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Supports: X3F
X3F is Sigma's proprietary container for Foveon X3 sensor data — three vertically stacked photodiode layers that capture red, green, and blue at every pixel instead of interpolating across a Bayer mosaic. Files are large (often 30-50 MB per frame on a Quattro) and only Sigma Photo Pro and a handful of third-party tools (Adobe Camera Raw via Sigma's plugin, RawTherapee, darktable's libraw path) can read them. RMVB (RealMedia Variable Bitrate, introduced by RealNetworks in 2003) is a compact slideshow container that became the de facto distribution format in mainland China for movies and TV episodes in the 2000s. Pairing them lets you turn an unsharable RAW shoot into a single small video file that plays in RealPlayer, VLC, MPlayer, and most legacy Chinese set-top boxes.
| Property | X3F | RMVB |
|---|---|---|
| Type | Camera RAW (still image) | Video container |
| Owner | Sigma Corporation | RealNetworks |
| Introduced | 2002 (Sigma SD9) | 2003 |
| Sensor / Codec | Foveon X3 stacked photodiodes | RealVideo 9 / 10, similar to MPEG-4 Part 10 |
| Bitrate | N/A (single frame, ~30-50 MB typical) | Variable, typically 200-1500 kbps |
| Audio | None (still image) | RealAudio (Cook, RA-Lossless), optional |
| Native player | Sigma Photo Pro | RealPlayer, VLC, MPlayer, MPC-HC |
| Browser support | None | None (server-side decode only) |
| Current status | Legacy (Sigma paused Foveon, no new cameras as of 2025) | Legacy, archival use in China |
| Use case | Resolution preset | Image Duration | Quality Preset |
|---|---|---|---|
| Quick share / messaging | 480P | 3 seconds | Medium |
| RealPlayer archive (default) | 720P | 5 seconds | Very High (Recommended) |
| Full-frame Foveon preview | 1080P | 5-7 seconds | High |
| Quattro print proofing slideshow | 1440P or 2160P | 7-10 seconds | Highest |
| Background loop / ambient display | 1080P | 10 seconds | High |
RMVB stays alive in pockets where MP4/H.264 doesn't — legacy RealPlayer installs in mainland China, older HiSense/Skyworth set-top boxes, and forum communities that gatekeep on .rmvb extensions. If your audience is one of those, RMVB is the practical answer. Otherwise convert X3F to MP4 for broader playback.
Any Foveon X3 camera: SD9 (2002), SD10, SD14, SD15, SD1, SD1 Merrill, DP1/DP1s/DP1x, DP2/DP2s/DP2x, DP Merrill series, dp Quattro series, and SD Quattro / SD Quattro H. Quattro X3F files have a different internal layout than earlier Merrill files; both are handled.
Total duration = number of X3F frames x Image Duration. Forty frames at the default 5 seconds per frame produces a 3-minute, 20-second RMVB. Set duration as low as 1/60 second for a flipbook effect or as high as 10 seconds for a contemplative gallery.
No video codec can carry the per-pixel three-layer color information that makes Foveon distinctive — the slideshow is encoded as standard YUV 4:2:0 video. To retain Foveon color fidelity for stills, convert X3F to PNG or TIFF instead. Use RMVB only when delivery, not archival color, is the goal.
RealPlayer (Windows, the original), VLC (cross-platform, plays via FFmpeg's RealVideo decoder), MPlayer, MPC-HC with K-Lite codecs, and most Linux video stacks built on FFmpeg. Windows Media Player and QuickTime do not. Modern web browsers do not play RMVB inline.
The X3F-to-RMVB workflow encodes silent video. To overlay music or narration, render the RMVB first, then use a video editor that handles RealMedia (or convert RMVB to MP4 and add audio in any modern editor).
RM (RealMedia, 1997) used constant bitrate, optimized for early dial-up streaming. RMVB (2003) is the variable-bitrate sibling intended for stored files — it spends more bits on motion-heavy scenes and fewer on static ones, which is ideal for slideshows where most "motion" is a frame held still then cut.
X3F stores three full-resolution color channels uncompressed-ish (lossless compression on each layer). RMVB stores motion video at a few hundred kbps with lossy DCT compression. A 1.5 GB folder of DP2 Merrill RAW frames typically encodes to a 30-80 MB RMVB at 720P/Very High — roughly 20-50x smaller — because the encoder discards every-pixel precision in favor of perceptual quality.
No watermark, no email gate, no daily cap. Files process on our servers, downloads are direct, and uploads are removed after the conversion completes. Batch up an entire shoot in one session.