3GP to FLAC Converter

Convert 3GP files to FLAC format online. Free, fast, no watermarks.

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Supports: 3GP, 3G2

OptionsAdvanced Options - Our defaults are optimized for the best results. We recommend you keeping the defaults unless you have a specific need.
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Compression level
Compression level
1
12
12
Lower the number, faster the process but file will be larger. For high compression, set this to a largest number. This doesn't effect the audio quality.
Audio Channel
Audio Channel
Audio Sample Rate
Audio Sample Rate
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Extract 3GP Audio to FLAC: What This Tutorial Covers

This page pulls the audio track out of a .3gp or .3g2 mobile video and saves it as FLAC, a lossless format. It is written for anyone digitizing old phone footage — voicemails, family clips, lecture recordings, field notes — who wants a stable archival copy that will never degrade again. Read the walk-through before you start: what you get out of FLAC depends almost entirely on which codec is hiding inside the 3GP, and the answer for a 2008 handset is very different from the answer for a late-model phone.

How to Convert 3GP to FLAC

  1. Upload Your 3GP File: Drag and drop, or click "Add Files" to select .3gp or .3g2 clips. Batch is supported, so a folder of old phone recordings can run in one job. The video track is read only to locate the audio — the picture is not kept in a FLAC output.
  2. Set the Compression Level: The Compression level slider runs 1–12 and defaults to 12. FLAC is lossless at every setting, so this trades encoding speed against file size only: a lower number encodes faster and writes a larger file, a higher number is slower and smaller. The decoded audio is bit-for-bit identical wherever you leave it.
  3. Set Audio Channel and Audio Sample Rate (Optional): Both default to ORIGINAL, which preserves the source. You can force Mono — sensible for a single-mic phone recording that was stored as fake stereo — or Stereo, and you can resample to 8000, 12000, 16000, 24000, 44100, or 48000 Hz. Leaving ORIGINAL avoids pointless upsampling, which adds bytes without adding detail.
  4. Trim and Convert: Open the Trim panel to set a start time and a duration, in seconds or as HH:MM:SS.sss, if you only want one passage. Then click Convert. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared or made public.

Walk-through: What Is Actually Inside Your 3GP

FLAC is lossless: it stores the decoded audio exactly, discarding nothing. That is excellent for preservation, but "exactly" is a ceiling, not a boost — and most 3GP files were never recorded in high fidelity to begin with. The 3GPP container specification (TS 26.244) allows AMR-NB, AMR-WB, AMR-WB+, AAC-LC and HE-AAC; the CDMA sibling .3g2 (3GPP2 C.S0050) adds speech codecs such as EVRC, QCELP and SMV instead.

What the 3GP holds Typical source What FLAC gives you
AMR-NB (4.75–12.2 kbit/s, 8 kHz) Voice memos and clips from 2000s feature phones An exact, permanent copy of narrowband, telephone-bandwidth speech — much larger than the source, and it will not sound any better
AMR-WB (16 kHz sampling) Later handsets and HD-voice recordings Same lossless freeze, with roughly double the usable bandwidth of AMR-NB
AAC-LC / HE-AAC Camera video from newer phones The ordinary lossy-to-lossless case: no further generation loss from this point on
EVRC / QCELP / SMV in a .3g2 Old CDMA handsets (Verizon, Sprint era) Usually decodes fine, but these are the codecs most likely to fail — see "When This Doesn't Work"

Do the arithmetic and the size jump stops being a surprise. AMR-NB at its top rate of 12.2 kbit/s is roughly 1.5 KB per second of speech, about 90 KB a minute. Decode that to plain 8 kHz 16-bit mono PCM and you have 16 KB per second — around 960 KB a minute — and FLAC typically stores audio at 50–70% of its uncompressed size. So a lossless copy of a one-minute voice memo lands in the hundreds of kilobytes even though the original 3GP was a fraction of that. Nothing is wrong; you are paying bytes for permanence.

FLAC vs the Other Ways to Save 3GP Audio

Target Lossless? Typical use Trade-off
FLAC Yes Long-term archive of irreplaceable recordings Largest practical archival file; not supported by some old hardware players
WAV Yes (uncompressed PCM) Editing in a DAW or forensic tool that wants raw PCM Bigger than FLAC for identical audio, and weak metadata support
MP3 No Sending a clip to someone, phone playback Adds a second generation of lossy encoding on top of the original
M4A No Apple-ecosystem playback Also re-encodes lossily; better quality per byte than MP3

If the recording matters and you will never get it again, FLAC or WAV are the only honest choices — everything else re-compresses audio that a phone codec already thinned out once.

