Initializing... drag & drop files here
Supports: 3FR
A 3FR file is a single Hasselblad RAW photograph, not a movie — so converting it to MOV produces a still-image video clip: the rendered photo is held on screen as one motionless frame for a duration you choose, with no audio and no motion. This is useful when you need a high-resolution Hasselblad still inside a video timeline, a slideshow, or any player or platform that expects a QuickTime MOV rather than a RAW image.
3FR is a camera RAW format that holds unprocessed sensor data; MOV is a video container. There is no motion to extract from a photo, so the converter renders the RAW frame to a picture, then encodes that single frame as a video that simply displays the image for a set length of time.
| Property | Value |
|---|---|
| Full name | Hasselblad 3F RAW |
| Type | Camera RAW (still image), based on TIFF |
| Introduced | 2006, with the Hasselblad H2D |
| Cameras | Hasselblad H-system and X-system bodies (X1D, X1D II 50C, X2D 100C) and 907X / CFV digital backs |
| Color depth | 16-bit per channel |
| Compression | Lossless on earlier models (about 33% smaller); recent cameras can write uncompressed |
| Typical file size | Large — 100-megapixel X2D 3FR files average roughly 200 MB |
| Best for | Archiving the unedited sensor capture before processing in Phocus, Lightroom, or Camera Raw |
| Property | Value |
|---|---|
| Full name | QuickTime File Format (.mov) |
| Developer | Apple |
| Type | Multimedia container (video, audio, timed metadata) |
| Default video codec here | H.264 |
| Also supports | H.265 (HEVC), ProRes, plus AAC / ALAC / PCM audio |
| Relationship to MP4 | QuickTime's container was the basis for the MP4 (ISO base media) format |
| Best for | Editing and playback in Final Cut Pro, Adobe Premiere Pro, QuickTime Player, and Apple devices |
.3fr file onto the page or click "+ Add Files". Add several 3FR photos if you want them in one clip.Just a static photo. A 3FR is a single frame with no motion data, so the MOV holds that one image on screen for its entire duration. If you want apparent movement, add a pan or zoom (the Ken Burns effect) afterward in a video editor — the converter itself does not animate the frame.
As long as you set with the "Duration" control, which defaults to 5 seconds per frame. With a single 3FR and the default, you get a 5-second MOV; raise or lower the value for a longer or shorter freeze-frame. If you merge several photos, the total runtime is the per-image duration multiplied by the number of images.
Only up to the video frame size you choose. A 100-megapixel X2D capture is far larger than common video resolutions, so unless you pick a matching high resolution the image is scaled down to fit the frame. For pixel-for-pixel fidelity, convert the 3FR to a still format such as 3FR to TIFF instead, where no downscaling is forced.
Because the source is a photograph. 3FR files store image sensor data only — there is no audio to carry over — so the resulting MOV is silent. You can import the clip into an editor and lay a music or voiceover track over it if the video needs sound.
Both wrap the same H.264 frame; the difference is the container. MOV is the native QuickTime format and the smoother choice for Final Cut Pro and Apple workflows, while 3FR to MP4 is more universally accepted on web and Android. In our testing, the two outputs are nearly identical in size for an identical still and duration, so pick the one your destination software prefers.
Yes. 3FR is Hasselblad's own RAW format and is not an open standard, though it is built on the TIFF structure. Because support outside Hasselblad's Phocus software can be uneven, many photographers convert 3FR into a widely readable format — a MOV clip for video timelines, or a still like 3FR to JPG for everyday sharing — rather than relying on every program to read the RAW directly.