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Supports: 3GP, 3G2
.3g2 is a mobile container: the 3GPP2 file format that CDMA2000 handsets — the Verizon and Sprint generation of feature phones — recorded to. .mts is the on-camera name for AVCHD, the HD camcorder format Sony and Panasonic put together in 2006 and still the native recording format of a lot of Sony, Panasonic, Canon and JVC hardware. Converting between them is a narrow, deliberate job. The short answer: convert 3G2 to MTS only when the clip has to sit on an AVCHD editing timeline next to real camcorder footage. For anything you want to play, send, upload or keep, 3G2 to MP4 is the conversion you are looking for, because MP4 opens everywhere and MTS does not.
| Property | 3G2 (source) | MTS / AVCHD (output) |
|---|---|---|
| What it is | 3GPP2 mobile multimedia container | File extension used by camcorders for AVCHD recordings |
| Specification | 3GPP2 C.S0050, File Formats for Multimedia Services (revision B v1.0, 18 May 2007) | AVCHD format, defined by its co-promoters from 2006 onward |
| Underlying structure | ISO base media file format (ISO/IEC 14496-12) — the MP4 family | MPEG-2 Transport Stream |
| Built for | CDMA2000 phones on slow 3G links | HD consumer camcorders and AVCHD editing workflows |
| Video codecs allowed | MPEG-4 Video, H.263, H.264/AVC | MPEG-4 AVC/H.264 (plus MPEG-4 MVC/H.264 for stereoscopic 3D) |
| Audio codecs allowed | AAC/HE-AAC, AMR, EVRC, EVRC-B, EVRC-WB, 13K (QCELP), SMV, VMR-WB | Dolby Digital (AC-3) or Linear PCM |
| Typical frame size | QCIF 176x144 or QVGA 320x240; larger on later handsets | 1920x1080, 1440x1080, 1280x720, 720x480, 720x576 |
| Plays natively in | VLC, QuickTime, most desktop players | VLC and camcorder-oriented editors; poor support in phones, browsers and TVs |
| Status | Legacy — Verizon shut its 3G CDMA network down on 31 December 2022 | Niche — a capture and editing format, not a sharing one |
.mts from a Sony or Panasonic camera will accept a converted clip in the same shape instead of forcing a mixed-format timeline..mts directly, while .mp4 is accepted virtually everywhere.| AVCHD property | Value |
|---|---|
| Video | MPEG-4 AVC/H.264; MPEG-4 MVC/H.264 for stereoscopic recordings |
| Audio | Dolby Digital (AC-3) at 64–640 kbps, or Linear PCM at 1.5 Mbps for stereo |
| Container | MPEG-2 Transport Stream |
| System bitrate | Up to 24 Mbps (18 Mbps for AVCHD written to DVD media); up to 28 Mbps stereoscopic |
| Frame sizes | 1920x1080, 1440x1080, 1280x720, 720x480, 720x576 |
| What this converter writes | H.264 video with AAC audio by default, muxed into an MPEG-2 transport stream; switch Audio Codec to AC3 for spec-exact AVCHD audio |
Source for the AVCHD rows: the official AVCHD format specification page published by the AVCHD Format Co-Promoters.
.3gp files are accepted too, and several clips can be queued to run with the same settings..mts. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours later — no sign-up, no watermark.Almost the only good reason is an editing timeline. MTS is the container an AVCHD camcorder writes, so if you are cutting old phone footage into a project that already ingests .mts clips from a Sony, Panasonic, Canon or JVC camera, matching the format keeps the timeline uniform. For playback, messaging, uploading or archiving, MP4 wins on every count — it opens on effectively every phone, browser, TV and app, while .mts mostly opens in VLC and in editing software.
No. AVCHD supports frame sizes up to 1920x1080, but supporting a resolution is not the same as containing one. A CDMA-era clip was captured at something like 176x144 or 352x288, and choosing a 1080p preset just stretches those pixels across a bigger canvas — softer, blockier, larger on disk, no extra detail. Set Video resolution to "Keep original" and let your editor scale the clip on the timeline if the project needs it there.
H.264 video with AAC audio by default, muxed into an MPEG-2 transport stream. H.264 is exactly what the AVCHD specification lists for video. On the audio side the specification names Dolby Digital (AC-3) or Linear PCM rather than AAC, so if a strict AVCHD importer rejects the sound track, switch Audio Codec to AC3 and convert again — that produces the spec-exact pairing. H.265, VP9, AV1 and the other modern codecs are not part of AVCHD at all, so putting one inside an .mts file produces something most camcorder tooling will refuse even though the extension looks right.
Because that is how it was recorded. Most feature-phone .3g2 clips carry AMR-NB or a CDMA vocoder — EVRC, EVRC-B, 13K (QCELP), SMV or VMR-WB — all designed for telephone-band speech rather than music. Re-encoding that to AAC — or AC-3, if you switched the Audio Codec — preserves the speech faithfully, but no codec, bitrate or sample rate can rebuild frequencies the vocoder never encoded. If the clip is a voice memo, that is fine. If it is a concert recorded on a 2006 flip phone, the fidelity was never there.
They are close relatives, not synonyms. AVCHD is the format; MPEG-2 Transport Stream is the container it uses; .mts and .m2ts are two file extensions for that stream. Camcorders typically write .mts on their own media and .m2ts inside the AVCHD folder structure when copied or authored to Blu-ray-style discs. The bytes are the same kind of transport stream, which is why a tool that reads one usually reads the other.
Yes — queue them together and they run with the same settings, which is the point when you are digitizing a phone's worth of footage. Every clip gets the same codec, resolution and trim treatment, so if some clips need different handling, split them into separate batches. There is a real practical limit, and it is upload size and time over your connection rather than anything on the conversion side.
Yes. .3gp and .3g2 are the same ISO base media structure defined by two sibling standards bodies: 3GPP for GSM/UMTS phones, 3GPP2 for CDMA2000 phones. The main difference is the audio codec menu — 3G2 adds EVRC, EVRC-B, EVRC-WB, 13K (QCELP), SMV and VMR-WB. This page accepts both, and the 3GP to MTS converter covers the GSM twin if you would rather work from that page.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. Going the other direction, from a camcorder .mts down to a small mobile container, is handled by the MTS to 3G2 converter; to bring camcorder footage into something more portable instead, the MTS converter hub lists the other targets.