Common Errors and How to Fix Them

  • My FLAC is much bigger than the 3GP: Expected. The 3GP held heavily compressed lossy speech; FLAC stores the decoded waveform exactly. The arithmetic above shows why the gap is often five- to tenfold on AMR-NB sources.
  • The FLAC still sounds muffled or telephone-like: The source is almost certainly AMR-NB, which only carries roughly the 200–3400 Hz band of a phone call. No lossless format can restore frequencies that were never recorded.
  • There is no audio in my FLAC: A few 3GP clips are video-only, or carry an audio track the decoder cannot read. Confirm the original actually plays sound; if it does and the FLAC comes out silent, try 3GP to WAV, which writes plain PCM and sometimes succeeds where the FLAC path stalls.
  • My player will not open the FLAC: FLAC plays in VLC, foobar2000, Audacity, Chrome, Firefox and modern Android, but many car head units, older set-top boxes and some stock Windows apps still ignore it. Use VLC, or keep a lossy copy alongside the archive.
  • I wanted the video too: FLAC is audio-only by definition. Use 3GP to MP4 if you want the picture to survive the conversion.

When This Doesn't Work

Some 3GP files resist clean audio extraction: clips with a truncated audio atom (common when a phone died mid-recording or the transfer was cut short), DRM-locked downloads from old carrier services, and exotic CDMA voice codecs inside a .3g2. If FLAC fails or arrives silent, try 3GP to WAV first — plain PCM is the least demanding target. If you only need a small file to share rather than an archival master, 3GP to MP3 is the right tool, and if you actually want to keep the picture, 3GP to MP4 keeps video and audio together instead of discarding the video.

Frequently Asked Questions

Does this keep the video, or only the audio?

Only the audio. 3GP is a video container and FLAC is an audio-only format, so the picture is discarded and you are left with the soundtrack as a lossless file. If you want to keep the footage, use 3GP to MP4, which carries video and audio into a container that modern devices play.

Will converting an old AMR-NB recording to FLAC improve the sound?

No. FLAC preserves the source exactly, and exactly is the ceiling. AMR-NB encodes narrowband speech at 4.75–12.2 kbit/s with an 8 kHz sample rate — the bandwidth of a phone call — so the FLAC will faithfully reproduce that thin, telephone-quality audio and nothing more. What you gain is permanence: the recording is frozen in a format that will never lose another byte to re-encoding.

Why is my FLAC file so much bigger than the original 3GP?

Because the 3GP held lossy, heavily compressed audio and FLAC is lossless. Decoded 8 kHz 16-bit mono PCM runs about 960 KB per minute, and FLAC generally stores audio at 50–70% of that uncompressed size, while AMR-NB needed under 100 KB per minute. The growth is the price of an exact copy, not a sign that something went wrong.

What does the Compression level slider actually change?

Only file size and encoding time — never the audio. Every FLAC level decodes to the identical waveform; higher numbers simply let the encoder search harder for redundancy. Our job defaults to 12, the top of the slider, so an untouched conversion already produces the smallest FLAC this encoder will make. Note that the reference FLAC encoder's own presets stop at 8, so the highest settings buy progressively less for the extra time.

Does this accept .3g2 files from old CDMA phones too?

Yes. The tool accepts .3gp (3GPP, used on GSM and UMTS phones) and .3g2 (3GPP2, used on CDMA2000 handsets from the Verizon and Sprint era). Both are built on the ISO base media file format, so the same extraction pipeline handles them. The exception is the CDMA-only voice codecs — EVRC, QCELP, SMV — which are the most likely to fail; see "When This Doesn't Work".

Should I extract to FLAC or to WAV for archiving?

Both are lossless, so neither loses audio. FLAC compresses the data and carries real metadata — Vorbis comments for titles, dates and notes, plus embedded artwork — which makes it the better choice for a collection you will browse later. WAV is uncompressed PCM: larger, thinner on metadata, but maximally compatible with editing software and old hardware. For long-term storage of phone recordings, pick FLAC; for immediate work in an audio editor, 3GP to WAV is more convenient.

Is FLAC a safe format to depend on in ten years?

As safe as audio formats get. FLAC is royalty-free, its reference implementation is open source under the Xiph.Org Foundation, and the IETF published it as RFC 9639 in 2024 — a formal, citable specification written with archival use in mind. That combination (open source, no licensing, a published standard) is exactly what preservation guidance looks for.

Can I extract just one passage instead of the whole recording?

Yes. Open the Trim panel, set a Start time and a Duration, and only that span is encoded. Both fields accept plain seconds or HH:MM:SS.sss, so you can lift a 20-second answer out of a 12-minute lecture clip. If you would rather cut the audio after conversion, the Audio Cutter works on the finished file.

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