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Supports: 3GP, 3G2
.3g2 is the container old CDMA feature phones — the Verizon and Sprint handsets of the mid-2000s — recorded video to, and modern players increasingly refuse it. This walk-through is for anyone digitizing a folder of those clips into MKV (Matroska), an open archival container, and it is honest about what the conversion can and cannot do: it rescues the footage into a format that will keep, but it cannot make a tiny phone-era recording look like more than it was.
.3g2 (or .3gp) videos. Batch is supported, so a whole folder of old handset clips can run in one job.The default H.264 video / AAC audio pair is the safe choice — it plays in the widest range of software and is a sensible long-term baseline. But MKV's real strength is that it does not lock you into one codec, so the Video Codec and Audio Codec dropdowns let you tailor the output to how you keep your library:
.3g2, handle without complaint..3g2 clips hold a narrowband CDMA speech codec (QCELP or EVRC) at an 8 kHz sample rate — telephone-quality voice. The AAC (or FLAC) output preserves exactly that; it cannot widen audio the codec never recorded.A handful of .3g2 files use CDMA-only voice codecs (such as 13K/QCELP or EVRC variants) with no picture track — those are voice recordings, not video, and there is nothing to rescue into a video container. If you only want the soundtrack from a clip, extract it directly with 3G2 to MP3 instead. Genuinely corrupted files that no longer parse as valid MPEG-4 Part 12 cannot be repaired by re-encoding; a recovery tool on the original phone storage is the better route there.
No. The phone recorded the video as H.263, MPEG-4 Part 2, or H.264 at a small phone-era resolution, and re-encoding it into MKV is one more lossy generation, not an upgrade. MKV faithfully carries whatever the source held but cannot reconstruct detail the camera never captured. Scaling the picture up adds pixels without adding sharpness. MKV's value here is the open archival container and its track flexibility, not a quality boost.
Yes — that is the main use case. .3g2 is the 3GPP2 container (introduced January 2004) used by CDMA2000 phones, which in the US meant carriers such as Verizon and Sprint. Since Verizon shut down its 3G CDMA network at the end of December 2022, clips saved off those old handsets are exactly the kind of footage worth archiving before the files are lost. The same pipeline also accepts .3gp from GSM-era phones, since both share the MPEG-4 Part 12 base structure.
The .3g2 soundtrack is often QCELP or EVRC — CDMA-network speech codecs built for telephone-quality voice at an 8 kHz sample rate — and xconvert re-encodes it to AAC for the MKV by default. AAC preserves what those codecs captured but cannot add fidelity that was never recorded, so the result sounds like the tinny original in a codec that sits comfortably inside MKV. If you would rather keep the audio losslessly, set the Audio Codec to FLAC; MKV carries it without trouble.
It depends on your goal. MKV is the better archive: an open, royalty-free container (announced December 2002) that can hold an unlimited number of audio, subtitle, and even video tracks plus chapters, all switchable mid-playback. MP4 is the better all-rounder for playback, since phones, Smart TVs, browsers, and social platforms support it almost universally while MKV usually needs VLC or a capable player. For a tidy home archive choose MKV; for "I just want it to play anywhere," use 3G2 to MP4.
Yes — that is one of the main reasons to pick MKV. Matroska supports an unlimited number of audio, subtitle, and video tracks in one file, switchable during playback. A .3g2 clip only ever carried a single soundtrack, so nothing extra appears automatically, but MKV gives you a container you can later add tracks to — a cleaned-up audio version, commentary, or subtitles in more than one language.
In our testing, a one-minute QVGA phone clip stayed roughly in the same size range as the source at the Very High preset, because the picture is small and H.264 is efficient; lowering the Quality Preset shrinks it further, and the Matroska container itself adds little overhead. Choosing FLAC for the audio will enlarge the file. Exact size depends on clip length, the resolution the phone recorded, and how busy the footage is.
Files are uploaded over an encrypted connection and processed on our servers — no sign-up and no watermark. They are deleted automatically a few hours after conversion and are never shared or made public.