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Supports: MTS
MTS (and its M2TS sibling) is the AVCHD container Sony, Canon, Panasonic, and JVC camcorders write to SD cards and internal storage. The video inside is H.264; the audio is almost always Dolby AC-3 at 48 kHz, two-channel or 5.1-channel. MP3 is the universal compressed audio format — every car stereo, smart speaker, phone, and DAW handles it natively. Common reasons to extract MTS audio as MP3:
If you need the audio uncompressed for editing instead, see MTS to WAV. To keep the video and just change containers, see MTS to MP4.
| Property | MTS (AVCHD) | MP3 |
|---|---|---|
| Type | Video container (H.264 + AC-3) | Audio-only, lossy codec |
| Source | Sony / Canon / Panasonic / JVC camcorders | Universal — released 1993 |
| Audio compression | Lossy (Dolby AC-3) | Lossy (MPEG-1 Layer 3) |
| Channels | Stereo or 5.1 surround | Mono or stereo |
| Typical audio bitrate | 256-448 kbps AC-3 | 128-320 kbps |
| 1-hour file size | 4-8 GB (video dominates) | 30-150 MB |
| Device support | Camcorders, Blu-ray players, VLC | Universal — every player ever made |
| Best for | In-camera capture, AVCHD playback | Sharing, listening, archival |
| Bitrate | Mode | Per-minute size | Best for |
|---|---|---|---|
| 96 kbps | Mono | ~0.7 MB | Audiobooks, voice memos, dialogue archive |
| 128 kbps | Stereo | ~1 MB | Casual listening, podcasts, in-car playback |
| 192 kbps | Stereo | ~1.4 MB | Balanced quality for music-heavy MTS |
| 256 kbps | Stereo | ~1.9 MB | High-quality music delivery, wedding recordings |
| 320 kbps | Stereo | ~2.4 MB | Maximum MP3 quality, near-lossless |
| 45-85 kbps | VBR | ~0.5-0.6 MB | Smallest acceptable for speech |
| 220-260 kbps | VBR | ~1.6-1.9 MB | Best VBR balance for mixed content |
Yes. The H.264 video track is discarded and only the audio is saved as MP3. The output is audio-only — there is no video in an MP3. If you also need the video in a different container, see MTS to MP4 for video conversion.
AVCHD camcorders almost always record Dolby AC-3 (Dolby Digital) at 48 kHz, in stereo or 5.1-channel. Some higher-end models can also record uncompressed PCM. The conversion decodes whichever is present and re-encodes it as MP3.
No — MP3 supports mono or stereo only. The original 5.1 channels are downmixed to a standard two-channel stereo MP3 (front L/R with center and surround folded in at standard levels). If you need to keep all six channels separate, convert to a multichannel-capable format like AC-3 or FLAC instead.
For dialogue-heavy footage (interviews, speeches, lectures) 128 kbps stereo or 96 kbps mono is plenty. For music performances or wedding recordings where the music matters, pick 192-256 kbps stereo. For an archival master or critical listening, use 320 kbps. Variable Bitrate (VBR) at the 192-220 kbps range gives the same average size with smarter bit allocation when the source has both quiet and loud passages.
The MTS file is mostly video — the H.264 stream typically accounts for 95-98% of the bytes. The audio inside is a small fraction (a few hundred kbps of AC-3). When you discard the video and re-encode the audio as MP3, the total result is dramatically smaller: a 4 GB MTS clip typically becomes a 30-60 MB MP3.
You're stacking two lossy compressions (AC-3 → MP3), so there is some quality loss compared to the original microphone signal. At 256-320 kbps MP3 the loss is inaudible to most listeners. At 128 kbps you may notice subtle softening on cymbals, reverb tails, and high-frequency detail. If you want a clean intermediate for editing, convert to MTS to WAV instead — uncompressed PCM with no further loss.
Yes. Use the trim section to enter a start time and duration. Both accept seconds (12.5) or HH:MM:SS.sss format (00:01:30.500). Useful for pulling one wedding speech out of a multi-hour reception clip, extracting a single song from a recital, or cutting an interview answer out of a long camcorder shoot.
Match the source. AVCHD audio is recorded at 48 kHz, so picking 48 kHz avoids resampling. 44.1 kHz is the audio CD / general music standard and works fine. Lower rates (16 or 22 kHz mono) save more space but should only be used for speech-only delivery — they will noticeably dull music or applause.
Yes. Drop in multiple.mts or.m2ts files at once and each converts in parallel withon our servers. Output downloads as individual MP3s or as a single ZIP — useful for converting an entire camcorder SD card of clips in one pass.