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Supports: DNG
DNG (Adobe Digital Negative) is a raw still photograph — a single frame of unprocessed sensor data. MXF (Material Exchange Format) is a professional video container used in broadcast and post-production. Converting one to the other wraps your single photo as a short, silent MXF video clip that simply holds the image on screen. It does not animate, and it produces no audio. For most people MXF is the wrong target — see "Is MXF the right output?" below before you start.
| Property | Value |
|---|---|
| Type | Raw still-image container (one photograph) |
| Created by | Adobe |
| Introduced | 2004 |
| Built on | TIFF/EP (extends TIFF 6.0) |
| Compression | Lossless; stores unprocessed sensor data |
| Bit depth | High (typically 12-16 bits per channel from the sensor) |
| Audio / motion | None — a single still frame |
| Best for | Archiving and editing camera raw photos without vendor lock-in |
| Property | Value |
|---|---|
| Type | Professional video/audio container (wraps essence + metadata) |
| Standardized by | SMPTE (ST 377, latest ST 377-1:2019) |
| First released | 2004 |
| Common payloads | XDCAM, DVCPRO/P2, IMX (D-10), DNxHD and similar pro codecs |
| Operational patterns | OP1a (general interchange, self-contained file); OP-Atom (constrained, one essence stream per file — what Avid Media Composer expects) |
| Default codec here | MPEG-2 video, PCM audio track unused on a silent still |
| Best for | Broadcast delivery, tapeless archiving, Avid/Premiere ingest, Digital Cinema Packages |
MXF is a niche professional wrapper, not a general-purpose video format. A media player, phone, or browser will usually refuse to open an MXF, and the conversion flattens your raw's wide latitude and high bit depth into ordinary 8-bit video. Pick MXF only when a specific professional workflow demands it — for example, ingesting a still into an Avid or Premiere broadcast timeline, or matching a station's MXF delivery spec. In those cases, confirm whether the destination wants OP1a (a single self-contained file) or Avid-style OP-Atom before you build the rest of your project around it.
If you just want a viewable photograph, convert DNG to JPG — a JPG opens everywhere with no video wrapper. If you want a shareable clip of the image for a phone, social feed, or ordinary editor, DNG to MP4 is far more universal than MXF and uses the broadly compatible H.264 codec.
No. A DNG is a single still photograph, so the MXF simply holds that one image on screen for the Duration you set. There is no panning, no animation, and no hidden motion inside a single raw file. To build a sequence, upload several DNGs and choose Merge images so each photo gets the same on-screen time.
Because a still photo contains no sound. This conversion produces a video-only MXF — the container can carry a PCM audio track, but there is nothing to put in it. Add music or narration later in a video editor if you need it.
OP1a is the general-interchange operational pattern: one self-contained file with its video (and any audio) interleaved together, which most broadcast and ingest workflows accept. OP-Atom is a highly constrained pattern that stores a single essence stream per file and is what Avid Media Composer expects for its media. Check the requirements of the system you are delivering to — if you are unsure, OP1a is the safer general-purpose choice.
Yes, some loss is unavoidable. DNG holds high-bit-depth, unprocessed sensor data with wide dynamic range; the MXF output is rendered to standard 8-bit video. For viewing the difference is rarely visible, but treat the MXF as a delivery file and keep the original DNG if you plan to grade or edit later.
For most uses, no. MXF is a professional broadcast and post-production wrapper that everyday players and browsers do not open. If you only need the picture, convert DNG to JPG. If you need a clip to share or drop into a normal editor, DNG to MP4 is more compatible. Choose MXF only when a specific professional pipeline requires it.
This tool wraps the rendered frame as MPEG-2 video inside the MXF at the Quality Preset you choose; it does not transcode to house codecs such as DNxHD, XDCAM, or IMX. If your facility mandates a specific broadcast essence, treat this MXF as an intermediate and re-wrap or transcode it in a professional NLE (Avid Media Composer, Premiere Pro, DaVinci Resolve) that can output the exact codec and operational pattern your delivery spec requires.
Yes. Upload multiple DNGs and choose Merge images so every photo is held on screen for the same Duration in a single MXF, or Video per image to get a separate clip for each. This is the simplest way to build a short still-sequence for a broadcast timeline; the result is still silent, since stills carry no sound.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.