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Supports: ORF
This converter renders an ORF (Olympus RAW Format) photo and writes it into FLV — Adobe's Flash Video container — as a short, silent clip that holds the single still on screen. It is a deliberately niche pairing, so it is worth being clear about both formats first: an ORF is an archival camera RAW still from an Olympus or OM SYSTEM body, while FLV is a legacy Flash video container whose runtime (Flash Player) reached end of life on December 31, 2020. If you only want a normal, viewable photo, convert ORF to JPG instead; if you need the still as a clip that plays anywhere today, ORF to MP4 is a far better destination. Choose FLV only when a specific legacy system — an old learning-management platform, a Flash-era media server, or an archived workflow — still demands the .flv extension.
| Property | Value |
|---|---|
| Format | Olympus RAW Format (proprietary) |
| Container base | TIFF/EP-derived, Olympus-specific signature |
| Introduced | 2000, with the Olympus E-10 |
| Written by | Olympus and OM SYSTEM (OM Digital Solutions since January 2021) cameras — OM-D, PEN, Tough, E-system |
| Sensor | Four Thirds and Micro Four Thirds (Live MOS / CCD) |
| Bit depth | 12-bit on most bodies; 14-bit on later OM-D models |
| Typical resolution | ~10-20 megapixels |
| Payload | Undemosaiced Bayer sensor data + embedded JPEG preview + EXIF/MakerNote |
| Best for | A photographic master you will develop and keep |
| Property | Value |
|---|---|
| Format | Flash Video container |
| Developer | Macromedia, then Adobe |
| Introduced | 2003 |
| Default video codec here | Sorenson Spark (an H.263 variant, the classic FLV codec) |
| Alternate video codecs here | H.264, Flash Video / Flash Video (v2) screen codecs, MJPEG |
| Audio (video sources) | Typically MP3 or AAC — but an image source is silent |
| Runtime status | Flash Player reached end of life December 31, 2020 |
| Plays today in | VLC, ffmpeg-based players; not modern browsers natively |
| Best for | Legacy Flash-era systems that still require .flv |
A single ORF is one still photograph — there is no motion inside it — so a one-file conversion produces a freeze-frame clip: the rendered image held on screen for the Duration you set, with no panning and no movement. Because a still photo carries no audio, the FLV has no sound track. A .flv from a video source would normally carry an MP3 or AAC stream, but with an image source the converter writes no audio at all and the clip is silent by design.
Three honest trade-offs are worth understanding before you commit:
For almost every purpose, no. This pairing mismatches three ways at once: an archival camera RAW still, frozen into video, aimed at a dead Flash container. If you want to view, print, or share the photo, convert ORF to JPG. If you need the photo as a playable clip, ORF to MP4 writes an H.264 file that plays on phones, browsers, and modern editors. Pick FLV only when a specific legacy system — an old LMS, a Flash-era media server, or an archived workflow — insists on the .flv extension.
By default the converter writes the FLV codec — Sorenson Spark, the H.263-derived codec that was the classic format for Flash Video. Under the Video Codec menu in Advanced Options you can switch to H.264 (which later FLV files supported), or to the Flash Video / Flash Video (v2) screen codecs and MJPEG. Because the source is a single still, no audio codec is offered and the clip is silent. In our testing, a 16-megapixel ORF converted at the Very High preset produced a short, silent FLV that opened in VLC without an extra codec download.
No. An ORF is one still photograph, so a single-file conversion produces a freeze-frame clip — the rendered image held on screen for the Duration you set, with no panning or movement. To build a moving sequence you need multiple ORFs combined with Merge images; there is no footage hidden inside a single RAW still to extract.
Because a still photo contains no audio data, so the FLV is video-only by design. A .flv from a video source would normally carry an MP3 or AAC stream, but there is nothing in a single ORF to fill it, so the converter writes no audio at all for image sources. If you want music or narration, convert first, then add an audio track in any video editor.
Yes, but only with the right player. Flash Player itself reached end of life on December 31, 2020, and modern browsers no longer play FLV natively. The container still opens in VLC and other ffmpeg-based players, which is why FLV survives in some legacy learning-management systems and archived Flash workflows. For anything you plan to share or embed on the web today, convert ORF to MP4 instead.
Yes, substantially, and that is inherent to the conversion rather than a tool flaw. An ORF holds undemosaiced, higher-bit-depth sensor data (12-bit on most Olympus bodies, 14-bit on later OM-D models) that must be demosaiced to become viewable; that render bakes in white balance, exposure, and tone. A roughly 10-20 MP Four Thirds RAW is then scaled down to a Flash-era video frame, and the default Sorenson Spark codec is an older, lossy H.263 variant less efficient than H.264. Keep the original ORF for any future editing — the FLV is a delivery file, not an archive.
ORF is the proprietary Olympus RAW Format, introduced with the Olympus E-10 in 2000 and written by Olympus and OM SYSTEM (OM Digital Solutions since January 2021) cameras such as the OM-D, PEN, Tough, and E-system bodies, all built on Four Thirds and Micro Four Thirds sensors. It is a TIFF/EP-derived container holding Bayer sensor data that must be demosaiced to view. Because the conversion happens on our servers, you do not need OM SYSTEM Workspace or any RAW plugin installed — upload the .orf straight from the card. Note that very new camera models can take time to be supported by any third-party RAW decoder.
Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after the conversion — no sign-up, no watermark, never shared or made public.