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Supports: DNG
A DNG is a single still photograph — Adobe's open container for unprocessed camera sensor data. MPEG-2 is a motion-video coding standard. So this conversion is not a re-wrap of one picture format into another: it builds a short silent video clip that holds your frame on screen for a duration you choose, encoded with the same codec DVD-Video and digital broadcast used for two decades. If what you actually want is a viewable picture, DNG to JPG or DNG to TIFF is the right page. Choose MPEG-2 when a DVD-era player, a broadcast ingest step, or an old editing timeline needs the photo delivered as video.
.dng onto the page or click "Add Files" to browse. Several photos can be queued at once; how they are combined is decided by the next setting.| Property | Value |
|---|---|
| Full name | Digital Negative |
| Publisher | Adobe |
| Launched | September 27, 2004, alongside specification 1.0.0.0 |
| Latest specification | 1.7.1.0, September 2023 |
| Built on | TIFF/EP (ISO 12234-2, published 2001), structured as a TIFF file |
| Payload | Unprocessed sensor data plus capture metadata, typically 12–16 bits per channel |
| Motion | None — a DNG is one still frame |
| Licensing | Openly published by Adobe and free of patent restrictions |
| Property | Value |
|---|---|
| Standard | ISO/IEC 13818-2, technically identical to ITU-T H.262 |
| First published | 1996 |
| Colour / precision | 4:2:0 chroma subsampling, 8-bit samples in Main Profile |
| Wrapper written here | An MPEG program stream — the same wrapper family as .mpg/.mpeg files and DVD .VOB objects |
| Audio track | None in this conversion; a photograph carries no audio |
| Patent status | Expired worldwide on January 3, 2024, with Malaysia the sole exception |
| Best for | DVD authoring, legacy set-top players, broadcast and older NLE timelines |
| Modern replacement | H.264 in an MP4 container |
Before any video encoding happens, the RAW file has to become ordinary pixels. Your DNG is rasterised to a clean PNG first — libvips handles most files, with ImageMagick as the fallback that copes with camera RAW formats — and the long edge is capped at 4096 pixels so the frame stays inside what the encoder handles reliably. That intermediate frame is then looped for the Image Duration you picked and encoded as MPEG-2 video at one frame per second, with B-frames switched off because they add a start-time delay and buy nothing on a sequence of identical frames.
Two consequences follow. First, the wide latitude of RAW is gone: 12–16 bit sensor data is baked down to 8-bit 4:2:0, so deep shadows and bright skies can band. Second, the output has no audio stream at all — there is no "silent track", simply no track. If you need a soundtrack, add one afterwards in a video editor.
Because a photograph contains no audio to carry over. On this page the Audio Codec control is not shown at all, and the encoder writes video only — the file has no audio stream rather than an empty one. Most players show this as a missing audio track, which is expected. Add music or narration afterwards in any video editor if the clip needs sound.
The clip runs for whatever "Image Duration" is set to, and the default is 5 seconds per frame. The dropdown spans single-frame durations (1/60 s, 1/30 s, 1/24 s) through 0.1–0.5 second steps up to 10 seconds per frame. With the default Merge strategy, several uploaded photos are joined into one clip, so total running time is roughly the number of photos multiplied by the per-frame duration.
One, unless you say otherwise. The "Merge strategy" control defaults to "Merge images", which concatenates each photo into a single continuous clip in upload order. Switch it to "Video per image" if you want one MPEG-2 file per photo instead. This is worth checking before you convert, because it is the single setting that changes the shape of your output the most.
Partly. A DNG holds 12–16 bit unprocessed sensor data with enormous tonal headroom; MPEG-2 Main Profile stores 8-bit samples with 4:2:0 chroma subsampling and lossy DCT compression. Smooth gradients — skies, studio backdrops, deep shadow — are the first things to show banding. Raising the Quality Preset above the Very High default helps, but it cannot restore bit depth. For anything you plan to edit or print, keep a still format such as DNG to TIFF.
The .mpeg2 extension follows this converter's naming; the bytes inside are an MPEG program stream carrying MPEG-2 video. VLC, mpv and ffmpeg-based tools detect the contents and play it regardless of the extension. Some older players and hardware devices dispatch strictly on the file name — if one refuses to open the file, rename it to .mpg or .mpeg and it will be recognised. Nothing about the file changes; only the name does.
MPEG-2 is the right answer only when something downstream demands it: a DVD authoring tool, a broadcast ingest spec, or an editing suite from that era. Everywhere else H.264 in MP4 is smaller at matching quality and plays on phones, browsers and modern TVs without argument — that is DNG to MP4. If the requirement is just "a video file", pick MP4.
By default "Video resolution" is set to "Keep original", so the clip inherits the photo's pixel dimensions after the 4096-pixel long-edge cap is applied. Full-frame RAW files routinely exceed that cap, so a 6000-pixel-wide capture is scaled down before encoding. Choose a fixed or preset resolution in the same control if you need to hit an exact frame size, such as 720×480 for NTSC DVD work.
It fills whatever the photo does not cover. A DNG has no transparency, so at the default "Keep original" resolution you will never see it. The moment you force a different output size or aspect ratio, padding appears around the frame, and that padding is painted in the Background Color — White by default, with a palette of named colours available in the dropdown. Set it to Black if you want conventional letterbox bars.
Your DNG is uploaded over an encrypted connection, converted on our servers, and deleted automatically after a few hours. There is no sign-up, no watermark, and nothing is ever shared or made public.