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Supports: XCF
.m2v elementary stream. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared.XCF is GIMP's native editable format — it stores layers, masks, paths, channels, and guides, and is rarely supported outside GIMP, Krita, and Photopea. M2V is the opposite end of the workflow: a raw MPEG-2 elementary video stream with no audio container, designed to be muxed with separate audio tracks during DVD authoring. Going XCF → M2V is how artists turn static GIMP compositions into ready-to-burn DVD video assets without round-tripping through a video editor.
| Property | XCF (GIMP) | M2V (MPEG-2 Video) |
|---|---|---|
| Type | Layered raster image | Video elementary stream |
| Released | December 1997 (GIMP 1.0) | 1996 (MPEG-2 / ISO 13818-2) |
| Stores | Layers, masks, channels, paths, guides, text, alpha | Video frames only — no audio, no container |
| Color depth | Up to 32-bit float per channel (GIMP 2.10+) | 4:2:0 chroma, 8-bit luma (Main Profile) |
| Typical size | 5-200 MB per layered artwork | 4-9 Mbit/s for DVD; ~3-4 GB per hour |
| Audio | Not applicable | None — must be muxed with AC-3, MP2, or LPCM |
| Editability after save | Fully re-editable | Compressed; lossy on re-encode |
| Direct playback | None outside GIMP/Krita/Photopea | None — players need a container (MPG, VOB, MKV) |
| Main use today | GIMP working files | DVD authoring, broadcast asset exchange |
| Target | Resolution | Frame rate | Video bitrate |
|---|---|---|---|
| NTSC DVD (US, Japan) | 720x480 | 29.97 fps | 4-9 Mbit/s (9.8 peak) |
| PAL DVD (Europe, Australia) | 720x576 | 25 fps | 4-9 Mbit/s (9.8 peak) |
| NTSC Half-D1 | 352x480 | 29.97 fps | 1.5-4 Mbit/s |
| HDV 1080i (legacy camcorders) | 1440x1080 | 29.97 fps | 25 Mbit/s |
| HD MPEG-2 (broadcast) | 1920x1080 | 25-30 fps | 15-20 Mbit/s |
DVD-Video caps total audio + video at 10.08 Mbit/s, with video alone at 9.8 Mbit/s peak — bitrates and resolutions per Wikipedia's DVD-Video spec summary. Stay below those caps or your authoring tool will reject the M2V.
M2V is video-only and targets DVD authoring tools that demand a separate MPEG-2 elementary stream plus a separate audio file (typically AC-3 or LPCM). If you're posting online, sharing on social media, or playing the file directly, use XCF to MP4 instead — MP4 includes a container, supports audio, and plays in every modern browser and OS. M2V only makes sense when a DVD-authoring pipeline, broadcast encoder, or legacy MPEG-2 workflow specifically requires it.
No. M2V is a video stream, so all XCF layers, masks, channels, and paths are flattened to a single composited frame before MPEG-2 encoding. Keep the original XCF as your editable source — it's the only format that holds layer data losslessly. For a lossless flattened still export to use as a freeze-frame or thumbnail, XCF to PNG preserves alpha and color fidelity.
DVD chapter stills typically hold for 5-10 seconds; that's why the default is 5 seconds. For a Ken Burns slideshow, 3-7 seconds per frame is common. If you're building a 1-second pre-roll bumper, drop to 1 second. The Image Duration dropdown supports 1/60, 1/30, 1/24, 1/10, 1/5, 1/3, 1/2, 1, 2, 3, 4, 5, 6, 7, 8, 9, and 10-second values.
That's by design. M2V (.m2v) is an MPEG-2 video elementary stream — the format intentionally excludes audio so DVD-authoring software can pair it with a separate audio track (.ac3,.mp2, or.wav LPCM) and a chapter file at mux time. If you want a self-contained file with audio, export to MPG (XCF to MPG) or MP4 instead.
Not directly. M2V is one input asset; you still need DVD-authoring software (DVDStyler, DeVeDe, Adobe Encore, TMPGEnc Authoring Works) to combine it with audio, menus, chapter marks, and navigation into the VOB/IFO/BUP structure that consumer DVD players expect. Drop the M2V into your authoring project as a video track, attach an audio file, and let the suite produce the final ISO or burned disc.
For NTSC (North America, Japan, parts of South America) use 720x480 at 29.97 fps. For PAL (most of Europe, Australia, Asia, Africa) use 720x576 at 25 fps. Pick the wrong one and the DVD will either be rejected by authoring software or display with the wrong aspect ratio and incorrect playback speed on a region-locked player. If you don't know your target region, NTSC plays on most modern PAL players but the reverse is less reliable.
Constant Quality (CQ) targets a perceptual quality level (Lowest through Highest) and lets the bitrate float — good when you want consistent visual quality and don't care about file size. Constraint Quality (also called constrained / capped) holds the bitrate under a ceiling, which is what DVD-Video actually requires (9.8 Mbit/s video peak, 10.08 Mbit/s combined). For DVD targets pick Constraint Quality; for archival masters that will be re-muxed later, Constant Quality at Very High or Highest is fine.
XConvert handles XCF files up to several hundred megabytes per file on our servers, which covers virtually all hand-edited GIMP artwork (most XCFs are 5-200 MB even with dozens of layers). For very large multi-image batches, convert in chunks of 10-20 files. Everything runs on our servers — files are not uploaded to a third-party server for processing.
Most consumer players choke on raw elementary streams, but VLC plays.m2v directly on Windows, macOS, and Linux. MPC-HC, FFplay, and most professional editors (Premiere Pro, DaVinci Resolve, Final Cut Pro) also import M2V cleanly. If a player refuses to open it, remux the M2V into an.mpg container — that solves 99% of playback compatibility issues without re-encoding.