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Supports: AVIF
This page turns an AVIF still image into a .hevc H.265 video file — your picture re-encoded as an H.265 stream inside a Matroska (MKV) container that simply carries an unusual extension. Two things follow from that and both matter before you start: the image is held as one motionless frame for a duration you set (there is no motion, and no audio because a still image has none to carry over), and the unusual extension plus Matroska packaging mean stock phone, TV, and browser apps often refuse the file — MKV-capable players such as VLC and mpv open it directly. If you actually want a shareable, playable video of your image, use AVIF to MP4 instead; if you only need a plain picture, use AVIF to JPG.
.avif onto the page or click "+ Add Files". You can queue several images and they will share the same settings..hevc video, or "Video per image" to get a separate file per picture..hevc output, and "Quality Preset" (default "Very High") sets the encode quality..hevc file. No sign-up, no watermark..hevc File From a StillThe output is a constant-image video, so the settings that change the result are duration, quality, and resolution — not motion. A few patterns cover almost every real use:
.hevc video..hevc Is a Matroska File With an Unusual ExtensionThe .hevc file this tool writes is a Matroska (MKV) container holding an H.265 video stream — a normal video file whose only quirk is the extension. Two consequences still matter, and they are the reason most people who type "AVIF to HEVC" actually want a different page:
.hevc file is silent by design..hevc extension confuses software that judges files by name (renaming to .mkv helps). MKV-capable players — VLC, mpv, other FFmpeg-based tools, and analyzers such as GPAC — open it directly, with timing, duration, and seeking intact.If a tool insists on MP4, a lossless remux is quick — for example ffmpeg -i image.hevc -c copy image.mp4 — but it is optional, not required for playback; or skip the unusual extension entirely and use AVIF to MP4, which gives you a single, widely playable file from the start.
It is worth being precise about what this conversion does, because the two formats are easy to conflate. AVIF stores its pixels as an AV1 bitstream inside a HEIF container — AV1 is the royalty-free codec from the Alliance for Open Media. HEVC (H.265) is a separate, unrelated codec standardized by ITU-T and ISO/IEC. So this is not a container swap or a rewrap: the tool decodes the AV1-coded image and re-encodes the picture with H.265. AV1 and HEVC are competing codecs, and an .hevc stream contains no AV1 data once the conversion is done.
.mkv, remux losslessly to MP4 (ffmpeg -i in.hevc -c copy out.mp4), or use AVIF to MP4 from the start..mkv or remux to MP4 (-c copy) and it behaves.A .hevc target only makes sense when a downstream tool or workflow specifically asks for that extension — an H.265 encode test, or a pipeline that names it. For everything else it is an awkward target: the output from a still image is silent, stock Apple apps refuse its Matroska packaging, and the unusual extension trips software that judges files by name. If your real goal is a video you can share, upload, or hand to a person, skip this page and use AVIF to MP4; if you only need the picture in a widely supported still format, use AVIF to JPG. And a corrupted or partially-decoded AVIF can't be re-encoded — the converter needs a readable image to work from.
This conversion decodes the AVIF picture and re-encodes it with H.265 — the two are unrelated codecs, not a rewrap:
| Aspect | AVIF (source) | HEVC / H.265 (output codec) |
|---|---|---|
| Codec | AV1 bitstream inside a HEIF container | H.265, standardized as ITU-T H.265 / ISO/IEC 23008-2 (2013) |
| Origin | Alliance for Open Media, royalty-free | ITU-T and ISO/IEC |
| Efficiency | AV1, a modern still-image codec | ~25–50% lower bitrate than H.264 at the same quality |
| Color depth | Up to 10/12-bit HDR | Main 10 profile carries 10-bit HDR |
| Relationship | A competing codec to HEVC | A competing codec to AV1 |
| Control | What it does | Default |
|---|---|---|
| Merge images / Video per image | Combine every upload into one file, or produce one per picture | Merge images |
| Image Duration | How long each still is held | 5 seconds per frame (down to 1/60s) |
| Quality Preset | H.265 encode quality | Very High |
| Video Resolution + Keep aspect ratio | Set output size; letterbox instead of stretch | Keep aspect ratio on |
| Background Color | Fills letterbox space around a non-matching image | White |
.hevc output have any motion or sound?No. A single AVIF is one frame, so the stream shows that image held motionless for the duration you set, with no audio at all. A still image has no sound to begin with, so there is nothing to carry over — the Matroska container the tool writes could hold audio, but for image sources the audio menu is hidden and the output is silent by design. If you merge several images, you get cuts between frames but no movement within each.
.hevc file?Anything that plays Matroska: VLC, mpv, and other FFmpeg-based players open it directly, with working duration and seek, and developer tools such as GPAC handle it too. Stock consumer apps — phones, smart TVs, QuickTime, most browsers — generally do not play Matroska, and some software balks at the unfamiliar extension; renaming the file to .mkv helps there. If a tool insists on MP4, remux losslessly with ffmpeg -i image.hevc -c copy image.mp4.
Because AV1 and HEVC are different codecs. AVIF stores its picture as an AV1 bitstream inside a HEIF container, while .hevc is an H.265 stream. There is no way to rewrap AV1 data as H.265, so the tool decodes the AVIF image and re-encodes it with the H.265 encoder. You end up with a genuine HEVC stream that contains no AV1 data.
.hevc file from an image instead of MP4?Almost the only reason is a workflow that specifically asks for the .hevc extension — an H.265 encode test, or a pipeline that names it. For anything you want to watch or share, choose AVIF to MP4: MP4/H.264 plays in stock phone, TV, and browser apps, where the Matroska-packaged .hevc file needs an MKV-capable player — and the output from a still is silent either way.
Roughly half at the same visual quality. HEVC (ITU-T H.265 / ISO/IEC 23008-2, published in 2013) was designed for about a 25-50% lower bitrate than H.264, with the savings growing at higher resolutions. It also defines a Main 10 profile with 10-bit depth, so if your AVIF is HDR or wide-gamut, an H.265 encode can preserve that color depth rather than flatten it. In our testing, a single 1080p AVIF held for five seconds at the default Very High quality produced a small H.265 stream of a few hundred kilobytes, since one repeated frame compresses efficiently.
It can. H.265 defines a Main 10 profile that carries 10-bit depth, so a wide-gamut or HDR AVIF can be encoded without being flattened to 8-bit. Keep the Quality Preset on "Very High" to hold the most detail in the single frame.
"Image Duration" sets how long the still is held (default "5 seconds per frame", down to 1/60s for a single frame at 60 fps). Choose "Merge images" and upload your files in order to place them one after another in a single output; choose "Video per image" to get a separate output for each picture.
No. Your AVIF is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion. There is no sign-up, no watermark, and files are never shared or made public.