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Supports: RW2
RW2 is Panasonic's proprietary RAW container, used across the Lumix line — Micro Four Thirds bodies (GH6, GH5 II, G9 II), full-frame L-Mount bodies (S5 II, S1R, S1H), and compact LX/FZ models. The format is TIFF-based and stores unprocessed 12- or 14-bit sensor data plus EXIF, white balance, and lens-correction metadata. That makes it ideal for editing but means almost nothing outside Lightroom, Capture One, RawTherapee, darktable, or SilkyPix can display it. PNG (W3C/IETF specification, lossless deflate compression, up to 16-bit per channel with optional alpha) is the natural delivery target when you want a fully editable, universally viewable still.
| Property | RW2 (Panasonic) | DNG (Adobe) | CR3 (Canon) | NEF (Nikon) |
|---|---|---|---|---|
| Container basis | TIFF-based | TIFF/EP-based, open spec | ISO BMFF (different from CR2) | TIFF-based |
| Vendor lock-in | Panasonic-only | Open, multi-vendor | Canon-only | Nikon-only |
| Embedded lens corrections | Yes (proprietary) | Yes (when written by camera) | Yes | Yes |
| Bit depth | 12 or 14-bit | Up to 16-bit | 14-bit (typical) | 12 or 14-bit |
| Universal viewer support | Low | Medium | Low | Low |
A common workflow question: should you convert RW2 to DNG for archiving? Adobe's DNG converter is free and DNG is an open spec, but the conversion drops some Panasonic-specific metadata. For a flat deliverable instead, PNG is simpler — it's the lingua franca of lossless raster.
| Setting | What it controls | When to pick it |
|---|---|---|
| Quality Preset: Highest | Maximum bit depth retained from RW2 | Archival, print, color grading downstream |
| Quality Preset: Very High | Default, near-lossless render | General delivery — the safe choice |
| Quality Preset: Medium / Low | Reduces effective bit depth | Email proofs, draft thumbnails |
| Specific file size (e.g., 8 MB) | Targets a byte cap, scales internally | Upload to size-capped platforms |
| Compression level 1–9 | Deflate effort (always lossless) | Higher = smaller PNG, slower encode |
| Compression speed 1–9 | CPU tradeoff for encoder | Lower = faster encode, slightly larger PNG |
PNG is always lossless — changing the compression level or speed never throws away pixel data, only changes how aggressively the encoder hunts for redundancy.
No. XConvert decodes the RW2 container in-browser, so you don't need SilkyPix Developer Studio (the editor Panasonic bundles with new bodies), PHOTOfunSTUDIO, or Adobe Camera Raw on your machine. The same applies to Lumix bodies whose .rw2 files your installed Lightroom version is too old to open — the converter doesn't depend on your local Camera Raw version.
The Lumix-generated JPEG is an 8-bit lossy render with picture-style, sharpening, and noise reduction baked in by the camera firmware. Converting from RW2 lets you start from the unprocessed 12- or 14-bit sensor data and produce a lossless PNG — typically 3–5x larger than the JPEG, but with no DCT block artifacts and full editing latitude before encode.
XConvert renders to standard 8-bit-per-channel PNG by default, which matches what every browser, Slack, email client, and CMS expects. PNG itself supports 16-bit per channel (per the W3C PNG spec), but very few delivery contexts can display it correctly, so 8-bit is the practical target. If you need 16-bit precision for color grading, keep the RW2 as your master and use RW2 to TIFF instead.
PNG is lossless, so a 24-megapixel Lumix shot can land at 30–80 MB depending on scene complexity (smooth skies compress well; fine foliage and noise do not). If size is a problem, drop to "Specific file size", scale by percentage, or convert to JPG via RW2 to JPG for typical web use.
Yes, EXIF tags written by the Lumix body are carried through to the PNG (PNG stores EXIF in an eXIf chunk). White balance and lens-correction profiles that are RW2-specific are baked into the rendered pixels rather than preserved as editable metadata, since PNG isn't a RAW format.
The format is used across the Lumix lineup — DC-G/GH/GX (Micro Four Thirds), DC-S (full-frame L-Mount), DMC-LX/FZ (compact and bridge), and current bodies like the GH6, S5 IIX, and G9 II. If your Panasonic body has a "RAW" or "RAW+JPEG" mode, the file it writes to the SD card is .rw2.
Yes, queue multiple .rw2 files in a single upload and download them individually or as a ZIP. Each file is rendered independently, so a corrupt frame in the middle of the batch won't fail the rest.
DNG (Adobe Digital Negative) is an open RAW container — many photographers convert Panasonic RW2 to DNG for long-term archiving in case Panasonic's proprietary tags become unreadable in future software. DNG keeps the RAW workflow; PNG ends it. If you want a deliverable, pick PNG (or JPG). If you want a future-proof RAW master, use Adobe's free DNG Converter.
XConvert processes files in your browser session and does not retain originals beyond that session. Sensor data from your shoot stays under your control, which matters if the .rw2 contains GPS coordinates or unreleased work.