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Supports: PNG
MTS is the file extension Sony and Panasonic camcorders write for AVCHD video, so converting a PNG to MTS means wrapping a still image inside an AVCHD-style clip — useful when you need a title card, logo plate, or placeholder that a camcorder timeline, AVCHD authoring tool, or older Blu-ray workflow will accept. The output is a short video that holds your image on screen for a set duration (5 seconds per frame by default); it is a still, not animation, encoded with H.264 video and an AC-3 audio track to match what AVCHD expects.
| Property | Value |
|---|---|
| Type | Raster image (still) |
| Released | 1996 (PNG 1.0); ISO/IEC 15948 since 2004 |
| Compression | Lossless (DEFLATE) |
| Color depth | Up to 16-bit per channel, with alpha transparency |
| Container | Single-image file |
| Best for | Logos, screenshots, line art, anything needing sharp edges or transparency |
| Property | Value |
|---|---|
| Standard | AVCHD, by Sony & Panasonic (introduced 2006; consumer cameras 2007) |
| Video codec | H.264 / MPEG-4 AVC |
| Audio codec | Dolby AC-3 or linear PCM |
| Container | MPEG transport stream (.MTS on camera, .M2TS after import) |
| Resolutions | 720×480/576, 1440×1080, 1920×1080; AVCHD 2.0 added 1080/50p/60p (2011) |
| Max video bitrate | ~24 Mbit/s (28 Mbit/s for AVCHD Progressive/3D) |
| Best for | Camcorder timelines, AVCHD authoring, Blu-ray-era playback |
If you upload more than one PNG, the Merge strategy control decides the result. Merge images stitches every upload into one MTS clip, each image shown for the duration you set — handy for a quick title-plus-content slate. Video per image instead produces a separate MTS file per PNG, which is what you want when each still is its own clip for a camcorder timeline.
It produces a still. The PNG is held on screen for the duration you choose (5 seconds per frame by default), then encoded as an AVCHD-style H.264 clip. There is no motion, pan, or zoom — it is the equivalent of a freeze-frame slate, which is exactly what title cards and placeholders in a camcorder timeline usually need.
Only for AVCHD-specific workflows. MTS/AVCHD plays on camcorders and Blu-ray-era hardware but is not natively supported on iPhone, iPad, or most social platforms. If your goal is sharing or web playback, convert the PNG to MP4 instead — MP4 uses the same H.264 codec but in a container that phones, browsers, and editors handle natively.
The clip is encoded with H.264 / MPEG-4 AVC video, which is the codec the AVCHD specification defines. Audio defaults to Dolby AC-3, the standard AVCHD audio format. Because a PNG has no sound, any audio track present is silent.
By default the image is fit to a 1080-class frame, and you can pick a Resolution Preset such as 1920×1080 or 1280×720. AVCHD itself supports 720×480/576, 1440×1080, and 1920×1080, with 1080/50p and 60p added in the 2011 AVCHD 2.0 update. The Background Color control fills any area left over when your PNG's aspect ratio doesn't match the chosen frame.
They are the same AVCHD transport-stream container with different extensions by convention: cameras write .MTS directly to the memory card, and that file is commonly renamed .M2TS once imported to a computer via the manufacturer's software. The output here uses the .MTS extension; if your tool expects .M2TS, renaming the file is usually enough.
No — AVCHD video has no alpha channel, so any transparent areas in the PNG are flattened against the Background Color you select (black by default). If you need the transparent edges preserved, keep the file as PNG or convert PNG to MP4; video formats in general are opaque. In our testing, a transparent-background PNG converted to MTS came out with those regions rendered as solid black unless we changed the background color first.