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Supports: RAF
A RAF file is the unprocessed RAW capture from a Fujifilm camera — full sensor data, but not a viewable photo until it is rendered. This converter renders your RAF on our servers and encodes the result as WebP, a modern web image format that is roughly 25-34% smaller than the same photo as JPEG and about 26% smaller than PNG, with optional transparency. The result opens directly in Chrome, Firefox, Edge, and Safari without a special viewer.
.raf files or click "+ Add Files". You can queue several Fujifilm RAW files and convert them in one batch.| Property | RAF (Fujifilm RAW) | WebP |
|---|---|---|
| Purpose | Unprocessed sensor capture for editing | Delivery format for web and apps |
| Compression | Lossless container, very large files | Lossy or lossless, much smaller |
| Transparency | No | Yes (lossy and lossless) |
| Editing latitude | Full (white balance, exposure recoverable) | Baked-in once rendered |
| Browser support | None (needs RAW software) | Chrome 32+, Firefox 65+, Edge 18+, Safari 16+ / iOS 14+ |
| Typical use | Camera-to-desktop RAW workflow | Sharing, websites, smaller storage |
Yes — and this is the main trade-off. A RAF holds the raw sensor data, so white balance, exposure, and highlight recovery are fully adjustable in RAW software. Rendering to WebP bakes those decisions in. Keep the original RAF if you may want to re-edit later; use the WebP for sharing and the web.
Most modern Fujifilm X-series cameras (X-Pro, X-T, X-H, X-S, and X100 lines) use a non-Bayer X-Trans color filter array — a 6×6 photosite pattern rather than the usual 2×2 Bayer grid, introduced with the X-Pro1 in 2012. That irregular layout reduces moiré without an optical low-pass filter, but it historically tripped up some third-party RAW converters that assumed a Bayer pattern. Our pipeline demosaics the RAF server-side before encoding, so you get the rendered image without needing X-Trans-aware desktop software.
Lossy WebP is best for photographs headed to the web: at matched quality it is about 25-34% smaller than JPEG. Lossless WebP is pixel-exact and roughly 26% smaller than PNG — better for graphics, screenshots, or when you can't accept any compression artifacts. For a rendered Fujifilm photo, lossy at the Very High preset is usually the right balance.
WebP supports an alpha channel in both its lossy and lossless modes, so transparency is preserved when present. A photo rendered from a RAF has no transparent areas, so the output will be fully opaque — the alpha capability matters more when you later composite the image.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. In our testing, a 24-megapixel X-T-series RAF rendered to a Very High WebP came out a fraction of the original RAW's size while keeping fine detail.
If you need a different output, see RAF to JPG for the most universally compatible format, or compress WebP to shrink files you already have.