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Supports: WMV
.wmv clip onto the page, or click "+ Add Files" to pick one from your computer. Batch uploads work — drop a folder of WMVs and they share the same settings.WMV is Microsoft's video format from 1999 (WMV7) and 2003 (WMV9 / SMPTE VC-1), wrapped in the proprietary Advanced Systems Format (ASF) container. MKV (Matroska), announced in December 2002, is a free, open EBML-based container that can hold an unlimited number of video, audio, picture, and subtitle tracks in one file. Moving a WMV stream into MKV gives you a portable, future-proof envelope without re-compressing the picture if you choose codec copy.
| Property | WMV | MKV |
|---|---|---|
| Full name | Windows Media Video | Matroska Video |
| Container | ASF (Advanced Systems Format) | Matroska (EBML-based) |
| Released | 1999 (WMV7) | 2002 (announced) |
| Developer | Microsoft (proprietary) | Matroska non-profit (open) |
| Typical codec inside | WMV1/2/3, VC-1 | H.264, H.265, VP9, AV1, almost any codec |
| Multi audio tracks | Possible, rarely used | Native, common |
| Subtitle tracks | External only | Embedded SRT, ASS, PGS, VobSub |
| Chapters | Limited | Full hierarchical chapters |
| DRM | Native (WMRM) | None by design |
| Best players | Windows Media Player, VLC | VLC, MPV, Kodi, Plex, PotPlayer |
| Streaming-friendly | Designed for it (1999 era) | Use MP4/HLS instead for streaming |
| Codec | Use when | File size vs source | Hardware decode |
|---|---|---|---|
| H.264 (AVC) | You need universal compatibility | ~50-80% of WMV | Virtually every device since 2010 |
| H.265 (HEVC) | Storage matters more than reach | ~30-50% of WMV | Apple A9+, Intel 6th gen+, AMD Polaris+ |
| VP9 | Web/YouTube workflow, royalty-free | ~35-55% of WMV | Chrome, Firefox, Edge, Android 5+ |
| AV1 | Latest royalty-free, best compression | ~25-45% of WMV | Intel 11th gen+, Apple M3+, RTX 30+ |
| Copy / WMV2 | Lossless container swap, instant | ~100% (no re-encode) | Anything that plays MKV+WMV |
Quality presets map roughly to CRF: Lowest ≈ 32, Low ≈ 28, Medium ≈ 23, High ≈ 20, Very High (Recommended) ≈ 18, Highest ≈ 15. Lower CRF means larger files and better picture.
It depends on what you choose. If you select codec Copy (or leave WMV2/MSMPEG4 as the codec), the original bitstream is remuxed into MKV with zero quality loss — same pixels, new container. If you re-encode to H.264, H.265, VP9, or AV1, quality depends on the preset: Very High (Recommended) is visually transparent for most footage; Highest is near-lossless. Lowest visibly degrades. For archival, pick Copy or Highest.
H.264 if you care about compatibility — every smart TV, phone, and browser made since 2010 decodes it in hardware. H.265 if you care about file size: it gives the same visual quality at roughly 40-50% smaller files, but older Intel CPUs (pre-6th gen), AMD GPUs (pre-Polaris), and budget TVs may software-decode and stutter. For a home-server (Plex, Jellyfin) archive on modern hardware, H.265 is the sweet spot. For sending files to others, H.264.
Old WMV files are often heavily compressed (1-3 Mbps for 720p). Re-encoding at default Very High quality targets a higher visual standard, which inflates the file. To keep the MKV similar in size: drop the codec to H.265, use Constraint Quality at CRF 24, or set a Specific file size matching the WMV. For zero growth, use codec Copy — pure container swap.
The xConvert converter does not currently mux external subtitle files during this conversion — it preserves any subtitle tracks that already exist inside the WMV. To add an SRT after conversion, use MKVToolNix (free) to mux the SRT into the MKV without re-encoding. MKV natively carries SRT, ASS/SSA, PGS (Blu-ray), and VobSub (DVD) subtitle formats.
Yes. Legacy WMV7 (MSMPEG4-based) and WMV9 (VC-1) bitstreams are both supported. Very old WMVs sometimes have unusual frame rates (15, 23.976, or NTSC-pulldown variants) — these are preserved automatically. If a file refuses to play after conversion, try re-encoding to H.264 at Very High preset instead of copying the codec; old WMV streams occasionally have header oddities that re-encoding cleans up.
MKV is more flexible: unlimited tracks, embedded chapters, attachments (fonts, posters), and any codec. MP4 is more compatible: native to Safari, iOS, most TVs, and required for HTML5 <video> everywhere. Rule of thumb — MKV for archive and home-media libraries; MP4 for sharing, streaming, and mobile playback. If MKV doesn't work where you need it, see MKV to MP4.
No. If a WMV is protected by Windows Media DRM (PlayReady / WMRM), the original cannot be decoded by anyone who doesn't hold the license — neither xConvert nor any other converter can read the encrypted video. Most personal or screen-recorded WMVs are not DRM-protected and convert normally. Files from older online stores (early-2000s purchases) often are protected and will fail.
The audio track is preserved by default. Original WMV files typically contain WMA Pro or WMA 2 audio. MKV happily carries both. If you want to re-encode the audio to AAC or Opus for better compatibility, the converter exposes Audio Codec selection under Advanced Options (AAC, AC3, Opus, FLAC, Vorbis, and PCM variants are available).
Yes, see MKV to WMV. That said, WMV is a legacy format with declining player support outside the Microsoft ecosystem; most workflows now use MKV or MP4. For a more universal target, MKV to MP4 is usually a better choice.