TS to HEVC Converter

Convert TS files to HEVC format online. Free, fast, no watermarks.

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Supports: TS

OptionsAdvanced Options - Our defaults are optimized for the best results. We recommend you keeping the defaults unless you have a specific need.
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How to Convert TS to HEVC Online

  1. Upload Your TS File: Drag and drop, or click "+ Add Files" to pick MPEG transport stream recordings from your DVR, capture card, or IPTV dump. Batch uploads are supported — every file uses the same settings.
  2. Pick the HEVC Encoding Mode: Default is Quality Preset → Very High, which targets visually-lossless re-encodes at CRF 18-20. Switch to Constant Quality and dial the CRF slider (18 = near-lossless, 23 = balanced, 28 = small file) for archival vs. streaming. Pick Specific file size to hit an exact MB target, or Constant / Variable Bitrate to nail a Mbps cap for streaming servers.
  3. Set Resolution and Trim (Optional): Use Video resolution to keep the original, scale by percentage, choose a preset (4K, 1080p, 720p, 480p), or set a custom width × height with aspect-ratio lock. Open Trim → Time Range to chop a commercial break or grab a single scene before re-encoding.
  4. Convert and Download: Click Convert. Files process on our servers and the output is delivered as a raw HEVC elementary stream (.hevc) — no sign-up, no watermark, no email required.

Why Convert TS to HEVC?

MPEG-TS (.ts) is the container ATSC over-the-air TV and most DVB satellite/cable systems use for broadcast — and in the United States, ATSC 1.0 still ships the video as MPEG-2, a codec finalized in 1995. A one-hour 720p MPEG-2 capture at ~5 Mbps lands around 2.6 GB on disk. Re-encoding the same hour to HEVC (H.265) typically drops the file to 600-700 MB with no perceptible quality loss, because HEVC delivers 25-50% better compression than H.264 at matched quality and roughly half the bitrate of MPEG-2 at matched quality. The output here is a raw HEVC elementary stream, useful when you want the cleanest possible video track to remux into a modern container later.

  • Shrink an HDHomeRun or Plex DVR library — A season of one-hour 1080i broadcast TS recordings can occupy 50-100 GB. Re-encoding to HEVC commonly cuts that 60-70% while remaining visually identical on a 4K TV.
  • Free up space on capture-card workflows — OBS, Elgato, and AVerMedia capture utilities often write .ts files because the format is resilient to mid-recording crashes. HEVC re-encode is the standard archival step once a session is done.
  • Prepare clips for editing on Apple Silicon and modern PCs — Macs since 2017 (with Apple T2 / M-series chips) and Intel CPUs since 7th-gen Kaby Lake have full hardware HEVC decode, so HEVC scrubs smoothly in Final Cut, Premiere, and DaVinci Resolve.
  • Get a clean elementary stream for remuxing — The .hevc output contains only the H.265 video bitstream — no audio, no PMT, no PCR. That's exactly what tools like MP4Box or ffmpeg need when you want to remux losslessly into MP4, MKV, or fragmented MP4 (fMP4) later.
  • Reduce IPTV recording archives — Set-top boxes and IPTV recorders dump straight to TS. Converting to HEVC after the fact preserves the recording while shrinking it for cold storage or NAS backup.
  • Future-proof an SD/HD broadcast archive — Old MPEG-2 captures will keep getting larger relative to modern codecs. A one-time HEVC re-encode locks in 2-3× the storage capacity on the same drive.

TS (MPEG-2) vs HEVC Elementary Stream — What Actually Changes

Property TS (typical ATSC/DVB) HEVC elementary stream
What it is Container with multiplexed video + audio + metadata Raw H.265 video bitstream, no container
Video codec inside Usually MPEG-2 (ATSC 1.0) or H.264 (ATSC 3.0, some DVB) H.265 / HEVC, ratified Jan 2013
File extension .ts, .m2ts, .mts .hevc, .h265, .265
Audio track Yes — AC-3 / AAC / MP2 muxed in None — video only
Typical bitrate (1080p) 8-19 Mbps (broadcast) 3-6 Mbps for matched quality
Size, 1 hour 1080p ~3.5-8 GB ~1.3-2.7 GB
Stream-resilient Yes (188-byte packets, designed for broadcast loss) No (needs a container for streaming)
Native browser playback Limited (no Safari/Chrome) Limited (Safari 13+, Chrome 107+ partial)
Best follow-up step Re-encode to HEVC or H.264 Remux into MP4 / MKV with audio

