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Supports: PPM
A PPM file is an uncompressed Netpbm pixmap — the kind of raw RGB image that image-processing and rendering pipelines spit out, but that almost no media player or browser will open. MOV is Apple's QuickTime container, the format video editors and macOS players expect. Converting PPM to MOV wraps your still pixmap into a short, playable video clip: the image is held on screen as a single motionless frame for a duration you choose. There is no motion and no audio track — it is your one image, on a timeline, viewable anywhere QuickTime, H.264 plays.
| Property | Value |
|---|---|
| Full name | Portable Pixmap (Netpbm) |
| Origin | Late 1980s, by Jef Poskanzer (Netpbm / Pbmplus toolkit) |
| Magic number | P6 (raw/binary) or P3 (plain/ASCII) |
| Color model | RGB, 24-bit (8 bits/channel) or 48-bit (16 bits/channel) |
| Compression | None — raw, uncompressed pixel data |
| Typical role | Intermediate image in conversion and rendering pipelines |
| Native browser support | None (not displayable in browsers) |
| File size | Large relative to PNG/JPG for the same image |
| Property | Value |
|---|---|
| Full name | QuickTime File Format (QTFF) |
| Origin | Apple, introduced with QuickTime in 1991 |
| Type | Multimedia container (track-based: video, audio, text) |
| Default video codec here | H.264 (also supports HEVC, ProRes, MJPEG) |
| Relationship to MP4 | ISO adopted QTFF as the basis of the MPEG-4 file format |
| Audio in this conversion | None — a still image produces a silent clip |
| Best for | macOS / iOS playback, Final Cut and editor timelines |
.ppm onto the page or click "+ Add Files" to pick it from your computer.For more than one pixmap, the Merge strategy option either stitches all uploaded images into one MOV ("Merge images") or outputs a separate clip per file ("Video per image").
No. A single PPM is one static image, so the output is a motionless clip with no audio — your pixmap held on screen for the duration you set. If you upload several PPM files and choose "Merge images," they play in sequence, with each frame shown for its set duration, which reads as a basic slideshow rather than true motion.
PPM is a pipeline format — most viewers, browsers, and editors can't display it directly. Wrapping it in a MOV gives you a file that plays in QuickTime, previews in Finder, and drops onto a Final Cut or Premiere timeline as a still. If you only need a viewable picture rather than a clip, converting PPM to PNG is the lighter option.
By default this conversion encodes the clip with H.264, which QuickTime, Safari, and modern editors all play. Under the codec options you can switch to alternatives the MOV container supports, such as HEVC (H.265) for smaller files or MJPEG; H.264 is the safest choice for broad compatibility.
The Duration dropdown ranges from a single frame (1/60s, 1/30s, 1/24s) through fractional-second steps up to 10 seconds per image. Pick a short fraction if you only need a one-frame timeline placeholder, or several seconds if the clip is meant to be watched on its own.
PPM can store 16 bits per channel (48-bit RGB), but H.264 in a standard MOV is 8-bit (24-bit) color, so a 16-bit pixmap is reduced to 8-bit per channel on encode. For typical 8-bit PPM files there is no depth loss. If retaining the exact raw pixels matters more than playability, keep the source PPM or convert to a lossless still format instead.
Not unless you ask it to. With Video resolution set to "Keep original," the clip matches your pixmap's pixel dimensions. Choosing a fixed resolution scales the image to fit, and the Background Color fills any leftover space when the aspect ratios differ.
In our testing, the two are visually identical for a single H.264-encoded still — MOV is the better pick if you live in QuickTime, Final Cut, or the Apple ecosystem, while PPM to MP4 is more universally playable across Windows, Android, and web players. The container is the only real difference; both carry the same H.264 frame.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.