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Supports: 3GPP
This tool pulls the audio track out of a .3gpp mobile video and saves it as FLAC, a lossless format. .3gpp is the same MPEG-4 container as .3gp — two spellings of one format, both used by GSM-era phones — so if your file ends in .3gp, use the 3GP to FLAC page instead, which also accepts CDMA .3g2. The conversion exists for archiving: FLAC freezes whatever audio the phone recorded into a copy that never degrades again.
| Property | Value |
|---|---|
| Defined by | 3rd Generation Partnership Project (3GPP) |
| Base container | MPEG-4 Part 12 (ISO base media file format, ISO/IEC 14496-12) |
| File format spec | ETSI TS 126 244 |
| Extensions | .3gp, .3gpp (interchangeable — same format) |
| MIME type | video/3gpp |
| Audio codecs carried | AMR-NB, AMR-WB, AAC-LC, HE-AAC |
| Video codecs carried | H.263, MPEG-4 Part 2, H.264 |
| Designed for | GSM / UMTS phones, MMS, feature-phone video |
| Not to be confused with | .3g2 (3GPP2, for CDMA2000 phones) |
| Property | Value |
|---|---|
| Full name | Free Lossless Audio Codec |
| Compression | Lossless — decodes bit-for-bit identical to the input |
| Typical size | Larger than a lossy speech codec; well above the source 3GPP |
| Stores tags | Yes (artist, title, date, etc.) |
| Best for | Long-term archival of recordings you don't want to degrade |
| Cannot do | Add fidelity that was never recorded in the first place |
| Player support | VLC, foobar2000, Audacity, and modern browsers |
The audio sitting in a 3GPP container is almost always one of two codecs, and they behave very differently when converted to FLAC:
If your goal is faithful preservation, FLAC is the right pick despite the size. If you want a small file to share, FLAC is the wrong tool — use 3GPP to MP3 instead. To keep the picture rather than just the soundtrack, use 3GPP to MP4.
.3gpp videos. Batch is supported, so a folder of old phone clips can run in one job.Yes. .3gpp and .3gp are two filename extensions for the identical MPEG-4 Part 12 container that 3GPP defined for GSM and UMTS phones — same structure, same codecs, same content. This page accepts .3gpp; if your file is named .3gp (or you have a CDMA .3g2), use 3GP to FLAC, which handles those spellings. The .3g2 extension is a genuinely different format (3GPP2, for CDMA2000 phones), not just a different spelling.
No. FLAC is lossless, so it preserves the source exactly — but exactly is the ceiling. AMR-NB only captured 200–3,400 Hz at 8 kHz, the bandwidth of a phone call, so the FLAC will faithfully reproduce that narrowband audio and nothing more. The file will be larger, but it will sound the same as the original. FLAC's value here is permanence — freezing the recording before the original degrades — not added fidelity.
Because the 3GPP held lossy, heavily compressed audio (often AMR-NB at 4.75–12.2 kbit/s) and FLAC is lossless. Lossless encoding of the decoded stream typically lands far above a low-bitrate speech codec, so a tiny voice memo can become a noticeably larger FLAC. That growth is normal and is the trade-off for an exact, never-degrading copy.
Only the audio. 3GPP is a video container, but FLAC is an audio-only format, so the picture is discarded and you get just the soundtrack as a lossless file. The video track is read only to locate the audio. If you want to keep the picture, use 3GPP to MP4, which re-wraps the video and audio together.
It depends on the goal. FLAC is lossless and ideal for an archival master you never want to degrade, but the file is larger and the sound is capped by what AMR-NB originally captured. MP3 is lossy and far smaller, which is better if you just want to share or store the clip casually — 3GPP to MP3 handles that. For preservation, choose FLAC; for a small shareable file, choose MP3.
In our testing, a one-minute AMR-NB voice memo (originally a few hundred kilobytes in 3GPP) produced a FLAC of a few megabytes, because lossless encoding of the decoded 8 kHz stream needs far more space than the original speech codec used. An AAC-sourced 3GPP lands closer to a typical lossless size for its sample rate. Exact figures depend on the source codec, clip length, and how busy the audio is.
Files are uploaded over an encrypted connection and processed on our servers — no sign-up and no watermark. They are deleted automatically a few hours after conversion and are never shared or made public.