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.mts (the on-camera filename) and .m2ts (the same stream after import to a computer) are accepted, since AVCHD uses the same MPEG transport stream container in either case. Batch trimming of multiple clips is supported.0) and a Duration (default 10 seconds). Both fields accept plain seconds or HH:MM:SS.sss format down to the millisecond — for example, 00:01:23.500 selects starting at 1 minute 23.5 seconds.AVCHD ("Advanced Video Coding High Definition") is the HD camcorder format jointly introduced by Sony and Panasonic in 2006, with consumer cameras shipping in spring 2007. It wraps H.264/AVC video and Dolby Digital (AC-3) audio inside an MPEG transport stream — that's why one continuous take comes off the SD card as a single .mts (or sometimes .m2ts after import). Cameras from Sony, Panasonic, Canon, JVC, Hitachi, and Leica all wrote to this format, and bitrates went up to 24 Mbit/s on AVCHD 1.0 and 28 Mbit/s on AVCHD 2.0 Progressive (1080p50/60). Source: Wikipedia: AVCHD.
That bitrate plus long takes makes raw camcorder clips heavy and unwieldy. Trimming is usually the first edit step:
.mts / .m2ts files; many users trim and re-export to MP4 first. See AVCHD to MP4 for the format change after trimming.| Property | AVCHD 1.0 | AVCHD 2.0 (Progressive / 3D) |
|---|---|---|
| Year introduced | 2006 (cameras shipping 2007) | Amended 2011 |
| Container | MPEG transport stream | MPEG transport stream |
| File extension on card | .mts |
.mts |
| File extension after import | .m2ts |
.m2ts |
| Video codec | H.264 / MPEG-4 AVC, Main or High Profile, Level 4.1 | H.264 / AVC, Level 4.2 |
| Max bitrate | 24 Mbit/s (18 Mbit/s on DVD media) | 28 Mbit/s |
| Audio codec | Dolby Digital AC-3 (64-640 kbit/s); Linear PCM on pro bodies | Dolby Digital AC-3; LPCM |
| Top resolution | 1920×1080 (interlaced or 24p/25p) | 1920×1080 at 50p/60p; stereoscopic 3D |
| Common manufacturers | Sony, Panasonic, Canon, JVC, Hitachi, Leica | Sony, Panasonic (later models) |
.mts vs .m2ts — Are They the Same File?| Question | .mts |
.m2ts |
|---|---|---|
| Underlying container | MPEG transport stream | MPEG transport stream |
| Video / audio codec | H.264 + AC-3 (or LPCM) | H.264 + AC-3 (or LPCM) |
| Where you see it | Direct from camcorder SD card / internal storage | After import via PMB / PlayMemories / Catalyst, or in a Blu-ray STREAM/ folder |
| Plays in VLC? | Yes | Yes |
| Plays in iMovie? | Not natively | Not natively |
| Bit-for-bit identical? | Often the same stream — only the wrapper / extension differs after import | Often the same stream — only the wrapper / extension differs after import |
xconvert's trim tool accepts both. If your file came off the camcorder as .m2ts (Panasonic models, AVCHD 2.0 imports, or Blu-ray rips), upload it the same way.
.mts file directly?Apple's consumer apps were built around QuickTime / MOV; AVCHD's MPEG transport stream isn't a native QuickTime container, so the .mts extension is invisible to iMovie's import dialog. The standard fix is to repackage the same H.264 stream into MP4 (which uses the same codec) before editing. Trim first to keep only the section you need, then convert with AVCHD to MP4 or AVCHD to MOV.
Yes. Both Start and Duration accept HH:MM:SS.sss to millisecond precision (e.g. 00:00:12.083 for the 12.083-second mark, roughly frame 362 at 29.97 fps). Whether the resulting clip is bit-perfect to the original frame depends on GOP alignment (see next question).
xconvert's trim re-encodes through the H.264 pipeline, which keeps quality high but is not bit-identical to the source. AVCHD uses long-GOP H.264, so true zero-re-encode trims are only possible at I-frame (keyframe) boundaries — typically every 0.5-2 seconds depending on camera. If you need frame-accurate cuts at any timecode (the common case), some re-encoding is unavoidable. Set Quality Preset to "Highest" if you want the smallest possible visible difference from the source.
The trimmed clip retains the full audio track aligned to the new start/end. The audio codec in the output follows the chosen output container; for AVCHD the audio path stays AC-3 / Dolby Digital. Multi-channel surround (5.1) tracks from prosumer Sony / Panasonic bodies remain multi-channel.
Yes. Drop in multiple .mts or .m2ts files; each file gets its own Start and Duration fields. Useful when extracting one keeper clip from each of, say, twenty soccer-game takes recorded across an afternoon. Output downloads individually or as a single ZIP.
Yes — the AVCHD 2.0 amendment (2011) added 1080p50 / 1080p60 modes up to 28 Mbit/s and stereoscopic 3D, and both are H.264 inside the same MPEG transport stream container. The trim tool reads the stream regardless of profile / level. Stereoscopic clips remain stereoscopic in the output.
If you only need to cut the clip and keep AVCHD, trim here directly — one operation, one output. If you also want a format change (MP4 for editing, MOV for Final Cut, smaller file for sharing), trim first to discard footage you don't need, then convert. That order keeps the conversion fast — re-encoding 90 seconds is far cheaper than re-encoding the full 45-minute take. See AVCHD to MP4 and Compress AVCHD for the follow-up steps.
Because AVCHD records at variable bitrate. A 30-second high-motion section (sports, panning shots) carries more bits than a 30-second static-tripod interview. Trimming preserves the actual bits of the kept section, so a "10% duration" trim from the high-motion middle of a take can yield 15-20% of the file size, while the same percentage from a static section yields 5-8%.
If the output container, codec profile, and resolution stay within AVCHD spec (H.264 High Profile L4.1, AC-3 audio, ≤ 24 Mbit/s for AVCHD 1.0 devices), most camcorder firmware will play the trimmed .mts back. Older 2007-2009 bodies are stricter — keep Quality Preset at Very High and resolution at original to maximize compatibility. For pure desktop / phone playback, convert to MP4 afterward and you'll get universal compatibility with no spec-policing.