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Supports: 3GP, 3G2
.3g2 is the 3GPP2 file format — the CDMA-network cousin of .3gp that Verizon- and Sprint-era feature phones recorded video to. It is defined in 3GPP2's C.S0050 File Formats for Multimedia Services specification and built on the same ISO base media file format (ISO/IEC 14496-12) that MP4 uses. MKV is Matroska, an open container now specified by the IETF as RFC 9559. Converting one into the other is an archival move: it lifts footage out of a container tied to a retired network family and re-encodes it into one that media players, home servers, and future tooling will keep supporting.
| Property | Value |
|---|---|
| Full name | 3GPP2 file format |
| Specification | 3GPP2 C.S0050, File Formats for Multimedia Services (revision B v1.0, 18 May 2007) |
| Built on | ISO base media file format, ISO/IEC 14496-12 — the same base structure as MP4 |
| Brand identifiers | 3g2a (release 0), 3g2b (release A), 3g2c (release B) |
| Video codecs | MPEG-4 Video, H.263, H.264/AVC |
| Audio codecs | MPEG-4 AAC and HE-AAC, AMR, EVRC, EVRC-B, EVRC-WB, 13K (QCELP), SMV, VMR-WB |
| MIME type | video/3gpp2 |
| Designed for | CDMA2000 handsets — small frames, low bitrates, slow 3G links |
| Status | Legacy. The US CDMA networks it was built for are gone; Verizon shut down its 3G CDMA network on 31 December 2022 |
| Property | Value |
|---|---|
| Full name | Matroska Media Container |
| Specification | IETF RFC 9559, Matroska Media Container Format Specification (October 2024) |
| Built on | EBML, the Extensible Binary Meta Language (IETF RFC 8794) |
| Video codecs | Codec-agnostic — H.264, H.265, MPEG-4, VP8, VP9, AV1, Theora, MJPEG and more |
| Audio codecs | AAC, AC3, EAC3, MP2, MP3, Opus, Vorbis, FLAC, DTS, PCM, WavPack and more |
| Track model | Many audio, video and subtitle tracks in one file, switchable during playback |
| Extra features | Chapters, tags and metadata, attachments, fast seeking, playback recovery on damaged streams |
| Relatives | .mka (audio only), .mks (subtitles only); WebM is a constrained Matroska profile |
| Best for | Long-term local archives, media servers, multi-language and multi-subtitle libraries |
| Weak spot | Not a web-delivery format — playback outside VLC, mpv, Kodi, Plex and Jellyfin is inconsistent |
.3g2 and .3gp are accepted, and you can queue a whole folder of old handset clips in one job..mkv. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours later — no sign-up, no watermark.No. The handset already encoded the picture as MPEG-4 Video, H.263 or H.264 at a small frame size and a low bitrate, and those decisions are baked into the file. Our server decodes that stream and re-encodes it into Matroska, which is a second lossy generation, not a restoration. What you gain is a container that is openly specified, widely tooled, and not tied to a dead network family — plus the ability to add tracks later. What you do not gain is detail the camera never captured.
Both are the same ISO base media structure with different codec menus. .3gp came from 3GPP for GSM/UMTS handsets; .3g2 came from 3GPP2 for CDMA2000 handsets, which in the United States meant Verizon and Sprint. The C.S0050 specification adds the CDMA speech codecs — EVRC, EVRC-B, EVRC-WB, 13K (QCELP), SMV and VMR-WB — on top of the AMR and AAC audio that .3gp already allowed. For conversion purposes the difference is almost entirely on the audio side; this page accepts both, and the 3GP to MKV converter covers the GSM twin under its own name.
It is decoded to samples and re-encoded to AAC by default. EVRC and 13K (QCELP) are CDMA network vocoders built for telephone-band speech, so the soundtrack in your MKV will sound like the original phone recording — because that is all that was ever stored. AAC preserves it faithfully inside Matroska; FLAC preserves it without any further compression at all. Neither can widen a band the vocoder never encoded.
It depends on where the file is going to live. MKV is the better archive: openly specified, codec-agnostic, unlimited tracks, chapters, and tolerant of damaged streams. MP4 is the better traveller: phones, smart TVs, browsers, editors and social platforms take it almost everywhere without a plugin. A reasonable pattern is MKV as the keeper copy and 3G2 to MP4 for the copy you actually send to people.
Yes, and it is one of the better reasons to choose it. RFC 9559 describes Matroska as an envelope that can carry many audio, video and subtitle streams in a single file, switchable during playback, plus chapter points for jumping around. A .3g2 clip only ever carried one soundtrack, so nothing extra appears by itself — but the MKV gives you somewhere to later add a cleaned-up audio version, a commentary, or subtitles in more than one language without repackaging.
Often not, and that is a container limitation rather than a conversion fault. Matroska is a local-playback and archival format: VLC, mpv, Kodi, Plex and Jellyfin handle it directly, but many smart TVs, phone galleries and web pages do not. If the file needs to play everywhere without thought, convert to MP4 instead, or run the finished archive through MKV to MP4 when you need a portable copy.
Our converter writes H.264 video with AAC audio into the Matroska container unless you change the Video Codec or Audio Codec dropdown. There is no passthrough mode here — the server always decodes and re-encodes, so you should expect one generation of loss even when the source and target codecs happen to match. Choosing FLAC for the audio track is the closest thing to a lossless option on the sound side.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion. There is no sign-up, no watermark on the output, and files are never shared or made public. If you would rather keep only the soundtrack from a clip, 3G2 to MP3 extracts the audio on its own instead of writing a video file.