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Supports: XVID
.avi (Xvid-encoded) video. Multiple files convert in a single batch.Xvid is an MPEG-4 Part 2 Advanced Simple Profile codec, almost always wrapped in an AVI container — a popular SD-era format from the early 2000s. MTS is the on-camcorder file extension for AVCHD (Advanced Video Coding High Definition), the H.264 + Dolby AC-3 transport-stream format Sony and Panasonic introduced in 2006 for consumer HD camcorders. Converting Xvid to MTS bridges legacy SD content into AVCHD-aware editing and authoring workflows.
\AVCHD\BDMV\STREAM\ folder. Converting and dropping in a properly muxed MTS lets you replay or transfer legacy footage through the camcorder's own playback chain.| Property | Xvid in AVI | MTS (AVCHD) |
|---|---|---|
| Video codec | MPEG-4 Part 2 ASP | H.264 / MPEG-4 AVC |
| Container | AVI (Audio Video Interleave) | MPEG-2 Transport Stream |
| Typical audio | MP3, AC-3, PCM | Dolby AC-3, Linear PCM |
| Common resolution | SD (480p/576p), some 720p | 720p, 1080i, 1080p (2.0: up to 1080p60) |
| Max video bitrate | ~5-8 Mbps typical | 24 Mbps (AVCHD 1.0), 28 Mbps (AVCHD 2.0) |
| First standardized | Xvid initial release 2001 | AVCHD announced May 2006 (2.0 in 2011) |
| Native use | PC playback, archival rips | Sony, Panasonic, Canon, JVC HD camcorders |
| Blu-ray compliant | No | Yes (AVCHD subset of Blu-ray spec) |
| Streaming friendly | Poor (AVI lacks proper indexing) | Good (transport stream is packetized) |
| Preset | Approx. CRF (H.264) | Best for |
|---|---|---|
| Very High (default) | ~18 | Archive masters, AVCHD parity, near-lossless visuals |
| High | ~20 | General editing source, Blu-ray authoring |
| Medium | ~23 | Web-friendly file sizes, USB-stick playback |
| Low | ~26 | Reference copies, smaller storage footprint |
| Lowest | ~28+ | Quick previews; visible compression artifacts |
For a fixed bitrate target instead, AVCHD 1.0's 24 Mbps cap is a reasonable upper bound for 1080p; 16-18 Mbps is the typical camcorder default.
The container, codec, and audio stream all change. Xvid stores MPEG-4 Part 2 video inside an AVI; MTS wraps H.264 video plus AC-3 audio in an MPEG-2 Transport Stream. Renaming an .avi to .mts produces a file that AVCHD tools, camcorders, and Blu-ray authoring software will reject because the bytes inside still describe an AVI/MPEG-4 ASP stream. A real conversion re-encodes the video to H.264 and re-muxes audio into the transport-stream container.
Vegas Pro 12 and newer handle AVCHD MTS natively — drop the file on the timeline and match project properties to the clip's resolution and frame rate. Older Vegas releases sometimes choke on long-GOP H.264 from MTS; in that case, transcoding to a Vegas-friendly intermediate (DNxHD/HD MOV or MPEG-2) is more reliable than fighting the import. The conversion produced here is a standard AVCHD-style MTS, not a re-wrapped intermediate.
Stick to the AVCHD ladder: 1920×1080 (1080p), 1440×1080 (anamorphic 1080i), or 1280×720 (720p). AVCHD 2.0 (2011) added 1080p50 and 1080p60 modes. Non-standard resolutions still play in software like VLC, but AVCHD-aware tools (multiAVCHD, camcorder folder replay, some Blu-ray authoring suites) may reject anything outside the ladder.
Standard AVCHD MTS uses Dolby AC-3 (also branded Dolby Digital), typically at 256-448 kbps stereo or 5.1. Linear PCM is also valid in the AVCHD spec but is rarely used outside professional contexts. The conversion targets AC-3 by default for maximum playback compatibility.
Yes — pick Constant Quality (CRF) at 20-23 instead of a fixed-bitrate target. CRF lets H.264's rate control allocate bits where the picture needs them and strip bits from static scenes, so a 30-minute talking-head clip ends up dramatically smaller than a 30-minute action sequence at the same perceived quality. If you need a hard size cap, use Specific file size or Target file size (%).
Both are AVCHD transport-stream files with H.264 video and AC-3 audio. The convention is that camcorders write .MTS directly to their internal \AVCHD\BDMV\STREAM\ folder, while AVCHD discs and BD-aware import tools (Sony PMB, Panasonic HD Writer) rename them to .m2ts after ingest. The bytes are essentially identical; the extension records where the file currently lives in the workflow.
In theory, yes — drop the MTS into the camcorder's \AVCHD\BDMV\STREAM\ folder on the SD card with the matching index files updated. In practice, many camcorders re-scan only on power-up and are picky about index integrity. A safer path is to play the MTS through a TV or PC; replay-on-camcorder is reliable mainly when you also use a dedicated AVCHD authoring tool (e.g., multiAVCHD) to rebuild the playlist and clip-info files alongside it.
VLC, MPC-HC, MPC-BE, PotPlayer, and Kodi play AVCHD MTS natively on Windows, macOS, and Linux. Windows 10/11's built-in Movies & TV app plays MTS via the bundled HEVC/AVC decoders. Most Sony Bravia, Panasonic Viera, Samsung, and LG TVs play MTS from a USB stick when the file is in \AVCHD\BDMV\STREAM\ or, on more recent firmware, from any folder.
Yes — see MTS to MP4 for the most common modern target, or pair it with a separate AVI/Xvid conversion. For trimming first and converting second, Video Cutter handles MTS and AVI inputs. To compress without changing the format, see Compress MTS or Compress Xvid.