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Supports: WMV
.wmv file or click "Add Files" to browse. Batch uploads are supported, so you can queue multiple WMV recordings at once.HH:MM:SS.sss to extract just the segment you need. Click Convert to download. Files are processed in your browser session — no sign-up, no watermark.WMV (Windows Media Video, introduced by Microsoft in 1999) is an ASF-container video format whose audio track is, in nearly all cases, encoded with Windows Media Audio (WMA) — most often the lossy WMAv2 profile. FLAC (Free Lossless Audio Codec, now standardized as IETF RFC 9639 in December 2024) is a lossless format that typically reduces PCM audio to 50–70% of its original size while remaining bit-for-bit reversible. Extracting a WMV's audio into FLAC repackages the soundtrack into a future-proof, editor-friendly container.
Be honest about what this conversion does: if the source WMV contains lossy WMA audio, FLAC will preserve every sample of that already-decoded WMA stream — but it cannot recover the frequency content WMA discarded during the original encode. Use FLAC here for archival stability, downstream editing without further generational loss, and broad software support — not as a way to "upgrade" lossy audio.
| Property | WMV (with WMA audio) | FLAC |
|---|---|---|
| Type | Video container, lossy audio track | Audio-only, lossless |
| Container | ASF | Native FLAC stream or Ogg-FLAC |
| Audio codec | Typically WMAv1/WMAv2 (lossy); rarely WMA Lossless | FLAC |
| First released | 1999 (Microsoft) | 2001 (Xiph.Org); IETF standardized 2024 |
| Compression | Lossy DCT-based audio | Lossless prediction + Rice coding |
| Typical size (1 min stereo, 44.1 kHz) | ~0.7–1.5 MB (audio portion) | 5–8 MB |
| Bit-perfect re-encode | No (each generation degrades) | Yes |
| Metadata tags | ASF script tags | Vorbis comments + cover art |
| Browser playback | Edge/IE only | Chrome, Firefox, Edge, Safari 11+ |
| DRM support | Yes (PlayReady) | No |
| Open standard | Proprietary (specs published, codecs patented) | Open, royalty-free, IETF RFC 9639 |
xconvert's FLAC encoder accepts levels 1–12, matching FFmpeg's range. Output is mathematically identical at every level — only encode time and file size differ.
| Level | Speed | Size relative to level 5 | When to use |
|---|---|---|---|
| 1 | Fastest | ~+3–5% | Real-time encoding, batch jobs on slow hardware |
| 5 | Balanced (FFmpeg default) | baseline | General-purpose archival |
| 8 | Slow | ~−1 to −2% | Reference encoder's max — typical "best quality" preset elsewhere |
| 12 | Slowest (xconvert default) | ~−2 to −3% | Long-term archives where minutes of CPU don't matter |
Beyond level 5 the gains are small — RFC-compliant decoders play all levels identically, so don't agonize over the choice.
No. If the WMV's audio track is lossy WMA (the typical case), FLAC will preserve every sample of that already-decoded stream losslessly, but it can't restore the high-frequency content or stereo detail WMA discarded during the original encode. FLAC's value here is preventing further generational loss in editing, not undoing past loss.
A typical WMAv2 audio track in a WMV runs 96–192 kbps (~0.7–1.5 MB per minute). The same audio re-encoded as 16-bit 44.1 kHz FLAC is roughly 5–8 MB per minute — 4–10× larger. That's the cost of lossless: you store every sample exactly. If size matters more than fidelity, convert WMV to MP3 at 192 kbps instead.
For most users, the default 12 is fine. The audible result is identical at every level; only encode speed and final file size differ, and the difference between level 5 and level 12 is typically only 2–3%. Pick a lower level (1–3) if you're batch-converting hundreds of files on a slow machine.
Probably yes, if your goal is just playback. Webcam audio is often 16-bit mono 16–22 kHz at low bitrates; wrapping it in FLAC won't add fidelity, just bytes. FLAC is the right pick if you plan to edit the audio (denoise, equalize, splice) — saving each edit pass to FLAC keeps you in lossless territory.
Yes. xconvert's Trim control accepts seconds or HH:MM:SS.sss and decodes the WMV from your start offset, then re-encodes the trimmed range to FLAC. The output starts at sample zero of your chosen segment, so it stays in sync if you later combine it with the original video.
Not from this page — xconvert always decodes and re-encodes. If you specifically want the original WMA bytes pulled out of the ASF container without modification, you'd need a tool like FFmpeg with -c:a copy and a .wma extension. For most archive use cases, decoding to FLAC is the better outcome because it's editable and platform-independent.
Yes — FLAC supports up to 8 channels per stream and is fully spec-compliant for 5.1 surround. If your WMV's audio is multichannel WMA Pro, the channel layout is preserved when xconvert sets Audio Channel to Original. Forcing Mono or Stereo will downmix.
Native FLAC playback was added in Windows 10 (2015) and works in Windows 11 by default — Media Player Legacy and the new Media Player both decode FLAC without plugins. On Windows 7 and 8, you'd need a codec pack like LAV Filters. VLC plays FLAC on every platform without configuration.
Use a lossy target instead of FLAC. xconvert offers WMV to MP3 and WMV to WAV directly, plus FLAC to MP3 if you've already converted to FLAC and want a smaller distribution copy.