HEVC Quality Mode Cheat Sheet

Mode When to use What to set
Quality Preset → Very High Default — visually-lossless re-encode of broadcast TS Leave as-is
Constant Quality (CRF) Archive-grade or streaming, want to dial quality directly CRF 18 (near-lossless), 23 (balanced), 28 (small)
Specific file size Hit an exact MB cap for upload limits or disc burning Enter MB target; encoder picks bitrate
Constant Bitrate (CBR) Streaming to Twitch-style servers needing fixed bitrate 4 Mbps for 1080p30, 8 Mbps for 1080p60
Variable Bitrate (VBR) Best size/quality trade for VOD libraries Target 4 Mbps, max 8 Mbps (1080p)

Frequently Asked Questions

Why is the output a .hevc file with no audio?

HEVC (H.265) is a video codec, not a container, so a raw HEVC bitstream is video only. The .hevc extension (also written .h265 or .265) is the elementary stream produced by HEVC encoders. If you need the audio track preserved alongside the video, use Convert TS to MP4 or Convert TS to MKV — both write a real container with the audio muxed back in.

Will my TV or phone play a .hevc file directly?

Most consumer playback software expects HEVC inside MP4 or MKV. VLC, MPV, MPC-HC, and ffplay open raw .hevc fine. iOS Photos, Apple TV, and most Smart TV apps won't recognize the bare elementary stream — you'll want to remux into MP4 or MKV first. If your goal is universal compatibility, Convert TS to MP4 is the friendlier choice.

How much smaller will my TS file get after HEVC re-encoding?

For ATSC over-the-air 1080i recordings the typical reduction is 60-75% at visually-identical quality (a 5 GB hour becomes 1.3-2 GB). For DVB SD recordings already using H.264 in TS, expect 30-50% reduction. Live-event broadcasts with lots of motion compress less than talking-head studio shows, so a sports recording will land at the smaller end of those savings.

Should I pick CRF 18, 23, or 28?

CRF 18 produces near-lossless HEVC — visually indistinguishable from the source at normal viewing distance, file size around 2× CRF 23. CRF 23 is the standard "balanced" archival setting most ffmpeg pipelines use. CRF 28 is the x265 default and is fine for casual streaming on phones, but you'll see softness on TV-sized screens with broadcast content. For archiving a broadcast TS library, CRF 20-22 is the sweet spot.

Why not just use H.264 since everything plays it?

H.264 hardware decode is universal, but at matched quality HEVC files run roughly half the size — for a multi-terabyte DVR library, that's the difference between one drive and two. If broad device support is more important than disk space, encode to MP4 with H.264 instead. If you specifically need that compression win, HEVC is the right call.

My broadcast TS is interlaced (1080i / 480i). Will HEVC handle that?

Yes — the encoder will deinterlace 1080i to 1080p (and 480i to 480p) during the re-encode, which is what you want for modern displays. Progressive output is also what HEVC encoders are tuned for; encoding interlaced HEVC is technically possible but poorly supported by playback software.

Will trimming during conversion cause a re-encode of the whole file?

Yes — because we're already re-encoding from MPEG-2/H.264 to HEVC, the trim is applied during that encode pass, so there's no extra cost. If you only need to chop a TS file without changing codec, use a stream-copy trimmer like the Video Cutter instead.

What about HEVC in a TS container — can I keep .ts as the extension?

HEVC-in-TS is technically valid (used by ATSC 3.0 and some IPTV setups) but is not supported by major streaming specifications — Apple's HLS spec, for instance, requires HEVC to be carried in fragmented MP4 (fMP4) rather than .ts, while H.264 is allowed in either. For most workflows you want HEVC in MP4 or MKV; the raw .hevc elementary stream this page produces is ideal for piping into your preferred muxer afterwards.

Is there a file size limit?

No registration is required and there's no hard cap on individual file size for typical broadcast recordings. Very large multi-hour captures (>2 GB) will take longer to upload and encode — for a 4-hour 1080i ATSC recording, expect upload + encode time in the range of 10-30 minutes depending on your connection.

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