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Supports: MTS
12.450 (12 seconds and 450 ms) to capture exactly one still. Switch to Multiple Screenshots to extract a sequence at a chosen capture rate (0.1s, 0.2s, 0.3s, 0.5s, 1s, 2s, 3s, 4s, 5s, 6s, 7s, 8s, 9s, or 10s per frame).MTS is the file Sony, Panasonic, Canon, and JVC AVCHD camcorders write to SD cards and internal storage — H.264 video plus Dolby AC-3 audio in an MPEG-2 transport stream. Most consumer-grade AVCHD shoots in 1920×1080 (some older models 1440×1080), and clips often span 10-30 minutes. Pulling JPG stills out of an MTS is the practical way to get usable images out of camcorder footage without re-encoding the whole video.
| Property | MTS (AVCHD) | JPG (JPEG) |
|---|---|---|
| Type | Video container (MPEG-2 TS) | Single still image |
| Released | 2006 (AVCHD spec, Sony / Panasonic) | 1992 (JPEG standard) |
| Video codec | H.264 / AVC | n/a |
| Audio | Dolby AC-3 (or LPCM on some models) | None |
| Typical resolution | 1920×1080, sometimes 1440×1080 | Any |
| Typical clip size | 1-4 GB per 20-minute shot | 200-800 KB per 1080p frame |
| Plays in browsers | Limited — most browsers don't natively play MTS | Universal |
| Embeds in docs / slides | Poor — codec/container issues | Universal |
| Best for | In-camera AVCHD capture and Blu-ray authoring | Thumbnails, prints, slides, references |
| Goal | Frame selection mode | Capture rate / time |
|---|---|---|
| One photo from a single moment | Specific Frame | Pick the timestamp (e.g. 00:35.500) |
| YouTube / Vimeo custom thumbnail | Specific Frame | A clean wide shot early in the clip |
| Wedding / event "photo deliverables" | Specific Frame | Per-scene timestamps for each highlight |
| Contact sheet of a full shoot | Multiple Screenshots | 5 or 10 seconds per frame |
| Sports / dance technique review | Multiple Screenshots | 0.1s (10 fps) or 0.2s (5 fps) |
| Vacation footage summary | Multiple Screenshots | 1 second per frame |
| Long recital / lecture review | Multiple Screenshots | 5 or 10 seconds per frame |
Use Specific Frame mode and enter the time in seconds with millisecond precision. For example, 12.450 means 12 seconds and 450 milliseconds into the MTS. This is the cleanest way to grab a single photo from a wedding kiss, a goal in a soccer clip, or the exact frame of a child blowing out birthday candles without scrubbing the whole timeline.
Yes. .mts and .m2ts are the same MPEG-2 transport stream container — .mts is what AVCHD camcorders write to the SD card; .m2ts is the same data after Blu-ray authoring or copying off the BDMV/STREAM folder. Both decode here for frame extraction. If you also need a more universal video, see MTS to MP4.
By default the JPG matches the source. Most consumer AVCHD records 1920×1080 (Full HD); some older or lower-mode clips are 1440×1080 with rectangular pixels — those are scaled to square pixels at extraction so the JPG looks right on screen. You can override this with a resolution preset (down to 144p, up to 4320p) or a custom width × height.
Depends on the capture rate. At 5 seconds per frame you'll get 240 stills — a manageable contact sheet of the whole shoot. At 1 second per frame you'll get 1,200. At 0.1s per frame (10 fps) you'll get 12,000 frames — fine for slow-motion sports analysis but a heavy ZIP. Pick the slowest interval that still captures the moments you need.
JPG for live-action camcorder footage — keeps a 1080p still around 200-800 KB and the lossy compression is invisible on natural video. PNG is worth it only if you'll edit the still heavily afterward (compositing, repeated re-saves) or want pixel-exact reproduction of on-screen graphics. PNG is typically 5-10× larger than the equivalent JPG. See MTS to PNG for lossless extraction.
Yes. AVCHD's top consumer mode tops out around 24 Mbps H.264, and Panasonic / Sony pro modes (1080/60p PS) also decode here. The bitrate affects how clean the source pixels are — higher modes give noticeably sharper extracted JPGs, especially on fast motion (sports, kids running) where lower-bitrate clips show blocking artifacts.
No — JPG is a still image format with no audio support. The AC-3 audio in the MTS is discarded during frame extraction. If you need the audio separately as a clean uncompressed file, see MTS to WAV, or use MTS to MP3 for a compact audio deliverable.
Frames extract in your browser session via WebAssembly. Smaller MTS clips (a few GB, like a single 20-30 minute shot) extract quickly. Multi-hour AVCHD compilations are bound by your device's RAM and CPU rather than a server upload limit. For very long clips, consider extracting at a sparser interval (5s, 10s) to keep the JPG count and ZIP size manageable.
Files are processed in your browser session via secure WebAssembly decoding wherever possible — no watermarks, no sign-up. If you'd rather have an animated output instead of stills, see MTS to GIF.