Initializing... drag & drop files here
Supports: AVCHD
.mts or .m2ts camcorder recording, or click "Add Files." Batch upload is supported, and files process on our servers — no sign-up.HH:MM:SS.sss..divx extension and MP3 audio by default — playable on DivX-certified DVD players and most desktop media players.AVCHD is the HD camcorder format jointly developed by Sony and Panasonic in 2006, recording H.264/AVC video (Main or High Profile, Level 4.1 or 4.2) with Dolby AC-3 or linear PCM audio at up to 24 Mbit/s (28 Mbit/s for AVCHD Progressive) and a 1920×1080 maximum resolution. DivX is a family of MPEG-4 codecs from DivX, LLC; the original (and most widely supported) variant is MPEG-4 Part 2 / Advanced Simple Profile, the format that powered the "DivX-certified" DVD-player era of the mid-2000s. Converting AVCHD camcorder footage to DivX gives you a file that older standalone hardware can actually read — a standard DVD player cannot decode H.264 or read AVCHD discs at all.
.divx/.avi files is the typical path for living-room playback of older Sony, Panasonic, or Canon camcorder tapes..divx data disc remains the most reliable way to deliver HD camcorder content there..mts source..mts, which often required AVCHD-specific import plugins.For modern playback on phones, web players, and streaming devices, convert AVCHD to MP4 instead — H.264 in MP4 is universally supported and far more efficient than DivX. For Apple-ecosystem editing, convert AVCHD to MOV keeps the H.264 stream intact in a QuickTime container.
| Property | AVCHD (.mts /.m2ts) | DivX (.divx /.avi) |
|---|---|---|
| Container | MPEG-2 Transport Stream | AVI (or.divx wrapper); DivX Plus uses MKV |
| Video codec | H.264/AVC (Main or High Profile, Level 4.1–4.2) | MPEG-4 Part 2 (ASP) for classic DivX; H.264 for DivX Plus HD |
| Audio codec | Dolby AC-3 (64–640 kbit/s) or linear PCM | MP3 (default), AC-3 or AAC on Home Theater+ profiles |
| Max resolution | 1920×1080 (no 4K in spec) | 1920×1080 (HD 1080p / Plus HD profile); 640×480 (Home Theater) |
| Max bitrate | 24 Mbit/s (28 Mbit/s Progressive) | Profile-dependent; ~4–8 Mbit/s typical at SD |
| Year introduced | 2006 (Sony/Panasonic) | 2001 (DivX 4); MPEG-4 Part 2 lineage |
| Standalone DVD-player support | None | Wide on DivX-certified players from the mid-2000s onward |
| Modern relevance | Legacy capture format, mostly displaced by MP4/H.264 | Mostly displaced by H.264 in MP4/MKV |
| Setting | Use when | Typical output |
|---|---|---|
| Quality Preset → Very High | Default for archival; preserves camcorder detail | Variable bitrate, near-source quality |
| Constant Quality CRF 1–4 | Maximum fidelity, large file | Visually transparent vs source |
| Constant Quality CRF 5–8 | Recommended balance for DivX | Good quality, ~3–5× smaller than source |
| Constant Quality CRF 10–15 | Tight space budget | Visible compression on motion |
| Constant Bitrate 4 Mbps | Predictable file size for burning to data DVD | ~1.8 GB per hour |
| Variable Bitrate 2–8 Mbps | Mixed content, motion + still scenes | Adapts to scene complexity |
Only if the player carries a DivX-certified logo and the file fits the certification profile its hardware was built for. Most living-room DVD players from the mid-2000s shipped with the Home Theater profile, which decodes up to 640×480 at 30 fps with MP3 or AC-3 audio. Higher-profile players (HD 720p, HD 1080p) appeared later, mostly in Blu-ray decks. Downscale to 720×480 (NTSC) or 720×576 (PAL) using the Preset Resolutions list if you're targeting a typical certified DVD player.
H.264/AVC (in AVCHD) is roughly 1.5–2× more efficient per bit than MPEG-4 Part 2 (classic DivX), so re-encoding to DivX at equivalent visual quality often produces a similar or larger file. To genuinely shrink the output, downscale the resolution (1080p → 480p) and raise CRF to 8–12, or set a target bitrate of 2–3 Mbps.
DivX only if you specifically need a DivX-certified hardware player to read the file. For everything else — phones, smart TVs, web uploads, modern editors — AVCHD to MP4 gives smaller files at higher quality because H.264 is dramatically more efficient than MPEG-4 Part 2.
Usually yes. Xvid is an open-source descendant of the same OpenDivX project, and most DivX-certified players decode both. A few certified models advertise Xvid support explicitly; many don't but play it anyway. Test a sample disc before committing a long burn.
By default the AVI container uses MP3 audio, which is what classic DivX Home Theater profile players expect. AC-3 and AAC are valid on Home Theater profile and above per the DivX certification spec, but compatibility on individual hardware varies. MP3 is the safest universal choice.
Yes. AVCHD camcorders write .mts to the SD card and import tools usually rename to .m2ts after copying to a computer; both are MPEG-2 Transport Stream containers carrying the same H.264/AC-3 streams. Drop either into the uploader.
Classic DivX in AVI typically downmixes to stereo MP3. To preserve the original 5.1 AC-3 stream from your AVCHD source, use a container that supports it natively — try AVCHD to MKV or AVCHD to MP4 instead, then re-encode only if you really need DivX for hardware playback.
AVCHD camcorders that use FAT32-formatted SD cards split a single recording into separate .mts segments at the 4 GB FAT32 file-size ceiling, which corresponds to roughly 30 minutes at 17 Mbit/s or 22 minutes at 24 Mbit/s. Stitch the segments back together before converting, or trim and convert each segment individually — xconvert keeps each upload as a separate output.
Files are uploaded over an encrypted connection and processed on our servers — there is no fixed file size cap. For very long camcorder recordings (multi-hour weddings, performances), trim to the segment you actually need first using the Time Range option, which speeds up conversion considerably.