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Supports: RAF
RAF is the RAW format Fujifilm cameras write — unprocessed sensor data that print labs, page-layout apps, and most editors can't open directly. Converting to TIF renders your Fuji capture into a lossless, fully compatible image you can hand to Photoshop, a print shop, or a long-term archive. To get a true lossless TIF rather than a compressed one, switch the Compression Type away from the JPEG default to LZW (more on that below). .tif and .tiff are the same format — pick whichever extension your workflow expects.
.raf files onto the page or click "+ Add Files" to browse. You can queue several at once..raf as your editable master.| Property | RAF (Fujifilm RAW) | TIF (TIFF) |
|---|---|---|
| What it holds | Mosaic sensor data, undeveloped | Fully rendered raster image |
| Origin | Fujifilm X-series and GFX cameras | Aldus, 1986; spec maintained by Adobe (TIFF 6.0, 1992) |
| Color filter array | X-Trans (6×6, non-Bayer) on most X-series; Bayer on GFX and some entry models | n/a — already demosaiced |
| Editing latitude | Full — white balance, exposure, highlight recovery adjustable | Locked — the render is baked in |
| Compression | Camera-specific RAW | Lossless (LZW, Deflate/ZIP, PackBits) or lossy (JPEG) |
| Opens in | RAW developers only (Lightroom, Capture One, RawTherapee) | Photoshop, GIMP, Affinity, print RIPs, viewers |
| Best for | Maximum editing headroom; keep as master | Print handoff, layered editing, archival |
Choose LZW for a lossless master. The converter defaults the Compression Type to JPEG, which is lossy and defeats the point of exporting a TIF — so change it to LZW unless you specifically want a smaller, lossy file. LZW is the long-standing lossless scheme that print shops and editors expect, and it keeps every rendered pixel intact. TIFF also supports Deflate (ZIP) and PackBits lossless schemes; among the options here, LZW is the safe, broadly compatible pick.
Yes. A RAF holds undeveloped sensor data, which is why white balance, exposure, and highlight recovery stay adjustable while it's raw. To make a TIF, the converter develops the photo first — demosaicing the sensor data and baking in the current white balance, exposure, and tone — so the result is a finished image, not an editable negative. A lossless TIF preserves that rendered image perfectly for further retouching, but it can't restore the latitude a RAW had. Keep the original .raf if you may want to re-develop later.
Two things shift it. Most Fujifilm X-series bodies use the X-Trans color filter array — a non-Bayer 6×6 pattern — and every RAW renderer demosaics that pattern with its own algorithm, so there's no single "correct" interpretation (GFX medium-format and some entry models use a conventional Bayer array instead). The in-camera preview also applies a Film Simulation that isn't stored in the RAW data, so a neutral render won't reproduce that look exactly. To match the camera, apply your Film Simulation in a RAF-aware editor, export, and the TIF will carry that finished look.
They're the same format — both are TIFF, and the two extensions are interchangeable. The three-letter .tif survives from older systems that capped extensions at three characters; .tiff is the spelled-out form. Output is identical either way, so choose the extension your downstream tool or print lab asks for. If you'd rather use the longer spelling, the RAF to TIFF converter is the same tool under the other name.
TIF is for print, layered editing, and archival — files where you want every pixel preserved losslessly and don't care about size. For sharing online, a TIF is needlessly large; render to JPG for a universal display copy or AVIF for a much smaller modern-web file. A common workflow is to keep the RAF as master, export a TIF for print, and make a JPG or AVIF for the web. To shrink an existing TIF without changing format, use compress TIFF.
In our testing, a full-resolution Fujifilm RAF developed to a lossless LZW TIF produced a substantially larger file than a JPG of the same image — expected, since TIF stores the full rendered detail without lossy compression. Your file is uploaded over an encrypted connection, developed and written to TIF on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. The practical limit is upload size and time rather than your device, since RAF files often run tens of megabytes each.