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Supports: XCF
.avi — no sign-up, no watermark.XCF is GIMP's native project format — introduced December 15, 1997 and named for UC Berkeley's eXperimental Computing Facility, where GIMP was first developed. It stores layers, channels, paths, selections, transparency, and guides — everything GIMP needs to re-open the project losslessly. Xvid is an open-source MPEG-4 Part 2 Advanced Simple Profile (ASP) video codec, GPL-licensed, first released in 2001; the last US patents on MPEG-4 ASP expired November 2023. Pairing them produces a hardware-friendly AVI slideshow from your GIMP work. Common reasons to convert XCF → Xvid:
| Property | XCF (GIMP) | Xvid (in AVI) |
|---|---|---|
| Type | Layered raster image project | Compressed video stream |
| Standard | GIMP-native, ad-hoc spec | MPEG-4 Part 2 ASP (ISO/IEC 14496-2) |
| Introduced | Dec 15, 1997 | 2001 (latest stable 1.3.7, Dec 2019) |
| Stores | Layers, paths, channels, alpha, selections, guides | Encoded video frames + audio (codec-multiplexed) |
| Compression | zlib (since GIMP 2.10) | Lossy DCT, B-frames, quarter-pel motion compensation |
| Audio | None | AVI container can carry MP3, AC3, or PCM |
| Best opened in | GIMP, Krita, Photopea, ImageMagick | VLC, MPC-HC, legacy DVD/Blu-ray players |
| Browser preview | No (download required) | No (browsers prefer H.264 MP4) |
| Licensing | GIMP is GPL; XCF is open | Xvid is GPL Free Software |
| Use case | Quality preset | Bitrate (typical 1080p) | Notes |
|---|---|---|---|
| Archive / master | Highest or CRF 1-4 | 6-10 Mbps VBR | Largest file; minimal encoding artifacts |
| Hardware DVD player playback | High | ~2-4 Mbps CBR | Stays inside MPEG-4 ASP profile limits |
| Slideshow / demo reel | Medium | 1-2 Mbps VBR | Balanced size/quality for stills + slow motion |
| Email / quick share | Low + 720p | 600-1200 kbps | Under typical 25 MB attachment caps |
| Constraint by file size | Target file size (%) | Auto-derived | Hits an exact MB budget; quality scales to fit |
For modern viewing — laptops, phones, smart TVs, web — MP4 with H.264 is the better default: smaller files, broader browser support, hardware decoding everywhere. Pick Xvid AVI specifically when your target is a legacy DVD/Blu-ray player, an older set-top box, or a USB-playback feature on a 2000s-era TV that only documents MPEG-4 ASP / DivX / Xvid support. If your audience is on anything from the last decade, convert XCF to MP4 instead.
No — Xvid is a flat video codec with no concept of layers, paths, or channels — and it is worth knowing that the merge is not performed here. A multi-layer XCF is read as a multi-page image and one layer is rendered to the RGB frame, so the other layers' artwork is missing and the areas they covered composite against your chosen Background Color instead. Flatten in GIMP before uploading (Image → Flatten Image, then re-save the .xcf) and the encoded frame is your finished design. If you need the layers themselves preserved, keep the XCF originals or export to a layered format like PSD; to place several XCFs into one document see merge XCFs into a PDF.
Image Duration sets how long each XCF frame stays on screen. Pick from 1/60, 1/30, 1/24, 1/10, 1/5, 1/3, 1/2, 1, 2, 3, 4, 5, 6, 7, 8, 9, or 10 seconds per image. Short durations (1/24 s) treat your XCFs as animation cels (~24 frames per second of film); long durations (5-10 s) produce a presentation-style slideshow.
Merge images concatenates all uploaded XCFs into one Xvid AVI in upload order — the typical slideshow / animation use case. Video per image emits one short Xvid AVI per XCF — useful when each design needs to live as its own clip (per-asset deliverables, separate slot animations, etc.).
Xvid has no alpha channel — transparent regions of your XCF are filled with the chosen Background Color (default white) before encoding. Pick a different background under "Background Color" if white ruins the composition (black for dark designs, the brand color for branded presentations, etc.).
Xvid 1.3.7 (December 2019) is the last stable release; the codec is mature and effectively in maintenance mode. The MPEG-4 ASP standard hasn't changed, and Xvid's encoder produces files that hardware decoders chips have been reading reliably for two decades. For modern compression efficiency, you'd want H.264 (/convert-xcf-to-mp4), VP9, AV1, or HEVC — but those won't play on old hardware. Xvid is the right choice precisely because it hasn't moved.
The Xvid AVI from this converter is video-only by default (XCF carries no audio). To add music, export the slideshow first, then mux audio in a video editor or use a separate tool — the AVI container does support MP3/AC3/PCM audio tracks, but adding them requires a source audio file the converter doesn't ingest from XCF.
Match your output medium. 480p (854×480) for old DVD-style players. 720p (1280×720) for legacy 16:9 TVs and most USB-stick playback. 1080p (1920×1080) if your XCF source is at least 1080 high and the target plays modern HD content. Going above the source XCF resolution (upscaling) won't add detail — the converter just resamples. For square Instagram-style output, pick the 1080×1080 preset.
VLC and MPC-HC play Xvid AVI natively on Windows, macOS, and Linux. Most "DivX Certified" or "Xvid" labeled DVD/Blu-ray players from 2005-2015 play it from USB or burned disc. Modern smart TVs are inconsistent — many prefer H.264 MP4 — so for a TV you don't control, convert to MP4 instead. To go the other way, use Xvid to MP4.