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Supports: MTS
MTS is the AVCHD stream a Sony, Panasonic, or Canon camcorder writes to its memory card — H.264 video with AC-3 or LPCM audio in an MPEG-2 transport stream. F4V is Adobe's MP4-based Flash container, introduced with Flash Player 9 Update 3 on December 3, 2007 to carry H.264 and AAC for Flash-era streaming. The honest framing for 2026: F4V was built for a workflow the web has abandoned. Adobe ended Flash Player support on December 31, 2020 and blocked Flash content from running on January 12, 2021, and no browser ships Flash anymore. The nuance that separates F4V from SWF or FLV: because F4V is built on the same ISO base media file format as MP4, the file you get is still playable in modern desktop players like VLC and anything ffmpeg-based — it is the Flash delivery workflows around it that are dead, not the file itself. If you just want camcorder footage that plays everywhere, convert MTS to MP4 instead — it is literally the same container family (ISO base media) without the Flash branding, and every browser, phone, and editor plays it. Only continue with F4V if a specific legacy system genuinely expects a .f4v.
| Property | Value |
|---|---|
| Container | MPEG-2 Transport Stream (AVCHD) |
| Introduced | 2006 (Sony / Panasonic) |
| Video codec | H.264 / AVC |
| Audio codec | Dolby AC-3, or LPCM |
| Typical 1080p bitrate | 17–24 Mbps (28 Mbps at 1080p60) |
| Filename convention | 8.3, e.g. 00001.MTS |
| Native browser support | None (no major desktop browser plays MTS) |
| Best for | In-camera capture and splice-safe SD-card recording |
| Property | Value |
|---|---|
| Container | ISO base media file format (MPEG-4 Part 12) — the MP4 family |
| Introduced | December 3, 2007, with Flash Player 9 Update 3 |
| Video codec | H.264 / AVC |
| Audio codec | AAC (this tool also offers MP3) |
| Does NOT support | Sorenson Spark, VP6, Screen Video, ADPCM, Nellymoser (those are FLV codecs) |
| Native browser support | None — depended on Adobe Flash Player (EOL Dec 31 2020, blocked Jan 12 2021) |
| Still opens in | VLC, ffmpeg-based players, and most desktop media tools (it is structurally MP4) |
| Best for | Un-migrated legacy Flash Media Server / RTMP-era systems that ingest .f4v |
.MTS clip onto the page, or click "Add Files" to browse. You can queue several camcorder clips and they share the same output settings..f4v. No sign-up, no watermark.Nearly. Both are built on the ISO base media file format (MPEG-4 Part 12), both carry H.264 video, and both carry AAC audio, which is why F4V is sometimes called "Flash MP4." The practical difference is branding and ecosystem: F4V was Adobe's variant aimed at Flash Player streaming, while MP4 is the universal container that browsers, phones, smart TVs, and editors all play natively. If you do not specifically need a .f4v file, MTS to MP4 gives you the same H.264/AAC payload in the container the whole world supports.
Not in a browser — every major browser removed Flash after Adobe's December 31, 2020 end-of-life and the January 12, 2021 content block. But because F4V is structurally an MP4, the file itself still opens in standalone desktop players like VLC and anything built on ffmpeg. So a .f4v is "dead" in the sense that its Flash delivery workflow is gone, not in the sense that the bytes are unreadable. For playback that just works on phones and the web, convert to MP4 instead.
It re-encodes. Your MTS already holds H.264, and the F4V output is also H.264, but this tool transcodes rather than stream-copying, so the video is decoded and re-encoded once. That introduces a small generational quality loss — keep the Quality Preset at "Very High (Recommended)" to keep it negligible. If you need to avoid any re-encode of the video stream entirely, a like-for-like MP4 remux is the closer match; see MTS to MP4.
It is transcoded to AAC. F4V does not carry Dolby AC-3 — its supported audio is AAC (and MP3 in this tool), so the AC-3 or LPCM track from your AVCHD clip is re-encoded to AAC during conversion, and a 5.1 surround mix is downmixed to stereo. This matches how F4V was always used in the Flash pipeline, where AAC was the standard audio codec.
F4V is the more capable of the three Flash-era targets: it natively carries H.264 (so it preserves your camcorder's modern codec), whereas MTS to FLV defaults to the older, less efficient Sorenson Spark codec and MTS to SWF wraps an even more constrained Flash movie. If a legacy system genuinely needs a Flash container and can read F4V, it is the best-quality option of the three. If nothing requires Flash, none of them is the right answer — use MP4.
If you already have an .f4v and need an AVCHD camcorder stream — for example to feed a device or workflow that expects transport-stream .mts files — use F4V to MTS. That re-wraps the H.264 video into an MPEG-2 transport stream with AC-3 audio, which is the AVCHD camcorder format.
Yes. Under Video resolution, leave "Keep original" selected to match the source dimensions exactly (AVCHD typically records 1920x1080), or scale down with Resolution Percentage or a Preset Resolution. To export just one segment — useful for trimming the brief lead-in or lead-out some camcorders buffer around the record button — switch Trim from "Unchanged" to a Time Range and set the start and duration. In our testing, a 1-minute 1080p AVCHD clip at the default Very High preset converts to F4V in well under a minute on a typical broadband upload, with the output indistinguishable from the source at normal viewing distance.
Your MTS is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion. Files are never shared or made public, and there is no sign-up or watermark.