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Supports: WMV
2.100 captures the frame at 2 seconds and 100 milliseconds), or pick Multiple Screenshots to dump frames across the clip at a chosen interval (every 1/10, 1/5, 1/3, 1/2, 1, 2, 3, 5, or 10 seconds).(or.jpeg` if you flip the extension) or a ZIP when multiple frames are extracted.WMV (Windows Media Video,.wmv) is a Microsoft-developed codec family wrapped in the Advanced Systems Format (ASF) container — WMV 7 shipped in 1999, and WMV 9 was standardized by SMPTE as VC-1 in April 2006. JPG (officially JPEG, ISO/IEC 10918-1, ratified in 1994) is the universal still-image format every browser, photo viewer, CMS, and document tool reads without plugins. Pulling stills out of a WMV file lets you use what's in the video without making your audience play a 20-year-old Microsoft codec they may not have installed.
| Property | WMV | JPG |
|---|---|---|
| Type | Video codec in ASF container | Still-image bitstream |
| Standard | SMPTE 421M / VC-1 (WMV 9, 2006) | ISO/IEC 10918-1 (1994) |
| Owner | Microsoft (proprietary codec) | Open standard, royalty-free baseline |
| Compression | Inter-frame, motion-compensated DCT | Intra-frame, block-based DCT |
| Color | YUV 4:2:0, 8-bit | YCbCr 4:2:0 typical (4:4:4 and 4:2:2 also valid), 8-bit per channel |
| Transparency | No | No |
| Audio | Yes (WMA bundled in ASF) | No |
| Browser support | Edge only (legacy), no Chrome/Firefox/Safari | Universal — every browser since 1994 |
| Typical use | Legacy Windows desktop video | Photos, web images, thumbnails |
| File size for 1080p second | ~0.5-2 MB per second of video | ~150-500 KB per frame |
| Preset | JPEG quality factor (approx.) | Best for | File size impact |
|---|---|---|---|
| Lowest | ~30 | Throwaway preview tiles, low-res inline thumbs | Smallest (~30-50% of Very High) |
| Low | ~50 | Chat previews, fast email | Small |
| Medium | ~65 | Blog inline images, internal docs | Moderate |
| High | ~80 | Most web use, social posts | Larger |
| Very High (default) | ~90 | Hero shots, print-bound stills, archival web | Larger still |
| Highest | ~95-100 | Editing master before re-encoding, near-lossless | Largest — diminishing visual return above ~92 |
JPEG quality above roughly 92 produces visibly negligible improvements but doubles or triples file size. Stay at Very High for almost everything; reserve Highest for frames you'll re-edit.
By default, Specific Frame mode captures the very first frame (time 0). For most clips that's a black or fade-in frame — set the time field to something like 2 or 5 seconds to land on a real shot. WMV clips that start with a Windows Media DRM splash or a fade-in benefit from skipping 1-2 seconds in.
Multiple Screenshots supports intervals down to 1/10 second (10 captures per second). For higher rates — say every frame of a 24, 25, 30, or 60 fps clip — interval mode tops out at roughly the source frame rate. If you need a true per-frame dump for a 60 fps WMV, the convert-to-image-sequence approach is better handled with desktop tools like FFmpeg (ffmpeg -i in.wmv -q:v 2 frame_%05d.jpg); for the typical timeline thumbnails, sprite sheets, or sampled training data, the 1/10-second interval is plenty.
Two reasons. First, WMV 9 / VC-1 uses 4:2:0 chroma subsampling and motion-compensated inter-frame coding — most frames in a clip are predicted from neighbors, so single-frame fidelity varies. The cleanest stills come from I-frames (keyframes), which arrive roughly every 0.5-2 seconds depending on encoder settings. Second, the JPEG you export adds another lossy pass. Pick Very High or Highest quality and you'll preserve almost everything the source frame had.
JPG if the frame is photographic (video shot with a camera) — better compression, universally accepted. PNG if the frame is a screenshot of UI, slides, or anything with sharp text and flat color — lossless, no DCT blocking around text edges. For UI-heavy screencasts try WMV to PNG instead. For broadcast-style video, JPG is the right call.
The converter runs on our servers, so the practical cap depends on upload size and connection speed and your network. Multi-gigabyte WMVs work but get slow; if you only need stills from one section, trim the WMV first with Trim WMV and feed the short clip in.
Yes by default. If you pick a resolution preset (720P, 1080P, etc.) without specifying width separately, the output JPG keeps the source aspect ratio and the preset becomes the height. For pixel-exact control use the Width × Height inputs — be aware that mismatched dimensions will stretch the image unless you also pick "Keep aspect ratio."
No — JPG is image-only and has no audio container. If you need the audio track, run WMV to MP3 (or WMV to WAV / WMV to M4A) as a separate conversion. The original WMV remains untouched on your computer.
None — they're the same file format with two extensions. JPG dates from the Windows 8.3 filename era (max three-letter extension); JPEG is the spec's actual name. The pixel data is byte-for-byte identical. Pick whichever extension your downstream tool expects.
Most modern toolchains have moved on. Edge is the last browser with native WMV/VC-1 playback, and Microsoft itself recommends MP4 (H.264) for new content. If the WMV is a legacy archive you reference occasionally, JPG stills plus an WMV to MP4 re-encode of the full clip future-proof the asset without losing the original.