Initializing... drag & drop files here
Supports: TS
.ts transport-stream files. Batch conversion is supported, so you can queue several recordings at once.TS (MPEG Transport Stream, specified in ISO/IEC 13818-1 / ITU-T H.222.0 with 188-byte packets) is the general-purpose container used for DVB, ATSC, IPTV and PVR recordings. MTS is the consumer-facing extension for AVCHD — the camcorder format Sony and Panasonic jointly announced on May 11, 2006, which wraps H.264 video and Dolby AC-3 audio into a constrained transport stream designed for HD camcorders. Converting from generic TS to MTS gives you a file your camcorder software, Blu-ray authoring tool, or older non-linear editor can recognize as native AVCHD footage.
.mts extension. Renaming alone is not always enough if the timestamps and stream structure differ..ts files. Wrapping them as MTS lets you drop them onto an AVCHD project timeline alongside camcorder footage without container mismatch warnings..ts from a set-top box and half is .mts from a Handycam, converting the TS side gives you one extension for every clip.For other moves around this family see TS to MP4, MTS to MP4, or the reverse MTS to TS.
| Property | TS (.ts) | MTS (.mts) |
|---|---|---|
| Standard | MPEG-2 Systems / ISO/IEC 13818-1 / ITU-T H.222.0 | AVCHD 1.0 (Sony / Panasonic, announced May 11, 2006) |
| Container packet | 188-byte transport packets | Same 188-byte transport packets, AVCHD-constrained |
| Typical video codec | MPEG-2, H.264, or HEVC | H.264/MPEG-4 AVC (AVCHD spec) |
| Typical audio codec | MPEG-1 Layer II, AC-3, AAC, DTS, E-AC-3 | Dolby AC-3, or linear PCM |
| Primary use | DVB / ATSC broadcast, IPTV, DVR captures | Consumer HD camcorders (Handycam, Lumix, etc.) |
| Typical resolution | SD up to 4K depending on source | Up to 1920x1080 in AVCHD 1.0; 4K added in AVCHD Progressive / "AVCHD 2.0" line |
| Streaming-friendly | Yes — designed for error-prone transmission | Yes, but rare in practice (recording format) |
| Editor auto-detect as AVCHD | No | Yes |
MTS and M2TS are the same AVCHD payload with different extensions: camcorders typically write .mts directly to SD card; Blu-ray and PC import tools rename to .m2ts. We default to .mts since that matches what AVCHD camcorders produce.
| Setting | What it does | When to pick it |
|---|---|---|
| H.264 (default) | The only AVCHD-compliant video codec; broad device support | Always for genuine MTS output |
| Preset: Very High | Higher bitrate, larger file, more detail retained | Camcorder-style archival from an HD source |
| Preset: Medium | Balanced size vs quality | Casual archive of TV captures |
| Constant Bitrate (CBR) | Fixed bits per second throughout | Targets known Blu-ray / AVCHD bitrate ceilings (24 Mbps for AVCHD 1.0) |
| Variable Bitrate (VBR) | Allocates more bits to complex scenes | Better quality per MB on most content |
| Constant Quality / CRF 18-23 | Re-encodes to a target visual quality | Best balance when file size isn't the constraint |
| Constraint Quality | Quality with a max bitrate cap | When you need to stay under an AVCHD bitrate ceiling |
Quality loss only happens if you re-encode. If your source TS carries an H.264 video stream and AC-3 (or compatible) audio, you can pick Constant Quality at a very low CRF or use a high preset and the output will be visually indistinguishable. AVCHD constrains H.264 profile/level, so if the source TS uses High10 or 4:2:2 profiles a real re-encode to AVCHD-compliant baseline/main/high 4:2:0 is unavoidable.
They are the same AVCHD container with two extensions. Camcorders write .mts directly to the SD card; when those clips are copied to a PC via Sony's PlayMemories Home or imported to Blu-ray authoring tools, they often get renamed to .m2ts. If your downstream tool expects .m2ts, just rename after download — the bytes are identical. We output .mts because that's what camcorders produce and what most AVCHD editors auto-detect first.
VLC plays MTS/M2TS natively on every desktop platform without extra codecs. Modern Windows (Movies & TV app, since Windows 10) plays MTS out of the box. macOS QuickTime can open MTS through the AVCHD package importer but historically prefers MP4/MOV — if you mainly want cross-platform playback rather than AVCHD-editor import, TS to MP4 is the friendlier target.
Broadcast TS streams often carry multiple audio PIDs. The converter keeps the primary audio track; secondary tracks are dropped because AVCHD's standard storage profile expects a single AC-3 or LPCM stream per clip. If preserving multi-language audio matters, convert to a container that allows multi-track natively such as TS to MKV.
.ts to .mts?Sometimes you can. If the TS uses H.264 + AC-3 at AVCHD-compliant resolution/bitrate, a rename often works for VLC playback. But camcorder software validates the stream structure (PMT/PAT layout, GOP length, profile/level) before treating a file as AVCHD. A real conversion re-writes the stream to match those expectations, which is why renamed broadcast captures frequently fail to import into Sony Vegas or PMB.
AVCHD 1.0 caps at 24 Mbps for 1920x1080 video. Most Sony/Panasonic consumer cameras record around 17 Mbps for "FH" mode and 24 Mbps for "FX/PS". If you're archiving a TV broadcast that was already around 8-15 Mbps, matching the source bitrate avoids upscaling artifacts; if you need smaller files, Variable Bitrate around 10-12 Mbps is usually a comfortable floor for 1080p.
Yes. Open Trim, pick Time Range, and set the start time and duration. This is useful for PVR captures with long lead-ins or for cutting a single episode out of a multi-hour transport stream without first running a separate cut pass. For more advanced edits (multiple cuts, joining segments) use the dedicated Video Cutter.
Yes — the resolution preset list goes up to 4K (3840x2160) and 5K/8K presets. Note that strict AVCHD 1.0 caps at 1920x1080; 4K MTS uses the AVCHD Progressive extension and only newer Sony/Panasonic camcorders and PCs with updated AVCHD importers will recognize it. If your target device is a 2010-era camcorder PC suite, downscale to 1080p during conversion.