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Supports: NEF
A .mpeg file is an MPEG program stream, and the codec dropdown on this page offers two of them: MPEG-1 and MPEG-2. That choice is the whole decision on this conversion, because everything else — the render of the Nikon raw frame, the duration, the frame size — behaves the same either way. The short answer is leave it on MPEG-2, which is already the default. MPEG-1 cannot express the one-frame-per-second timing a still image produces, and it caps out at a frame size a modern camera photo comfortably exceeds. The sections below explain why, so you are not guessing.
| Property | MPEG-1 | MPEG-2 |
|---|---|---|
| Standard | ISO/IEC 11172-2 (1993) | ITU-T H.262 | ISO/IEC 13818-2 |
| Frame rates the syntax allows | Eight fixed codes only: 23.976, 24, 25, 29.97, 30, 50, 59.94, 60 | The same eight, plus frame-rate extension fields that express other rates |
| Can it encode 1 frame per second? | No | Yes, via the extension fields |
| Frame-size field width | 12 bits, so 4095 x 4095 is the ceiling | Extended to 14 bits, so far larger frames are legal |
| Chroma subsampling | 4:2:0 only | 4:2:0, plus 4:2:2 in higher profiles |
| Interlacing | Progressive only | Progressive or interlaced |
| Classic carrier | Video CD | DVD-Video, DVB and ATSC broadcast |
| Status on this page | Selectable, but not usable for a still | Default, and the setting to keep |
.mpg/.mpeg support without saying which codec — MPEG-2 is the safer of the two by a wide margin.A still photograph has no timeline, so the encoder holds one rendered frame and runs at one frame per second. MPEG-1's picture header has no way to say "one frame per second" — the frame rate is a code selected from a fixed list of eight values, and 1 fps is not among them. MPEG-2 solved this in its sequence extension by adding a numerator and denominator that scale the base rate, which is how the same still encodes cleanly as MPEG-2. In our testing the MPEG-1 encoder rejects the one-frame-per-second timing outright, while MPEG-2 accepts it and produces a normal program stream. There is no setting on this page that changes the frame rate, so there is no way to work around it from here.
The size ceiling is the second problem. MPEG-1 stores horizontal and vertical size in 12-bit fields, which stops at 4095 pixels; MPEG-2's sequence extension widens those fields. If you genuinely need Video CD-era MPEG-1 output, encode a small frame in a dedicated MPEG-1 tool from a rendered still — start with NEF to JPG and take the JPEG from there.
.nef onto the page or click "+ Add Files" to browse. Queue several Nikon frames if you want a sequence rather than a single slide..mpeg. Files upload over an encrypted connection, are processed on our servers and are deleted automatically after a few hours. No sign-up, no watermark.Four of our pages produce MPEG-2 video from the same Nikon source, and the difference between them is what wraps the video, not what is in it:
| Page | What comes out | Best for |
|---|---|---|
.mpeg (this page) |
MPEG-2 video inside an MPEG program stream | The broadest legacy-player recognition |
.mpg |
The same program stream under the shorter extension | Tools and devices that expect three-letter names |
.mpeg2 |
An MPEG program stream carrying the .mpeg2 name |
Rename it to .mpg before handing it to a player |
.m2v |
A bare MPEG-2 elementary stream, no container at all | DVD-authoring tools that multiplex audio separately |
Yes, for this conversion. Both extensions name an MPEG program stream and both pages here write the same MPEG-2 video into it — the only difference is the filename. The three-letter .mpg spelling dates from the era of eight-plus-three filenames and is still what some hardware players and capture tools look for, which is the only reason to prefer one over the other.
Because a photograph has no audio to carry over. When the source is a still image the converter builds a video-only stream rather than padding the file with a silent track, so there is no audio stream in the output at all — not an empty one. Add music or narration afterwards in a video editor or at DVD-authoring time.
A NEF is one frame. There is no motion in the source, so the output is that single rendered frame held for the length you set in Image Duration. Nothing pans, zooms or cross-fades. If you want a sequence, upload several Nikon frames at once and leave Merge strategy on "Merge images" — each photo then holds for the Image Duration in turn.
No. Recent Nikon bodies record roughly 20 to 45 megapixels, which is orders of magnitude past anything an MPEG-2 program stream was designed to carry and far past what a DVD authoring tool or a legacy player will accept. Set an explicit frame size that matches your destination: type 720 x 480 or 720 x 576 under "Width x Height" for DVD-style work, or pick 1280 x 720 or 1920 x 1080 from the Fixed Resolutions list if the target is a modern MPEG-2 decoder.
MPEG-2 has no constant-quality parameter in the way H.264 and H.265 do, so the encoder works from a bitrate derived from the output frame size instead. All three compression modes on the page resolve to that resolution-driven figure for a still image. The practical rule is that on an MPEG-2 target you change quality by changing the frame size. On an H.264 target such as NEF to MP4, the quality control behaves as you would expect.
Usually not. MPEG-1 and MPEG-2 program streams were built for optical-disc players, capture hardware and broadcast decoders, and mainstream browsers do not decode them natively. Desktop players such as VLC handle them fine. For a clip that plays essentially everywhere, convert the same photo with NEF to MP4 instead.
Not exactly. A NEF stores white balance, hue, tone and sharpening as editable instruction sets rather than as finished pixels, and your raw editor renders them with its own interpretation. This converter applies a neutral standard render, so an image tuned in Nikon software or Lightroom can look different here. To lock in a specific look, develop the raw first, export a TIFF or PNG, and convert that.
Your NEF is uploaded over an encrypted connection, rendered and encoded on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared or made public. Because raw files run tens of megabytes each, upload time is normally the slowest part of the job. Other targets for the same source are listed on the NEF converter page.