Initializing... drag & drop files here
Supports: DCR
A .dcr file is a Kodak Digital Camera RAW still — the unprocessed sensor data from an older Kodak DCS professional camera, not a viewable everyday photo. MPEG-2 (.mpeg2 / .mpg) is the ISO/IEC 13818 video standard used for DVD-Video and broadcast. This tool demosaics the RAW image to a standard 8-bit frame and wraps that single flattened still into a short, silent MPEG-2 clip — useful as source material for a DVD-authoring or editing timeline. It does not create an animation, and there is no audio track.
If you just want to view or share the photo, convert DCR to a standard image instead: see DCR to JPG or DCR to PNG.
| Property | Value |
|---|---|
| Full name | Kodak Digital Camera RAW Image |
| Developer | Eastman Kodak |
| Container | TIFF-based |
| Payload | Minimally-processed sensor data, lossless-JPEG compressed (like Canon CR2 / Adobe DNG) |
| Bit depth | 12-14 bits per channel (sensor) |
| Used by | Kodak DCS line (e.g. DCS Pro Back, DCS Pro SLR/n) |
| Opens in | Adobe Lightroom, Photoshop, RawTherapee, dcraw |
| Best for | Archival masters and editing originals, before demosaicing |
| Property | Value |
|---|---|
| Standard | ISO/IEC 13818 (Part 2 = ITU-T H.262) |
| Standardized | 1996 |
| Type | Lossy video, intra- and inter-frame |
| DVD-Video resolution | 720×480 (NTSC), 720×576 (PAL) |
| Max DVD video bitrate | 9.8 Mbit/s peak |
| Used by | DVD-Video, ATSC/DVB broadcast, HDV, Blu-ray |
| Best for | DVD authoring, editing-timeline source, legacy player compatibility |
| Audio | Separate stream (this still-to-video output is silent) |
.dcr file or click "+ Add Files". You can queue several Kodak RAW stills at once.The realistic reason is to feed a still into a DVD-authoring project or a video-editing timeline that wants a self-contained clip — for example a title card or a held photo in a slideshow. For viewing or sharing the photo itself, a standard image like JPG or PNG is the right target; MPEG-2 only makes sense when you specifically need a video container.
No. A DCR holds 12-14 bits per channel of sensor data, while an MPEG-2 frame is 8-bit and lossy. Demosaicing happens during conversion, so the wide tonal range of the RAW is baked down to a finished, compressed picture. Keep the original .dcr as your master if you ever need to re-edit.
No. A DCR is a single still image with no audio, so the MPEG-2 clip is silent. The output is one frame held for the duration you set — it is not an animation.
This tool handles the Kodak Digital Camera RAW image. There is an unrelated .dcr extension used by Macromedia/Adobe Director (Shockwave) media, which is not an image and is not supported here.
DVD-Video MPEG-2 is 720×480 for NTSC regions and 720×576 for PAL/SECAM regions, with a video bitrate up to 9.8 Mbit/s. Match the standard for your target player; for a non-DVD editing timeline you can keep a larger resolution.
MPEG-2 is older and less efficient than H.264 or HEVC, so files are larger at a given quality. The reason to choose it is compatibility: DVD players and some broadcast and editing workflows expect MPEG-2 specifically. If you do not need that, a DCR to MP4 clip is smaller and more widely playable.
Your DCR is uploaded over an encrypted connection, processed on our servers, and then deleted automatically after a few hours. There is no sign-up, no watermark, and files are never shared or made public. In our testing, a single 6-megapixel DCR held for five seconds produced a roughly 1-2 MB silent MPEG-2 clip at the default Very High preset, depending on the chosen resolution.