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Supports: AAC, AC3, AIF, AIFC, AIFF, AMR +13 more
Turn almost any audio file into an uncompressed WAV — MP3, AAC, M4A, M4B, FLAC, OGG, Opus, WMA, AC3, AMR, AIFF, AU, OGA, WebA, VOC, DSS, and more all decode to standard PCM WAV. WAV is the format pro tools, DAWs, samplers, and older hardware expect, so this is the conversion you reach for when a file needs to open somewhere rather than stay small. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.
| Property | Lossy source (MP3, AAC, M4A, Opus) | Lossless source (FLAC, ALAC) | WAV output |
|---|---|---|---|
| Compression | Lossy — detail discarded | Lossless — packed, no loss | None — raw PCM samples |
| Converting to WAV restores detail? | No — only re-wraps what's left | N/A — already full quality | Holds whatever the source had |
| Typical 3-min file size | 3-7 MB | 20-30 MB | ~30 MB at 44.1 kHz/16-bit stereo |
| Best for | Streaming, phones | Archival with smaller size | Editing, DAW import, legacy gear |
| Editing-friendly | Re-encodes on each save | Decodes first | Edits sample-accurately, no re-encode |
No. MP3, AAC, and Opus are lossy — encoding permanently discards audio data, and that data cannot be rebuilt. Converting to WAV re-wraps the already-reduced audio as uncompressed PCM, so it sounds the same as the MP3, just in a larger, edit-friendly file. WAV is worth it for compatibility and editing, not for a quality boost. To genuinely improve quality you have to go back to a higher-bitrate or lossless original.
PCM 16-bit Little Endian is CD quality and the safe default for playback and sharing. Choose 24-bit if you're importing into a DAW for mixing and want headroom for processing, which is the studio standard. 32-bit (float) is mainly useful as an intermediate format while editing, where it prevents clipping during gain changes. For a lossy source there's no benefit to going above 16-bit — the extra depth only adds file size, not detail.
WAV stores raw, uncompressed PCM samples, so size is fixed by sample rate, bit depth, and channels rather than by the audio content. A 44.1 kHz, 16-bit, stereo file runs about 10 MB per minute regardless of whether it's music or silence. In our testing, a 3-minute 192 kbps MP3 of roughly 4 MB became a ~30 MB WAV. If you need the file small again after editing, convert it to a compressed format with our WAV to MP3 converter or the audio compressor.
The converter accepts AAC, AC3, AIF, AIFC, AIFF, AMR, AU, DSS, FLAC, M4A, M4B, MP3, OGA, OGG, Opus, VOC, WebA, WMA, and WAV itself — 19 formats in all. Whatever audio you have, it decodes to standard PCM WAV. If you want a lossless file that's smaller than WAV, our audio to FLAC converter keeps full quality at roughly half the size.
Almost certainly. WAV was created by Microsoft and IBM in 1991 and is natively supported on Windows, macOS, iOS, Android, and in Chrome, Firefox, Edge, and Safari, plus virtually every audio editor and DAW. PCM 16-bit is the most universally compatible profile; some very old or embedded players may not read 24-bit or 32-bit PCM, so keep 16-bit if maximum compatibility matters.
The WAV format itself caps a single file at just under 4 GB, because the RIFF header stores the file size in a 32-bit field. That's hours of CD-quality stereo, so it rarely matters in practice. The more realistic limit for you is upload size and time — a very long uncompressed file is large to send, so trimming with the built-in Trim option before converting can help.