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Supports: CR3
.cr3 straight off the card or the SD-card folder, and batch is supported — drop in a whole shoot and each frame converts in parallel, then download them as one ZIP.CR3 (Canon Raw version 3) is the raw photo format Canon introduced with the EOS M50 in April 2018 and now uses across its DIGIC 8 and later mirrorless and DSLR bodies — the EOS R series, RP, 1DX Mark III, SX70 HS, and successors. Unlike the older TIFF-based CR2, a CR3 is built on the ISO Base Media File Format (ISO/IEC 14496-12 — the same box-based container family as MP4) and compresses sensor data with Canon's proprietary crx codec. It carries the unprocessed sensor readout plus an embedded JPEG preview, full EXIF, and lens-correction profiles.
That raw data is exactly why you eventually have to convert it. A CR3 is a digital negative, not a finished picture: it holds far more dynamic range and color information than a JPEG, but almost nothing outside Canon's Digital Photo Professional and a handful of editors (Lightroom, Capture One, recent Photoshop) can open one. The reasons people convert away from CR3:
crx codec still happily open a TIFF or PNG. Exporting a 16-bit TIFF hands the next editor maximum tonal headroom without needing a raw decoder.| Format | Type | Bit depth | Best for | Native support |
|---|---|---|---|---|
| CR3 (source) | Lossless or lossy raw (crx) | 14-bit sensor data | Editing latitude, the original capture | Canon DPP, Lightroom, Capture One, Photoshop |
| JPG | Lossy, 8-bit | 8-bit | Sharing, printing, web, email | Every viewer, browser, and OS |
| PNG | Lossless, 8/16-bit | 8 or 16-bit | Edits with text/graphics, transparency | Every browser and editor |
| TIFF | Lossless, 8/16-bit | up to 16-bit | Archival masters, print, further editing | Editors and pro tools (not browsers) |
| WebP | Lossy or lossless | 8-bit | Modern web delivery, smaller than JPG | Chrome, Firefox, Edge, Safari 14+ |
| HEIC | Lossy (HEVC) | up to 10-bit | Apple-ecosystem photos, small size | iOS/macOS; Windows needs an add-on |
| AVIF | Lossy or lossless (AV1) | up to 12-bit | Best web compression at quality | Chrome, Firefox, Edge, Safari 16.1+ |
Natively, Canon's free Digital Photo Professional (DPP) opens every CR3, and so do Adobe Lightroom and Camera Raw, Capture One, and recent versions of Photoshop. Support arrived gradually: because CR3 uses Canon's proprietary crx codec rather than the TIFF base of the older CR2, many third-party tools and operating-system thumbnailers lagged for years after the format's 2018 debut. If your app can't read a CR3, converting it to JPG or TIFF here produces a file that opens anywhere.
Some, but it's usually invisible. A CR3 holds 14-bit raw sensor data; a JPG is 8-bit and lossy, so the conversion bakes in your white balance and exposure and discards the editing latitude a raw keeps. For sharing, printing, and the web that loss doesn't matter — at the "Very High" Quality Preset the JPG looks identical on screen. Keep the original CR3 (or export a 16-bit TIFF) if you might want to re-edit later, since you can't recover raw headroom from a JPG.
C-RAW is Canon's optional compact raw mode, also stored inside a CR3. It uses lossy wavelet compression to make files roughly 35–40% smaller than standard lossless raw, with little visible quality difference. Both lossless CR3 and C-RAW are decoded the same way during conversion, so whichever your camera was set to, the output JPG, TIFF, or PNG comes out correctly — C-RAW files just started smaller on the card.
For photographic work, TIFF — specifically a 16-bit TIFF, which you can select under Bit Depth. It preserves far more tonal gradation than an 8-bit file, which matters when an editor pushes shadows or shifts color. PNG is lossless too but most useful when the image has hard edges, text, or graphics overlays, or when you need transparency. For a pure photographic master headed back into an editor, a 16-bit TIFF gives the most headroom.
Because the operating system needs a codec that understands Canon's crx format, and that support was slow to ship. Windows requires the Raw Image Extension from the Microsoft Store, and older macOS versions lacked CR3 thumbnailing until Apple added it for newer Canon bodies. Until the codec is installed your file browser shows generic icons even though the files are fine. Converting to JPG sidesteps the problem entirely — JPGs thumbnail everywhere.
Yes. Drop the entire folder onto the page and every CR3 converts in parallel, then downloads together as a single ZIP — handy for delivering a full session as JPGs. In our testing, a batch of 24-megapixel EOS R CR3 files exported to "Very High" JPG produced share-ready files around 4–8 MB each, a fraction of the raw originals, with no per-file quantity limit on the batch.
Yes. Files travel over an encrypted (TLS) connection, are processed on our servers, and are deleted automatically after a few hours — they are never shared, made public, or used for anything but your conversion. There's no sign-up and no watermark. If you'd rather keep raws entirely offline, Canon's free Digital Photo Professional can also batch-export CR3 to JPG on your own machine.