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Supports: AVCHD
AVCHD camcorder clips (the .mts and .m2ts files Sony and Panasonic cameras record) pack full-HD video, so any single frame can become a sharp 1080p photo — about 2 megapixels at 1920×1080. This tutorial shows how to pull one exact frame at a timestamp you choose, or grab several screenshots at once, and how to avoid the one artifact that trips people up: interlace combing on fast motion.
.mts or .m2ts clip onto the page, or click "+ Add Files". Files upload over an encrypted connection; there is no sign-up.2.100 for 2.1 seconds in), or switch to "Multiple Screenshots" to capture several frames from the clip..jpg that opens in any photo viewer, editor, or browser. No watermark.AVCHD records at up to 24 Mbit/s (28 Mbit/s on AVCHD 2.0 cameras), so there is real detail to recover — but JPEG is a lossy format, so each save discards a little of it. A few settings decide how the still turns out:
5.500). Scrub your clip in any player first to read off the exact moment, then type it here.If the whole clip is a fast-motion scene with no calm moment, no single interlaced frame will freeze cleanly. The fix is to de-interlace first: convert the clip to a progressive video with our AVCHD to MP4 tool, then extract a frame from that output. If you only need a still from one short section of a long recording, trim the AVCHD clip down to that moment first so it uploads faster. Copy-protected discs and corrupted .m2ts files that no player can open won't extract — those need to be repaired or re-ripped at the source.
Because 1080i AVCHD is interlaced. Each stored frame is built from two half-resolution fields captured a fraction of a second apart, so any subject that moved between the two fields appears as interleaved, comb-like stripes when you freeze it. Choose a frame with little or no motion and the effect goes away; for action footage, de-interlace the clip to progressive video first, then extract the frame.
Close, but not identical. A 1080i frame yields roughly a 1920×1080 (~2 MP) still, which is plenty for screens and small prints. Two things soften it slightly: pulling one field out of an interlaced frame, and JPEG's lossy compression. Keeping Quality Preset on "Very High" preserves the most detail. In our testing, a still pulled from a static 1080p AVCHD shot at the highest quality preset was visually indistinguishable from a screenshot of the playing video at the same size.
JPEG is smaller and ideal for sharing, social posts, and most everyday use. PNG is lossless, so it keeps every pixel the frame has and avoids compression artifacts in flat areas like skies — better when you plan to edit, crop, or print the still. If you are unsure, JPEG at "Very High" quality is a safe default; switch to AVCHD to PNG when quality matters more than file size.
Choose "Specific Frame" under Advanced Options and type the time into the Time (seconds) field. Decimals are allowed, so 12.250 targets 12.25 seconds in. Read the exact timestamp off any video player first, then enter it here. If you are not sure which instant is best, "Multiple Screenshots" captures several frames so you can pick the sharpest.
Yes. Switch Frame Selection to "Multiple Screenshots" and the tool samples several frames across the clip in a single pass, instead of returning just one. It is the quickest way to find a frame where the subject is sharp and nobody is mid-blink, and you keep whichever ones you want.
Yes. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, and your footage is never shared or made public. The biggest practical constraint on a large .m2ts file is upload time, so trimming a long recording first speeds things up.