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Supports: TS
.ts transport stream files into the uploader, or click "+ Add Files" to browse. Batch uploads are supported — queue an entire DVR session at once.A .ts file is an MPEG transport stream — the container format standardized as ISO/IEC 13818-1 in 1995 for broadcast, IPTV, and DVB/ATSC delivery. It typically wraps an H.264 or MPEG-2 video stream alongside an AAC, AC3, or MP2 audio track. When you only want the audio (a podcast captured from a satellite recording, music from a live TV broadcast, a sermon from an IPTV stream), M4A is the cleanest target: it's the audio-only variant of the MPEG-4 container and is natively supported by iTunes, Apple Music, the iPhone Music app, macOS QuickTime, and most modern Android devices.
.ts. Extracting the audio to M4A lets you sync that recording to your phone's music library or a smartwatch without keeping the multi-gigabyte video..m4a over .ts for audio, and M4A files appear correctly in playlists, sync to iPod/iPhone, and show metadata in the Music app where TS would just be ignored..m4b, and the AAC codec at 64-96 kbps mono is plenty for speech. Convert a recorded webinar or class once and keep it in your library forever.| Property | TS (MPEG Transport Stream) | M4A (MPEG-4 Audio) |
|---|---|---|
| Container type | Audio + video + metadata, packetized | Audio-only MP4 |
| Standardized | ISO/IEC 13818-1 (1995, last revised 2022) | ISO/IEC 14496-14 (MP4 family) |
| Typical use | Broadcast, IPTV, DVB, ATSC, DVR captures | iTunes, Apple Music, podcasts, ringtones |
| Audio codecs carried | AAC, AC3, EAC3, MP2, DTS | AAC (most common), ALAC, MP3, Opus |
| Video carried? | Yes (H.264, MPEG-2, HEVC) | No — audio only |
| Typical size, 1 hour | 1-3 GB (with video) | 50-100 MB at 128-192 kbps AAC |
| Native player support | VLC, FFmpeg, broadcast hardware | iOS, macOS, Android, Windows, browsers |
| Metadata / tags | PSIP, EPG data | iTunes-style tags (artist, album, art) |
| Bitrate | Best for | Notes |
|---|---|---|
| 64 kbps | Speech, audiobooks, podcasts (mono) | Smallest files; not for music |
| 96 kbps | Lecture / talk radio archives | Acceptable for spoken word; thin for music |
| 128 kbps | General music, casual listening | iTunes Store default for many years |
| 192 kbps | Music libraries on phones | Transparent for most listeners |
| 256 kbps | Apple Music streaming target | Apple Music streams AAC at 256 kbps |
| 320 kbps | Archival rip, audiophile use | Near-lossless AAC; use ALAC if you need true lossless |
A .ts is a transport-stream container that carries the full video (often H.264 or MPEG-2 at 4-15 Mbps) plus the audio track. M4A discards the video entirely and keeps just the audio at ~128-256 kbps AAC. Expect output files in the 50-100 MB range per hour, down from 1-3 GB for the original TS — the savings come from dropping the video stream, not from re-compressing audio.
The xconvert pipeline re-encodes to AAC by default so the output is a clean, iTunes-compatible M4A regardless of what was in the source. If the TS already contains AAC and you want a bit-perfect demux without quality loss, set the Quality Preset to "Highest" or pick Constant Bitrate at 256-320 kbps — the difference from the original is inaudible. True passthrough requires command-line tools like FFmpeg with -c:a copy.
Yes. AC3 (and EAC3) are common audio codecs inside broadcast .ts files. The converter decodes the AC3 stream and re-encodes it as AAC inside the M4A container. You may lose surround channels if the source was 5.1 — by default the output is stereo unless you set Audio Channel explicitly. For multichannel preservation, AC3-in-M4A isn't standard; consider keeping the original or converting to MKV instead.
AAC is the codec (the compression algorithm); M4A is the container (the file wrapper) holding an AAC stream plus metadata. An .aac file is the raw codec stream with no tags or chapters; .m4a adds iTunes-style metadata, album art, and is the format Apple uses everywhere. Most apps prefer M4A. If you specifically need raw AAC, use the TS to AAC converter.
Yes — M4A is Apple's native audio format. Files import into Apple Music's library, sync to iPhone and iPod, and appear in the correct artist/album playlists. To add metadata (artist, album, artwork), use Apple Music's "Get Info" panel after import; the converter strips broadcast PSIP/EPG data from the TS source since it isn't compatible with iTunes-style tags.
Yes. In Advanced Options, open the Trim section and set a start time and duration. This is the fastest way to rip one song from a 2-hour concert capture or one segment from an all-night DVR session, without manually editing afterward. For more advanced cutting (multiple segments, fades), run the file through the Audio Cutter after conversion.
Quality Preset (VBR-style) gives you better audio per megabyte because the encoder uses more bits on complex passages and fewer on quiet ones — "Very High (Recommended)" is the safe default for music. Constant Bitrate is predictable and good for streaming or strict size targets; 192 kbps is the sweet spot for music, 128 kbps for talk content, 256 kbps to match Apple Music's streaming quality.
Yes. Drag a folder of .ts recordings in and the converter processes them all with the same settings, then offers them as individual M4A downloads (or a ZIP archive). Settings such as bitrate, sample rate, and trim apply uniformly across the batch — if you need per-file settings, run them in separate sessions.
Then M4A isn't the right target — M4A is audio-only. Convert to TS to MP4 to keep both video and audio in a modern, widely supported container, or use Compress M4A afterward to shrink the audio file further once you have the M4A.