Initializing... drag & drop files here
Supports: XVID
.avi (Xvid-encoded) into the dropzone, or click "+ Add Files" to browse. Multiple files queue for batch extraction in the same session..flac. Files are processed in your session — no account, no watermark.Xvid is an MPEG-4 Part 2 Advanced Simple Profile video codec, originally a fork of OpenDivX in 2001 and most often delivered inside an AVI container. The audio track riding alongside Xvid in those AVIs is almost always MP3 (stereo) or AC-3 (stereo or 5.1) — both lossy. Converting that audio to FLAC does not recover quality that was lost in the original encoding; what FLAC gives you is a bit-perfect, future-proof archive of whatever audio the AVI currently holds, in a format that won't degrade further on subsequent edits or copies.
| Property | Xvid in AVI | FLAC |
|---|---|---|
| Type | Video container with audio track | Lossless audio file |
| Video codec | Xvid (MPEG-4 Part 2 ASP) | None — audio only |
| Typical audio inside | MP3 stereo or AC-3 stereo / 5.1 (lossy) | FLAC (lossless) |
| First released | 2001 (Xvid project fork of OpenDivX) | July 2001 (Josh Coalson); RFC 9639 standardized December 2024 |
| Maintainer / spec | xvid.org (last stable 1.3.7, Dec 2019) | Xiph.Org Foundation |
| Lossless? | No — Xvid video and MP3/AC-3 audio are lossy | Yes — bit-perfect reconstruction |
| Sample rate range | Bound by source codec | 1 Hz to 1,048,575 Hz per RFC 9639 |
| Bit depth | Tied to source codec | 4-32 bits per sample |
| Use case | Playback of legacy DivX/Xvid rips | Archival, audiophile playback, DAW editing |
The xconvert slider exposes 12 internal levels mapped onto the FLAC encoder. Quality is identical at every level — only file size and CPU time change.
| Slider value | Behaviour | When to use |
|---|---|---|
| 1-3 | Fastest encode, larger file | Quick exports, batch jobs on slow hardware |
| 4-6 | Balanced (default region) | Everyday archival, safe for most audio |
| 7-9 | Slower encode, smaller file | Permanent archive on a desktop |
| 10-12 | Slowest, marginal extra savings | Storage-constrained library where every MB matters |
| Use case | Compression | Channel | Sample rate |
|---|---|---|---|
| Music soundtrack archive | 6-8 | Original / Stereo | Original (usually 48000 Hz) |
| Spoken-word / interview | 8 | Mono | 44100 Hz |
| 5.1 movie audio (AC-3 source) | 6 | Original | Original |
| DAW editing master | 4 | Stereo | 48000 Hz |
| CD-burnable rip | 6 | Stereo | 44100 Hz |
The output FLAC file is lossless, but it can only be as good as the audio already inside the AVI. Xvid AVIs almost always carry lossy MP3 or AC-3 audio, so the FLAC will faithfully preserve whatever quality that lossy track had — no information is added or restored. Think of FLAC here as a permanent, edit-safe wrapper rather than a quality upgrade.
Leave it at Original if you want the source layout preserved exactly — that matters for AC-3 5.1 tracks where downmixing collapses the surround channels. Pick Stereo if your AVI has 5.1 audio but your playback chain (phone, pair of headphones, simple Bluetooth speaker) is two-channel only. Pick Mono only for spoken-word content where the savings matter and stereo separation isn't useful.
Because the AVI's audio was lossy (MP3/AC-3) and FLAC is lossless. A 192 kbps MP3 stream is roughly 1.4 MB per minute, while a CD-rate FLAC of the same audio runs about 4-7 MB per minute. The FLAC is bigger because it stores every bit of waveform that the MP3 decoder produced, with no compression savings from throwing data away.
Pick the highest level your patience allows — quality is identical at every level. Levels 6-8 are the sweet spot most encoders use as a default. Levels 10-12 give only single-digit-percent extra savings for several times the encoding time, so they only pay off for permanent archives where the file will outlive the time you spent encoding it.
Yes. Open the Trim option, set a start time and duration in HH:MM:SS.MS format, and only that section of the audio will be encoded to FLAC. This is useful for grabbing a single song from a concert AVI, a quote from a lecture, or a sound effect from a film without exporting the full runtime.
Most other AVI flavours work too — the converter reads the audio stream regardless of the video codec, so DivX, MPEG-4 Part 2, MJPEG, or H.264-in-AVI files all yield the same FLAC output. If you have a different container entirely, see AVI to FLAC or MP4 to FLAC.
AVI's metadata is generally limited and inconsistently filled in by ripping tools, so don't expect rich tags to survive. The FLAC file is created with empty metadata you can populate afterwards in MusicBrainz Picard, Mp3tag, Kid3, or your DAW. FLAC's Vorbis Comment system supports artist, album, track number, genre, replaygain, and embedded cover art reliably across players.
WAV is also lossless but uncompressed — typically 1.5-2x the size of an equivalent FLAC for identical quality. MP3 is lossy and re-encoding lossy AC-3/MP3 audio to MP3 stacks compression artifacts. FLAC is the right pick when you want a future-proof archive. If you need MP3 for a phone or older car stereo, see Xvid to MP3; for uncompressed PCM use Xvid to WAV.
VLC, foobar2000, Winamp, Audacious, MPV, and Kodi play FLAC natively. macOS supports FLAC system-wide since macOS 10.13 (2017); Windows 10 and 11 play FLAC in Movies & TV and File Explorer. iPhone and iPad play FLAC in the Files app since iOS 11. Most network streamers (Sonos, Bluesound, Volumio) and dedicated DAPs (FiiO, Astell&Kern, HiBy) support FLAC up to 24-bit/192 kHz. To convert FLAC into other formats later, see FLAC to MP3 or FLAC to WAV.