tools like InDesign, Illustrator, Scribus, and LaTeX accept as a placeable graphic. This converter pulls one frame (or several) out of the MTS video and wraps each as a raster image inside an EPS container, so a still from your footage can drop straight into a print workflow.
The EPS you download is a video frame embedded as a bitmap inside a PostScript wrapper — not a traced, scalable vector. A video frame is pixel data, and there is nothing to vectorise without a separate auto-tracing step, so zooming into the result shows the same pixels as the source frame. EPS is genuinely useful here as a container that print and layout pipelines understand (it places cleanly in InDesign, Illustrator, and classic LaTeX via \includegraphics), but it does not make the frame infinitely scalable. If you need real editable vector paths, run the frame through an image-tracing tool such as Image to SVG afterward — tracing is a different operation from this wrap.
| Property | Value |
|---|---|
| Standard | AVCHD, announced by Sony and Panasonic on 11 May 2006 |
| Container | M2TS / MPEG-2 transport stream (188- or 192-byte packets) |
| Video codec | H.264 / MPEG-4 AVC |
| Audio codec | Dolby Digital (AC-3) or Linear PCM |
| Typical resolution | 1920x1080 (1080i/1080p) or 1280x720 |
| Frame size as a still | A 1080p frame is roughly 2.1 megapixels |
| Best for | HD camcorder recording (Sony, Panasonic, Canon AVCHD lines) |
| Common file extensions | .mts, .m2ts |
| Property | Value |
|---|---|
| Standard | Adobe Encapsulated PostScript File Format Specification v3.0, 1 May 1992 |
| Lineage | PostScript page-description language; first EPS released 1985-1988, v2.0 in 1989 |
| Content | A single self-contained page that can hold vector primitives, an embedded raster, or both |
| Page count | One — "encapsulated" by definition |
| Opens in | Illustrator, InDesign, CorelDRAW, Inkscape, Scribus, Photoshop, GIMP, any PostScript RIP |
| Scalability | The wrapper is resolution-independent; an embedded bitmap keeps its fixed pixel grid |
| Best for | Legacy DTP, prepress / RIP workflows, journal figures, classic LaTeX (latex + dvips) |
| Modern alternative | PDF or SVG for new work (Microsoft removed EPS from Office in May 2018) |
.mts (or .m2ts) file into the upload box, or click "+ Add Files" to browse. Batch upload is supported, and files process on our servers — no sign-up required.0 grabs the opening frame). To capture a sheet of stills instead, switch to Multiple Screenshots and set the capture rate to dump a frame at a regular interval..eps file, or a ZIP when you extract multiple frames.It is a raster frame wrapped in PostScript. EPS supports vector primitives, but a video frame is pixel data, so what you get is the still embedded as a bitmap inside the EPS — not traced paths. Scaling it up past its native size will pixelate exactly like the source frame would. If you need a genuine vector, run the frame through an auto-tracer such as Image to SVG or Illustrator's Image Trace after conversion.
An EPS file is "encapsulated" — a single-page graphic by definition — while an MTS stream is typically 24-60 frames per second of video. The converter has to pick a moment, so it defaults to the first frame (0s). Use Specific Frame → Time (seconds) to grab an exact moment, or Multiple Screenshots to capture frames at an interval, in which case each frame becomes its own .eps and you get them back as a ZIP.
A 1080p frame is about 2.1 megapixels (1920x1080). At the 300 DPI print standard that prints sharp at roughly 6.4 x 3.6 inches, which is fine for a small magazine or brochure placement but not for poster-size reproduction. There is no extra detail to recover from H.264, so for larger placements either accept the upscaling the layout tool performs or capture from higher-resolution source footage.
The extracted frame inherits whatever the H.264 encoder kept — AVCHD is a lossy, broadcast-style codec, so fast-motion or low-light frames may show compression artifacts and (on interlaced 1080i footage) combing during movement. In our testing, picking a frame from a low-motion moment gives a noticeably cleaner still than grabbing one mid-action; if a frame looks soft, try a timestamp a fraction of a second earlier or later.
Not in modern Office — Microsoft removed EPS image support in May 2018 over PostScript security concerns. The file opens fine in Illustrator, InDesign, Photoshop, CorelDRAW, Scribus, GIMP, Inkscape, and any PostScript-aware RIP. If your recipient is on Office, send a raster still instead via MTS to PNG (lossless) or MTS to JPG (smaller).
Only when something downstream specifically wants .eps — a legacy prepress RIP, a journal submission portal, a brand kit that mandates EPS, or a classic LaTeX document compiled with latex and dvips (which needs EPS rather than PNG/JPG). For everything else a raster file is simpler and smaller: use MTS to PNG for a lossless frame or MTS to JPG for a compact one. Going the other direction — turning an EPS back into video — is handled by EPS to MTS.
MTS decoding runs on our servers because reliable in-browser AVCHD demuxing is not practical, so your file is uploaded over an encrypted connection, processed, and the upload and its output are deleted automatically a few hours after conversion. Files are never shared, made public, or used for anything else. No watermark and no sign-up.