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Supports: 3FR
A .3fr is Hasselblad's 3F RAW: undeveloped medium-format sensor data that Phocus, Lightroom, Capture One, or RawTherapee can open and almost nothing else can. PNG is the right target when you want a lossless, artifact-free render that opens in any browser or app — a proof, a screenshot-grade crop, a flat graphic, or a file you will paste into another program. If you mainly need something small enough to email, JPG wins; if the file is heading for retouching, print, or a 16-bit archive, TIFF wins. This page renders the RAW on our servers and writes a standard PNG, and the comparison below tells you when that is the wrong choice.
| Property | 3FR (Hasselblad 3F RAW) | PNG |
|---|---|---|
| What it is | Undeveloped sensor data plus Hasselblad tags | Finished raster image |
| Owner / standard | Hasselblad proprietary, TIFF-style container | Open W3C standard — PNG Third Edition, 24 June 2025 |
| Bit depth | 14-bit or 16-bit, camera-selectable on current backs | 8 or 16 bits per sample for truecolour |
| Compression | Lossless, camera-generation dependent | Lossless (DEFLATE) — no JPEG-style artifacts |
| Typical size | 206 MB on average for a 100 MP capture (Hasselblad CFV 100C datasheet) | Large: lossless coding of a high-megapixel frame |
| Alpha channel | No | Yes — optional alpha, plus indexed and greyscale modes |
| Colour handling | Hasselblad Natural Colour Solution (HNCS) | sRGB by default; ICC profiles via the iCCP chunk |
| Camera metadata | Full EXIF written by the body | eXIf chunk exists in the spec, but support is patchy in practice |
| Editing latitude | Full — exposure and white balance still recoverable | None — the render is baked in |
| Opens in | Phocus, Lightroom, Capture One, RawTherapee | Chrome, Firefox, Safari, Edge, and every image app |
| If you need… | Better target | Why |
|---|---|---|
| To email, upload, or post the shot | 3FR to JPG | A high-quality JPG of a photographic subject is a fraction of the size of the same frame as PNG |
| A print or retouching master | 3FR to TIFF | Lossless plus reliable 16-bit, CMYK and EXIF handling that PNG does not offer |
| A modern web portfolio at small size | 3FR to AVIF | Much smaller than PNG at the same perceived quality, with wide current browser support |
| To keep grading the shot later | Keep the original .3fr |
Any render bakes in white balance, exposure, and tone; the RAW stays adjustable |
| Another target entirely | 3FR converter | The full list of formats a Hasselblad RAW can be rendered into |
.3fr onto the page or click "+ Add Files" to browse. You can queue several captures and convert them with the same settings.PNG storage itself is lossless, so nothing is thrown away in the compression stage — no blocking, no ringing, no JPEG mush. What you spend is RAW latitude. A 3FR holds unprocessed sensor data recorded at up to 16-bit, which is why exposure, white balance, and highlight recovery are still fully adjustable days later. Rendering to PNG demosaics that data and bakes those decisions in. Treat the PNG as a finished deliverable and keep the .3fr as the negative.
Because PNG never discards detail. DEFLATE compression is lossless, and photographic content — smooth gradients, fine sensor noise, foliage — is close to incompressible without loss. Hasselblad's own figures put an average 100 MP 3FR capture at 206 MB and its full-size JPG at 40 MB; a lossless PNG of that same render lands much closer to the RAW than to the JPG. If size is the constraint, downscale under "Image resolution" or use 3FR to JPG instead.
The format can: the W3C PNG specification allows 8 or 16 bits per sample for truecolour images, which is one thing PNG has over JPEG's 8-bit ceiling. Whether a given viewer or editor round-trips that depth is a different question — plenty of consumer apps quietly downsample to 8-bit on open. If a guaranteed high-bit-depth master is the goal, TIFF is the more predictable container and 3FR to TIFF is the page you want.
Do not count on it. PNG's third edition defines an eXIf chunk for exactly this, but the chunk is a late addition and many encoders and viewers still ignore it, which is why photographers have long treated PNG as a metadata-poor format. If the shooting data has to travel with the picture — for licensing, cataloguing, or client delivery — export to TIFF or JPG instead, and keep the .3fr where the body's original EXIF lives untouched.
TIFF, in almost every professional case. TIFF is what print RIPs, InDesign layouts, and retouching pipelines expect; it carries CMYK as well as RGB, it stores EXIF and IPTC reliably, and it gives you a choice of lossless compressors. PNG's advantages — universal viewing, alpha, no plugin needed — are delivery advantages, not archival ones. A common studio pattern is a TIFF master plus a PNG or JPG derivative for whoever needs to actually look at the image.
No. That is the point of the page: 3FR is a proprietary format that general-purpose software refuses or mishandles, and Hasselblad's own Phocus is a desktop install. Here the RAW is decoded on our servers and you get back a plain PNG. Phocus, Lightroom, Capture One, and RawTherapee remain the right tools if you want to grade the file rather than simply render it.
Because a converter has to pick a development. Phocus applies Hasselblad's own colour pipeline (HNCS) plus whatever adjustments you have made to the file; a generic RAW render applies neutral defaults instead. The pixels are not wrong, they are just undirected. If the look matters, set exposure, white balance, and tone in Phocus on the original .3fr, export from there, and convert that file rather than the untouched capture.
Your file is uploaded over an encrypted connection, rendered on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared or made public. We deliberately leave the Quality Preset on "Very High (Recommended)" so a medium-format render is not quietly softened to save bandwidth. The practical constraint is upload time rather than anything on the conversion side: at Hasselblad's stated 206 MB average for a 100 MP 3FR, sending the file is the slow part of the job.