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Supports: 3GP, 3G2
This page pulls the audio track out of a .3gp or .3g2 mobile video and saves it as FLAC, a lossless format. It is written for anyone digitizing old phone footage — voicemails, family clips, lecture recordings — who wants a stable archival copy. Read the "Walk-through" and "When This Doesn't Work" sections first if your source is an old AMR-NB recording, because FLAC behaves differently depending on what codec is hiding inside the 3GP.
.3gp or .3g2 mobile videos. Batch is supported, so a folder of old phone clips can run in one job. The video track is read only to locate the audio — the picture is not kept in a FLAC output.FLAC is lossless: it stores the decoded audio exactly, with nothing thrown away. That is excellent for preservation, but it is important to understand what "exactly" means here, because most 3GP files were never recorded in high fidelity to begin with.
3GP audio is usually one of two things, and they behave very differently when you convert to FLAC:
If your goal is faithful preservation of an old recording, FLAC is the right pick despite the size — it locks in exactly what was captured and will never degrade again. If your goal is a small, shareable file, FLAC is the wrong tool and a lossy format is better.
A handful of 3GP files resist clean audio extraction: clips with a corrupted or truncated audio atom (common when a phone died mid-recording), DRM-locked downloads from old carrier services, or exotic CDMA voice codecs such as EVRC inside a .3g2. If FLAC fails or comes out silent, first try 3GP to WAV, which writes plain PCM and sometimes succeeds where the FLAC encoder balks. If you only want a small, sharable file rather than an archival master, 3GP to MP3 is the better tool, and if you actually want to keep the picture, 3GP to MP4 re-wraps the video instead of discarding it.
Only the audio. 3GP is a video container, but FLAC is an audio-only format, so the picture is discarded and you get just the soundtrack as a lossless file. If you want to keep the video, use 3GP to MP4 instead, which re-wraps the picture and audio together.
No. FLAC is lossless, which means it preserves the source exactly — but exactly is the ceiling. AMR-NB only captured 200–3,400 Hz at 8 kHz, the bandwidth of a phone call, so the FLAC will faithfully reproduce that narrowband, telephone-quality audio and nothing more. The file will be larger, but it will sound the same as the original. FLAC's value here is permanence and freezing the recording before the original degrades, not added fidelity.
Because the 3GP held lossy, heavily compressed audio (often AMR-NB at 4.75–12.2 kbps) and FLAC is lossless. Lossless compression typically lands far above a low-bitrate speech codec, so a tiny 3GP voice memo can become a noticeably larger FLAC. That growth is normal and is the trade-off for an exact, never-degrading copy.
Yes. The accepted formats include both .3gp (3GPP, used on GSM/UMTS phones) and .3g2 (3GPP2, used on CDMA2000 phones like older Verizon and Sprint handsets). Both share the same MPEG-4 Part 12 base media structure, so the same extraction pipeline handles them. A small number of 3G2-only voice codecs from the CDMA world can be the exception — see "When This Doesn't Work" above.
Both are lossless, so neither loses any audio. FLAC compresses the data and stores tags, producing a smaller file that is ideal for a music or recording archive. WAV is uncompressed PCM — larger, but maximally compatible with editing software and old hardware. For long-term storage of phone recordings, FLAC is usually the better pick; if you need the file for editing in a tool that prefers PCM, use 3GP to WAV.
In our testing, a one-minute AMR-NB voice memo (originally a few hundred kilobytes in 3GP) produced a FLAC of a few megabytes, because lossless encoding of the decoded 8 kHz stream needs far more space than the original speech codec used. An AAC-sourced 3GP lands closer to a typical lossless audio size for its sample rate. Exact figures depend on the source codec, length, and how busy the audio is.