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Supports: RAF
RAF is Fujifilm's RAW format — unprocessed sensor data that most apps, browsers, and websites can't open directly. This converter renders the RAW on our servers and outputs a standard 8-bit JPEG you can share, upload, or print anywhere. Because Fujifilm's X-Trans sensors use a non-Bayer color filter array that some third-party converters demosaic poorly, server-side rendering matters: you get clean color from the RAF rather than the smeared detail or false color a generic decoder can produce.
.raf files onto the page or click "+ Add Files" to select them. You can queue several at once and convert them with the same settings..jpeg or .jpg (the two are identical formats).| Property | RAF (Fujifilm RAW) | JPEG |
|---|---|---|
| Data type | Unprocessed sensor data | Rendered, display-ready image |
| Bit depth per channel | 12 or 14-bit | 8-bit |
| Compression | Lossless / lightly compressed | Lossy |
| Editing latitude | Wide — recover highlights, shadows, white balance | Limited — adjustments bake in artifacts |
| Typical file size | ~25-50 MB | ~2-12 MB |
| Opens in browsers / phones / social apps | No | Yes |
| Best for | Editing the original capture | Sharing, uploading, printing |
Converting RAF to JPEG is a one-way render: you trade the RAW file's editing headroom for a small, universally compatible file. Keep your original .raf if you may want to re-edit later.
You lose editing latitude, not visible detail at normal viewing sizes. RAF stores 12 or 14-bit sensor data with a wide dynamic range; JPEG is 8-bit and lossy, so once rendered you can't recover blown highlights or push exposure the way you could from the RAW. For a finished photo you just want to share or print, the JPEG looks the same — keep the .raf only if you plan to re-edit. To avoid lossy compression entirely, convert RAF to PNG instead.
Yes. Most modern Fujifilm X-series cameras (X-Pro, X-T, X-E, X-S, and X100 lines) use the X-Trans color filter array — a 6×6 photosite pattern instead of the usual 2×2 Bayer grid. That non-standard layout has historically tripped up some third-party RAW converters, producing smeared fine detail or color artifacts. We render the RAF server-side with a demosaic step built for X-Trans, so the JPEG reflects the sensor's actual color and detail. (Fujifilm's GFX medium-format bodies use a conventional Bayer array, and those RAF files convert cleanly too.)
In our testing, the default "Very High" preset gives JPEGs that are visually indistinguishable from the rendered RAW at 100% view while keeping files manageable. Drop to a medium preset only when you need a smaller file for email or a web upload and can accept slightly softer fine detail. You can also set a target width and height under Image resolution to cut size without lowering quality much.
A RAF stores the camera's Film Simulation (Velvia, Acros, Classic Chrome, etc.) as rendering metadata, not as baked pixels — that look is applied when the RAW is developed. A generic RAW-to-JPEG render produces a neutral, accurate baseline rather than reproducing every in-camera simulation exactly. If matching a specific Film Simulation is critical, develop the RAF in Fujifilm's own software first, then bring the JPEG here to resize or compress.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. Shooting Canon or Nikon instead? Use CR2 to JPG for the same workflow with other RAW formats, or compress JPEG once you have the output.