Initializing... drag & drop files here
Supports: CR3
A CR3 is a Canon RAW photo — a single high-bit-depth still straight off the sensor — and WMV (Windows Media Video) is a legacy Microsoft video codec. This converter bridges the two by rendering the RAW frame and holding it on screen as a short, silent clip. It is an unusual pairing, so read the format facts below before you commit: most people who land here actually want a normal photo, in which case CR3 to JPG is the right tool, or — if you genuinely need the still as a playable video — CR3 to MP4 produces a far more compatible file than WMV.
Two things make CR3 to WMV an awkward fit, and both are worth understanding up front:
Pick WMV only when a specific Windows Media Player, Windows Movie Maker, or Windows-only application insists on the .wmv extension. For anything else, the cross-links above are the better path.
| Property | Value |
|---|---|
| Full name | Canon RAW 3 (Canon CRX) |
| Type | Camera RAW still image (single frame, no audio) |
| Released | 2018, debuting on the Canon EOS M50 |
| Container | ISO Base Media File Format (ISO/IEC 14496-12) — the MP4/HEIF family |
| Sensor payload | Canon RAW (lossless) or C-RAW (compact, visually lossy) |
| Bit depth | Typically 14-bit per pixel of sensor data |
| Resolution | ~20-45+ megapixels depending on body |
| Editor support | Canon DPP, Lightroom Classic 8.0+, Camera Raw 11.3+ |
| Supersedes | Canon CR2 (the older TIFF/EP-based RAW) |
| Best for | Editing latitude, archival master files |
| Property | Value |
|---|---|
| Full name | Windows Media Video |
| Type | Lossy video codec inside a container |
| Container | ASF (Advanced Systems Format) |
| Default codec here | WMV 2 (the FourCC for Windows Media Video 8) |
| Other codec option | WMV 1 (Windows Media Video 7) for older targets |
| Audio | A WMV can carry WMA — but a CR3 source is silent, so this output has no audio |
| Standards note | The later WMV 9 was standardized in 2006 as SMPTE 421M, better known as VC-1 |
| Native support | Strong on Windows; thin on phones, browsers, and macOS without extra codecs |
| Best for | Legacy Windows Media workflows requiring a .wmv file |
No — CR3 is a single RAW photograph, not footage. There is no motion or timeline inside the file, so converting one CR3 yields a freeze-frame: the rendered image held for the Image Duration you set, with no panning and no audio. To build an actual moving sequence you need multiple CR3s merged together; one file can only ever become one static frame on screen.
The video defaults to WMV 2 — the FourCC for Windows Media Video 8 — inside an ASF container, which is the standard makeup of a .wmv file. Under the Video Codec menu in Advanced Options you can switch to WMV 1 (Windows Media Video 7) if an older target requires it. Both are distinct from WMV 9, which Microsoft submitted to SMPTE and which was standardized in 2006 as SMPTE 421M, better known as VC-1.
Because a still photo carries no audio data, so the WMV is video-only. A WMV container can hold a WMA audio stream, but there is nothing in a single CR3 to fill it. The converter hides the audio codec entirely for image sources. If you want music or narration, convert first, then add an audio track in any video editor.
Yes, substantially, and it is inherent to the conversion rather than a tool flaw. A CR3 stores roughly 14-bit, unprocessed sensor data that must be demosaiced and tone-mapped to become viewable; that render bakes in white balance, exposure, and color, so the RAW latitude — the whole reason to shoot CR3 — is gone once it is a video frame. On top of that, a 20-45+ MP RAW is scaled down to a WMV frame (standard-definition-to-1080p class), discarding most of the resolution, and WMV 2 is an older, lossy codec. Always keep the master CR3 — the WMV is a delivery file, not an archive.
CR2 (2004) was a TIFF/EP-based RAW used by Canon DSLRs through the 5D Mark IV era; CR3 (2018, starting with the EOS M50) switched to the ISO Base Media File Format container — the same family as MP4 and HEIF — and added the lossy C-RAW mode. For the conversion itself the difference is minor: both are demosaiced to a viewable frame before encoding to WMV. If you have older Canon files, use CR2 to WMV instead.
For almost every purpose, JPG or MP4. If you want to view, print, share, or upload the photograph, CR3 to JPG gives you a universal image that opens everywhere. If you genuinely need the still as a playable clip, CR3 to MP4 produces an H.264 file that plays on phones, browsers, and modern editors — whereas WMV has thin support outside Windows. Choose WMV only when a Windows-only Media application specifically demands the .wmv extension.
Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after the conversion — no sign-up, no watermark, never shared or made public. In our testing, a single 24-megapixel CR3 converted at the default duration produced a short, silent WMV that opened in both Windows Media Player and VLC without an extra codec download.