Initializing... drag & drop files here
Supports: RM
This tutorial is for anyone holding a .rm (RealMedia) video — a recorded broadcast, lecture, home clip, or internet-radio capture from the RealPlayer era — that current players have stopped opening. The tool decodes the RealVideo and RealAudio streams server-side and re-wraps them as MKV (Matroska), the open, royalty-free container that media servers and modern players will still read in twenty years. One expectation to set up front: RealVideo is lossy, so this is a rescue-and-preserve job, not a quality upgrade — details below.
.rm file onto the page or click "+ Add Files" to browse. You can queue several files at once and they all convert with the same settings.If your goal is a file that plays on phones and TVs out of the box rather than an archive, convert to RM to MP4 instead — MKV is the preservation pick, MP4 is the device pick.
The MKV container itself does not change your video quality — it is an "envelope" that can hold almost any codec, multiple audio and subtitle tracks, chapters, and metadata in one file. What matters is the Codec you re-encode the RealVideo into, because .rm files cannot store H.264 or VP9; the original RealVideo stream has to be transcoded on the way in. Match the codec to how you will store and play the file:
Whatever you choose, set Video resolution to Original. A late-1990s or early-2000s RealVideo clip was encoded small for dial-up and early broadband; enlarging it cannot recover detail that was never captured.
.rm decoded to, but it cannot rebuild detail the original encode discarded. Keep the resolution at Original rather than upscaling..rm files are video-only, or the RealAudio stream is a variant the decoder can't read. The picture still converts; the audio simply isn't there to carry over..rm may be a truncated or partially-downloaded stream fragment with no complete decodable track. There is nothing intact for the converter to read.Some older RealNetworks downloads carried DRM tied to RealPlayer licensing; an encrypted stream cannot be decoded and will not convert in any tool. Truncated or corrupted .rm files from broken streams may also fail or produce a silent or partial output. And remember the hard ceiling on quality: no conversion can exceed the lossy RealVideo already inside the file — MKV preserves it perfectly but cannot improve it. If you only need the soundtrack rather than the picture, extracting to RM to MP3 or a lossless RM to FLAC master is often the more practical rescue.
No. MKV is a container, not a codec — it holds your video but cannot add quality that was never in the source. RealVideo inside an .rm file is lossy and was usually encoded at a low bitrate for streaming, so the MKV is a faithful copy of a compromised original. Re-encoding the RealVideo into H.264, H.265, or VP9 is one additional lossy generation; pick a higher quality preset to keep that generation loss minimal. The value here is preservation and playability, not enhancement.
MKV is the better archival target: it is a royalty-free open standard, it can hold multiple audio and subtitle tracks, chapters, and rich metadata in one file, and it has solid error-recovery for long-term storage — which is why media servers like Plex and Jellyfin favor it. MP4 wins on out-of-the-box playback on phones, TVs, and browsers. The rule of thumb: preserve in MKV, publish or play on devices in MP4. If you need a device copy, convert to RM to MP4, or run MKV to MP4 on the archive later.
Yes. RM (RealMedia) was RealNetworks' proprietary streaming format from the late 1990s and 2000s, and most current default players no longer open it — mainstream RealVideo development largely wound down after RealNetworks sold its next-generation codec patents to Intel in 2012. xconvert decodes the streams server-side using the same FFmpeg/libavcodec lineage that lets VLC and MPlayer still play these files, so no RealPlayer install is required. Upload the .rm as-is.
For broad compatibility, pick H.264 — it plays on virtually every current device and reproduces a low-bitrate RealVideo source cleanly. For the smallest archive across a large library, pick H.265 (HEVC), accepting slower encoding and slightly narrower playback support. To keep the whole file patent-free inside the royalty-free Matroska container, pick VP9. In our testing, a short standard-definition RealVideo clip re-encoded to H.264 at a high quality preset produced an MKV close to the original file size while playing in every current desktop player we checked.
Yes, if you leave Video resolution on Original. RealVideo clips from the streaming era were typically encoded at small resolutions for dial-up and early broadband; the converter preserves that frame exactly. You can pick a resolution preset to downscale, but enlarging a small source only stretches existing pixels — it cannot add detail the original never captured, so Original is almost always the right choice for an archive.
Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.