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Supports: AVI
.avi clips. Batch conversion is supported, so you can queue several files in one pass.HH:MM:SS.sss to keep just the segment you need, then click Convert. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared.wmv`.AVI was introduced by Microsoft in November 1992 as part of Video for Windows and is a RIFF-based container that wraps just about any codec — DivX, Xvid, MPEG-4 Part 2, Cinepak, even uncompressed YUV. That flexibility is why AVI files pile up at huge sizes and occasionally refuse to play if the receiving machine lacks the right codec. WMV is Microsoft's compressed video format, finalized as Windows Media Video 9 in 2003 and standardized by SMPTE as VC-1 (SMPTE 421M) in April 2006. It packages video into the Advanced Systems Format (ASF) container and is built around streaming and small file sizes.
For cross-platform playback (macOS, iOS, Android, web browsers), AVI to MP4 is the better destination. If your AVI is already large, run Compress AVI before converting to keep transcode times down.
| Property | AVI (source) | WMV (output) |
|---|---|---|
| Released | Nov 1992 (Microsoft, Video for Windows) | 1999 (WMV 7); WMV 9 in 2003 |
| Container | RIFF | ASF (Advanced Systems Format) |
| Typical video codecs | DivX, Xvid, MPEG-4 Part 2, Cinepak, MJPEG, uncompressed | WMV 7/8/9 (VC-1 family) |
| Typical audio codecs | MP3, PCM, AC-3, MP2 | WMA v1/v2/Pro |
| Compression efficiency | Low to moderate (codec-dependent) | High — typically 30–50% smaller than DivX/Xvid AVI |
| Streaming | Not designed for it (index at end) | Yes — progressive playback, designed for MMS/HTTP |
| Native Windows Media Player | Yes (with codec packs) | Yes, no codecs needed |
| Native macOS QuickTime | Limited (Perian discontinued 2014) | No — needs Flip4Mac or VLC |
| DRM support | None | Windows Media DRM 10 |
| PowerPoint (Windows, ≤2504) | Supported | Supported |
| PowerPoint (Windows, 2505+) | Limited & deprecated; auto-transcoded to MP4 | Limited & deprecated; auto-transcoded to MP4 |
| Blu-ray / HD DVD | No | Yes (as VC-1) |
| Setting | What it does | When to pick it |
|---|---|---|
| Quality Preset — Highest / Very High | Encoder targets perceptual quality; bitrate floats high | Master archives, before further editing |
| Quality Preset — High / Medium | Balanced size vs quality | General sharing, embedding in slides |
| Quality Preset — Low / Lowest | Aggressive compression | Email attachments, low-bandwidth playback |
| Constant Bitrate (CBR) | Fixed bitrate every second (default 4 Mbps) | Streaming where bandwidth is predictable |
| Variable Bitrate (VBR) | Bitrate flexes between min/max (default 2–8 Mbps, target 4) | Best size/quality ratio for offline playback |
| Specific file size | Auto-scales bitrate to hit a target (default 24 MB) | Hard caps — Outlook 20 MB attachment, LMS upload limits |
Almost always, yes. WMV 9 / VC-1 is a much more efficient codec than the DivX, Xvid, or MPEG-4 Part 2 streams found in most AVI files. At the default Very High preset expect roughly 30–50% size reduction; at Medium quality 60–70% is typical. If your AVI was already encoded with H.264 inside a .avi wrapper (uncommon but possible), the savings will be smaller because H.264 and VC-1 are roughly comparable.
AVI is a container, not a codec. The file holds whatever codec the original encoder chose — DivX, Xvid, Cinepak, MJPEG, etc. If Windows Media Player lacks that codec it shows audio with a black video frame or refuses the file. Converting to WMV bakes the video into a codec Windows Media Player ships with by default, sidestepping codec-pack hassles.
Not natively. macOS dropped built-in WMV playback when Flip4Mac was retired, iOS and Android have never supported it, and most browsers won't play it either. If your audience uses anything other than Windows, convert to MP4 instead — H.264/AAC inside MP4 is the lowest-common-denominator format in 2026.
It depends on which PowerPoint you're using. On PowerPoint for Windows up through version 2504 WMV is fully supported. On version 2505 and above Microsoft has marked WMV (and AVI) as "limited and deprecated" — files can still be inserted but PowerPoint converts them to MPEG-4 on the fly during insertion and playback. PowerPoint for macOS has never supported WMV. If you regularly share decks with mixed Windows/Mac audiences, convert to MP4 instead.
WMV 1 corresponds to Windows Media Video 7 (1999) and is roughly equivalent to a custom MPEG-4 Part 2 implementation. WMV 2 corresponds to Windows Media Video 8 (2001) with improvements to motion compensation and DCT. Note that despite the name, neither dropdown option is the much-newer WMV 9 / VC-1 — pick WMV 2 unless you specifically need to play on a very old Windows 9x / 2000 machine that only ships the WMV 7 decoder.
Use Variable Bitrate (VBR) for almost everything offline — it spends bits on complex scenes (motion, fast cuts) and saves them on simple ones (talking heads, static title cards), giving better quality at the same average size. Use Constant Bitrate (CBR) only when streaming over a fixed-bandwidth link where the player buffer can't tolerate spikes — older corporate streaming servers, embedded kiosk hardware, or live broadcasts.
Files are uploaded over an encrypted connection, processed on our servers using FFmpeg-based pipelines, and deleted automatically after a few hours. There's no permanent storage and no sign-up required. For sensitive footage, run AVI to MP4 or AVI to WMV locally with HandBrake or FFmpeg if you want zero network transit.
WMV / ASF supports multiple audio streams but not text-based soft subtitles (no SRT/ASS lane). Hard-coded "burned-in" subtitles that are part of the video frames carry over fine. Soft subtitles in the AVI's auxiliary streams will be dropped during conversion; if you need them, burn them into the video first or convert to MP4 which supports mov_text subtitle tracks.
Any lossy-to-lossy transcode adds a small generation loss. The Highest quality preset minimizes it (the encoder spends extra bits to match the source) but it is never bit-exact. If you're archiving a master, keep the AVI original alongside the WMV; if you only need playback, the Very High preset is visually indistinguishable from the source on most consumer displays.